The Invisible Hour by Alice Hoffman

book cover

in every fairy tale girl who is saved is the one who rescues herself.

people in love were such fools, they made up excuses, they wound up doing as they pleased no matter how much good advice they been given.

The Invisible Hour is a twice-told tale of a mother and a daughter.

Ivy Jacobs’ Beacon Hill family did not exactly treat it as a crimson-letter day when the sixteen-year-old informed her parents that she was pregnant by a feckless Harvard sophomore. Despite her tender years, Ivy wanted to see the pregnancy through and keep the baby. Decisions and plans were made, none of them involving input from Ivy. The newborn would be put up for adoption. Ivy bails, getting as far away as she can, which turns out to be a sort-of commune in western Massachusetts.

description
Alice Hoffman – image from Penguin Random House – shot by Alyssa Peek

Mia Jacob is the daughter Ivy bore. We meet her at 15. Living in the place to which her mother had fled, The Community. More of a cult really, an authoritarian farm where the leader’s will is law. Joel Davis took Ivy in, married her soon after she’d arrived, so is Mia’s step-father. But child-rearing is communal here, so parenting is not what you or I would recognize. You will recognize the cult-leader, control-freak personality Joel wears like the headgear sported by the QAnon Shaman. Vanity is supposedly being punished, but it is accomplishment, growth, intelligence and independence that are the targets. He likes his followers unquestioning and compliant.

Ivy has stolen parenting moments over the years, so has had a hand in helping Mia find her true self, a young woman who is curious about the world, eager to learn, to investigate, to explore, to read. Discovery of her criminal reading marks her for punishment. When we meet Mia she is, as her mother was, a teen about to flee her oppressive environment.

Although we learn about and spend time with both women, it is Mia who is our primary focus. In a dark time, she considers suicide, but, fortuitously, reads a book that saves her, changing her life, giving her hope, The Scarlet Letter.

We follow her coming of age, assisted by her mother and an understanding librarian in the town where The Community sells their produce.

Her passion for Hawthorne is such that she finds in it a magical power. Alice Hoffman loves her some fairy tales, so it will come as no great shock that one fine day Mia finds herself transported back to the 19th century, and into the presence of her literary love object. Complications ensue. In those, however, we get a sense of Hawthorne, his personality, his material conditions, his family and friends, and his writing challenges. Nice looking fellah, too, to go with that oversized talent.

There is some wonderful imagery woven into the novel. The notion of invisibility is large among these. There are times in which it might be useful to go unseen, as in when one is doing something for which one might be punished, or which are simply secret. On the other hand, it is not so wonderful to be unseen in normal human interactions. Like “Yo, dude, human here. Whaddaya? Blind?” There is some literal invisibility as well.

Apples are a core element as well. There is a particular breed of apple grown in the area, which is no Eden. They seem less associated with The Fall than with a push. Joel uses leaves of that apple tree as a threat. One could certainly see his actions as serpentine. Mia even decides never to eat apples, given the associations she has for them with The Community. Howdaya like dem apples? Johnny Appleseed comes in for some attention, with plantings of his effort bearing local fruit.

The woods as a magical place gets a visit or two. Indeed, magical things go on there. Strange people and buildings appear. There is even one “Once upon a time” in the book. The Woods is where Mia goes to escape.

Much of the tension in the book centers around women taking control of their own lives. This happens in various ways. There is the usual disobedience one would expect, with the most daring taking the greatest risks. Reading figures large in this, as subservience is sustained under the lash of forced-ignorance. Reading is the gateway drug to independent thinking, and dreaming of better. Some women even learn herbal medicine, to see to their needs. The comparisons of the modern day with the repressive Puritan world depicted in The Scarlet Letter are clearly drawn. Plus ça change…

I think it’s a bad idea to write for the moment because the moment passes so quickly. The other thing about time is that what’s right and what’s good and what’s accepted suddenly becomes not. I thought about that with the way women were treated in “The Scarlet Letter,” the way that the Puritans blamed women, and they believed in original sin and that women were responsible for that because of Eve. It all changed, but then it changes back. And then it changes again. A lot of the things that women are coping with right now are not that different, really. The judgment against women. – from the Salon interview

There is a garden in town where all the plants are red. It may feel familiar to frequent readers of Hoffman.

This new book [The Invisible Hour] actually takes place in a town where I wrote a book of connecting stories about called The Red Garden, so it’s the same place. It’s just a novel that takes place in that town. – from the Salon interview

I consider myself an Alice Hoffman fan. While I have not read all her books, I have certainly read more than a couple. Any reader of her books knows that there are certain things one can expect. Among other things, there will be an engaging lead, facing difficult choices, and there will usually be bits, at least, of magic, often of a fairy tale sort. So, one cannot really gripe about a time-travel element pushing things too far, particularly when done in the service of giving us a closer look at a literary icon. My sole gripe is that I felt that the baddie was given too much magical license to pursue his dark ends.

Otherwise, despite it’s title, The Invisible Hours very much deserves to be seen. It offers not only an uplifting, engaging tale of empowerment, but an homage to one of the greats of American literature, and long-form praise of the power, the importance, the necessity of reading. I am sure we can all see the value in that.

“Q: Did you set out to write a novel so deeply rooted in women’s empowerment? How did it evolve to include time travel?”

“A: I started to think about The Scarlet Letter and how modern-day issues for women are not that foreign from issues in that time period. I’m not certain I realized when I first read Nathaniel Hawthorne’s great novel what the deeper meaning of his heroine’s situation is—she has no say over her body or her choices and yet, she does make her own choices. It’s a very brave book.
I’ve always wanted to time travel and been drawn to books about time travel. I think during the time of Covid, when I was writing this, more than ever I want it to be in another time period.”
– from A Conversation with Alice Hoffman, an appendix in the book

Review posted – 12/22/23

Publication date – 8/15/23

This review is cross-posted on my site, Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s personal, Instagram and FB pages
Profile

Other Hoffman books I have reviewed:
—–1999 – Local Girls
—–2003 – Green Angel
—–2004 – Blackbird House
—–2005 – The Ice Queen
—–2011 – The Red Garden
—–2011 – The Dovekeepers
—–2017 – Faithful
—–2017 – The Rules of Magic
—–2019 – The World That We Knew

Interviews
—–Salon – “I want to believe”: Alice Hoffman is always seeking magic, practical and otherwise by Alison Stine
—–Shondaland – Alice Hoffman Talks Her Latest Novel, ‘The Invisible Hour’ by Sandra Ebejer
—–Harvard Review – An Interview with Alice Hoffman by Christina Thompson

Song
—–Agnes Obel – Brother Sparrow – relevance to the chapter title

Item of Interest from the author
—–Salon – Alice Hoffman: Five amazing tips to help you write your novel

Items of Interest
—–Wiki on Nathaniel Hawthorne
—–Wiki on Johnny Appleseed, mentioned multiple times
—–Gutenberg – full text of The Scarlet Letter
—–Good Will Hunting – Howdaya like dem apples?
—–Wiki on the QAnon Shaman

Leave a comment

Filed under Fantasy, Feminism, Fiction, Historical Fiction, Literary Fiction, Religion

The Bee Sting by Paul Murray

book cover

In the next town over, a man had killed his family. He’d nailed the doors shut so they couldn’t get out; the neighbours heard them running through the rooms, screaming for mercy. When he had finished he turned the gun on himself.
Everyone was talking about it – about what kind of man could do such a thing, about the secrets he must have had. Rumours swirled about affairs, addiction, hidden files on his computer.
Elaine just said she was surprised it didn’t happen more often.

For months now she has been having the same dream Of a flood that sweeps through the house Carries off clothes from the wardrobes Toys from the cupboards Food from the table In the dream she is trying to stop it She is wading around, pulling things out of the water But there’s too much to hold in her arms and it overcomes her The current grows stronger Pulls away the appliances the kitchen island tiles from the floor paint from the at the edge of the water watching her go Staring down as she’s swept past In their eyes she is old Her youth is gone too It has all been washed away by the water

The Barnes family is having their problems. It is 2014 in small-town Ireland. We follow Dickie, Imelda, his wife, PJ, their son, and Cass, a high school senior, through a range of travails. Leo Tolstoy’s Anna Karenina opens with, Happy families are all alike; every unhappy family is unhappy in its own way. Guess which category the Barnes family fits into.

PJ is almost a teen, so will have a lot of growing-up to do, but he is faced already with challenges that are plenty daunting. Coping with bullies at school is no fun, if a particularly usual checklist item in coming-of-age stories. But he is also beset by the thug teen child of one of his father’s customers, who feels his family has been cheated by Dickie. Beatings happen, and more are promised if he does not pay up. And these are the lesser of the challenges he faces. On the upside, he likes spending time hanging out with his father, working on a project in the woods behind their house.

description
Paul Murray – image from the Hindustan Times – shot by Lee Pelligrini

Cass has teen-angst aplenty, coping with her social status, her newly-ripening sexuality and her attraction to a promiscuous friend. She is trying to define who she is. (which is not exactly a wonderful person when we meet her.) A part of that is seeing herself as separate from her family. She would definitely not want to be associated with those people. She is particularly hostile to her father, blaming him for the demise of the family business, and the collateral social impact that is having on her. She is not a stunner like her mother, which does not help. The prospect of heading off to college in Dublin offers a concrete escape route, the sooner the better. She is besties, I guess, with Elaine, who is as amoral and unfeeling as she is beautiful.

Imelda came from a working-class family. Rough around the edges would be a kind description. But she was born a knockout. It was always going to be her ticket out. She falls in love with the town’s football superstar, Frank. They are to be wed. Frank stands to inherit a successful family business, and should be able to provide nicely for her. Problem is a literal crash and burn, and buh-bye Frank. She winds up marrying Frank’s older, smarter, but not-golden-boyish brother, Dickie.

Dickie had the brains for college, and attended, for a few years, until an unfortunate event derailed his collegiate career and he headed home. He may have been the smarter of the brothers, but Frank had the gift of salesmanship, and was a better fit to take over the car dealership. But when Frank dies, it falls to Dickie to step in. He manages, but it is not work he exactly loves.

These days, he is spending time in the woods behind their home, building a defense against Armageddon, spurred on by a troll-like employee who exhales conspiracy theories and seems to be looking forward to the coming end-times. He has a lot of time on his hands. The car-dealership is in the crapper. Along with plenty of other businesses, suffering not only from a global economic downturn, but massive flooding in the town. Dickie’s father, Maurice, retired, but still the owner, swoops in to try to fix things, blaming Dickie for the difficulties. Dickie is not entirely faultless here. But there are serious complications with him.

We follow these four for over six hundred pages, getting to know them intimately. We learn their secrets, see them change, see them cope with relentless stressors, see them grow, or not. This is the greatest power of the novel. Each is faced with decisions, moral choices, that define their character, that define their changes, maybe their failures. If that were all, it would be an outstanding piece of work, but Murray offers a very rich palette of content as well, raising it to another level.

There are many notions that run throughout The Bee Sting’s considerable girth. Space has been reserved to handle them all. The core, of course, is family. Not exactly the most functional, the Barnses. Parents who have been raised to hide their emotions have no natural ability to make a happy home.

You couldn’t protect the people you loved – that was the lesson of history, and it struck him therefore that to love someone meant to be opened up to a radically heightened level of suffering. He said I love you to his wife and it felt like a curse, an invitation to Fate to swerve a fuel truck head-on into her, to send a stray spark shooting from the fireplace to her dressing gown. He saw her screaming, her poor terrified face beneath his, as she writhed in flames on the living-room carpet. And the child too! Though she hadn’t yet been born, she was there too. All night he listened to her scream in his head – he couldn’t sleep from it, he just lay there and sobbed, because he knew he couldn’t protect her, couldn’t protect her enough…

On top of which, secrets abound. They are all trying to find a way out, except for PJ, who is mostly interested in seeing things returned to the way they were before the dealership miseries began, and radiated outward. Murray shows how dysfunction and damage can carry forward from one generation to the next, the brutality of Imelda’s family, the emotional absence of Dickie’s. But all has not been destroyed.

When Dad was fun everything was fun. Not just holidays, not just Christmas. Going to the supermarket! Cutting the grass! At bedtime they had pyjama races, they read Lord of the Rings cover to cover, they put a torch under their chins and told each other ghost stories…

Family connection is important, mostly in the desire of most to sever it. Dickie was desperate as a young man to get away, get an education, do something other than sell cars for the rest of his life. Imelda came from a toxic family (not all of them) and also struggles with her connection to the family she is in, for current-day part of the story. Cass wants out, ASAP. Tethers are cut, but some are also sewn. The tension between these struggles is fuel for the story.

Murray looks at the impact of the environment on peoples’ lives. The story is set at the tail end of the recession from the Celtic Tiger boom that had preceded. The economic environment was still pretty tough and we see how this impacts the family.

It will come as no shock that a major, unusual, flood impacts Dickie’s already sinking business, with talk of liquidation, that a water leak in the Barnes house carries omens, and that Imelda dreams of being washed away, as she is forced to cope with losing the luxury level lifestyle to which she thinks her incredible beauty entitles her. Cass’s collegiate prospects and social standing are endangered. Other players in the story are challenged as well. PJ is fast out-growing all his clothing, but does not want to be a burden on the now-struggling family, so keeps quiet and castigates his feet for growing too much. There is a stream involving the presence of gray squirrels in Ireland. They are an invasive species, as of a century back, and carry a disease that is fatal to the native red squirrels. Are they the only locals in danger of being wiped out?

Another stream is the notion of returning, coming back from the dead, in particular.

Some people might say that the key problem is with coming back from the dead specifically. Because obviously death is a pretty serious step with all kinds of long-term effects that you’re not going to just shake off. But lately you’ve noticed it with other things too, that even though they never actually died, when they came back from where they’d gone they were still completely changed.

Imelda keeps looking for the ghost of Frank to show up at her wedding to Dickie. Dickie is definitely not the same after returning from Dublin. Same for Cass and PJ. Other characters, a maid, a mechanic, a patriarch, return as well, with mixed results.

…is it worth taking the risk? Sometimes? If you could still sort of see the person they were and you thought maybe there was still enough time, if you knew what to do or say?

Bees get a bit of attention, if a bit less than expected. The bee sting of the title is inflicted on Imelda, on her way to her wedding to Dickie. Her face was in no condition to be seen, so every wedding picture of her is through her veil. There is another passage about the mating habits of bees. It does not end well for the males.

…the pesticide the farmers use on plants contains a neuro-toxin that destroys their memory so they forget their way home, can’t make it back to the hive where they live, and that’s why they’re dying out. When they looked in the hives they found them not full of dead bees, but mysteriously empty. Maybe that’s what happened to Cass, you think. Maybe air pollution in the city has damaged her brain and now she’s forgotten her home. Though really you know it started way before she came here.

The impact of stinging on the stinger is also considered.

There is even a bit of magic as Imelda’s Aunt Rose has a particular gift, sees things that others cannot, says sooths, a family thing, but not one that Imelda has ever manifested.

Murray writes in differing styles. Most of the book is presented as third-person omniscient, describing the actions and peering inside to reveal the characters’ thoughts and feelings. Standard stuff. The final section, The Age of Loneliness, is written in the second person. We alternately assume the POV of the main characters, as each races toward the stunning climax. Imelda gets a breathless, minimally formatted structure. There is a sample in the second quote at the top of this review.

I wrote Imelda’s section, and I knew she was on her way to this dinner… I wrote that first line like she, well, she needs to use the bathroom really urgently. And I put commas in and a full stop. And it did not feel right at all. The only way to write it was without the punctuation, and I wanted it to feel like you’re in her head. She doesn’t parse things in the same educated way that Dickie or indeed the kids would do. She just thinks in this much more immediate, intensive way. When you go from the kids’ sections into Imelda’s section, I wanted it to feel like, woah, there’s a change in gear here. Like there’s something’s going on that hasn’t been apparent up until now. At this moment in her life, but maybe at every point in her life, everything feels extremely precarious. She’s on this knife edge, all the time. She always feels like everything’s going to collapse, the floor is going to disappear from under her and she’s going to just tumble down into the past with her abusive dad and the poverty and the grimness and stuff. – from the. Hindustani Times interview

It would not be a Paul Murray novel if you did not come away from the reading without a few more laugh lines in your face. He takes the most liberty with this in the teens’ sections, the most reminiscent of the grand, rude humor of Skippy Dies to be found here. For example

Nature in her eyes was almost as bad as sports. The way it kept growing? The way things, like crops or whatever, would die and then next year they came back? Did no one else get how creepy that was?

or

Behind him, another boy, not as tall but slightly droopier, had started kissing Elaine. It was distracting; it seemed like she could hear it even over the metal, a squelching noise like walking on frogspawn.

or

It feels weird reading a prayer off his phone, where he has looked at so many unreligious things. He hopes the Virgin Mary knows it’s meant for her, that he’s not praying to e.g. Candy Crush or Pornhub.

You get the idea. Love this stuff.

So what’s not to like? Nothing, nothing at all. This is a wonderful, engaging, risk-taking, funny, moving, horrifying, engaging, biting, human triumph of a novel. You may feel stung by elements in this great tale, but you will come away with a literary trove of honey.

Ireland is a place where people are very good at talking. People are so funny and have such brilliant stories, and it’s a way to disguise what you’re actually feeling. The reason, I think, is because this is a place where very terrible things have happened and the way we deal with them is by not addressing them. So I feel like the ghosts are alive and they’re active. The past is affecting what you’re doing in a very real way. And if you don’t address the issues, then the darkness just grows, and the damage gets passed down from one generation to the next, like in the book. – from the Guardian interview

Review posted – 12/8/23

Publication date – 8/15/23

The Bee Sting was short-listed for the Booker Prize

I received an ARE of The Bee Sting from FSG in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on my site, Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to Paul Murray pages on Wikipedia and Goodreads

Interviews
—–Hindustani Times – Paul Murray – “Climate change is something I worry about all the time” by Saudamini Jain – READ THIS ONE
—– The Guardian – Paul Murray: ‘I just dumped all my sadness into the book’ by Killian Fox
—–The Booker Prizes – A Q&A with Booker Prize 2023 shortlisted author Paul Murray – video – 4:08

My review of an earlier book by Murray
—–Skippy Dies – one of the best books EVER!

Items of Interest from the author
—–New York Magazine – 3/15/23 – Who is Still Inside the Metaverse?
—–The Guardian – Paul Murray: ‘How the banks got rich off poor people would be a painful read without comedy’ on The Mark and the Void
—–Boston College Libraries – Fall 2022 – How to Write a Novel – video – 1:20:05 – Paul from 7:45 – On the book from 18:25 – well, sort of – Largely about why it took so long between novels – and his experience with screenwriting – Wicked funny, too.
—–Outlook India – Excerpt

Leave a comment

Filed under Fiction, Literary Fiction, Reviews

A Taste for Poison by Neil Bradbury

book cover

… a chemical is not intrinsically, good or bad, it’s just a chemical. What differs is the intent with which the chemical is used: either to preserve life – – or to take it.

Within the annals of crime, murder holds a particularly heinous position. And among the means of killing, fewer methods generate such a peculiar morbid fascination as poison. Compared with hot blooded spur of the moment, murderers, the planned and cold calculations involved in murder by poison, perfectly fit the legal term malice aforethought. Poisoning requires planning and knowledge of the victim’s habits. It requires consideration of how the poison will be administered. Some poisons can kill within minutes; others can be given slowly, over time, gradually accumulating in the body, but still leading inexorably to the victim’s death.

If you are a fan of True Crime, if you are a fan of TV procedurals, if you are a fan of murder mysteries, A Taste for Poison is a must read. You will be much better prepared to keep up with the medical examiners in all venues when you can recognize the victims’ symptoms, at least if the book or show gives you a chance to try figuring it out for yourself before the truth is revealed.

Neil Bradbury grew up fascinated by murder mysteries and poisons. He is a graduate of the University of St. Andrews in Scotland, and the University of Wales School of Medicine, with degrees in Biochemistry and Medical Biochemistry. Although he grew up in the UK, he now lives and works in Illinois, USA, where he’s a scientist, teacher and writer. He also gets to play with nasty chemicals every day (during scientific experiments of course). – from his site

description
Dr. Neil Bradbury – image from his site

He has carefully mixed his interests and profession to produce a fun, informative look at poisons through the ages. One might wonder if he wrote the book using a poison pen. I wouldn’t, but some might. He includes looks at the following: Aconite, Arsenic, Atropine, Chlorine, Cyanide, Digoxin, Insulin, Potassium, Polonium, Ricin, and Strychnine. None would qualify as pretty, although cyanide does gift its victims with a lovely ruddy complexion.

One of the primary themes of the book is that poisoning is the misapplication of healing pharma to dark purpose. Think water. Necessary for human survival, comes in many forms. These days it forms a base layer for a surface layer of every imaginable flavor, nifty literary tool too, right? But water-boarding, or tsunami? Not so much.

Bradbury goes through the medically helpful aspects of multiple poisons, then shows how they have been used to kill, who used them, on whom they were used, how the crimes were figured out and prosecuted, and what happened to the poisoners. In doing this he provides us with a history of when it became possible to diagnose (detect) each poison as a murder weapon, (of particular interest in historical mystery dramas) and details the biology of how each works its dark arts inside the human body.

Sadly, for those with a poison-based homicidal urge, the subjects of Bradbury’s reporting, for the most part, were tried and convicted. And today, in the absence of governments protecting state-sponsored poisoners, very few such crimes go unpunished.

You are unlikely to recognize the names here, at least the names of the killers, attempted killers, and victims, but as with many in the history of medicine, that is not unusual. Nevertheless, the details are here, as many crimes are examined.

Bradbury offers a fun collection of historical odds and ends, like how the telegraph, newly in service, foiled the escape of one poisoner. Or how one particular poison may have been at the root of vampire mythology, or how strychnine was used as a pick-me-up in the early 20th century, or the surprising cost of manufacturing polonium, and even a new take on some Van Goh masterpieces.

The only downside for me was that I tended to get a bit lost in the sections detailing the biological and chemical workings of these substances inside the body. I would not say they are extremely technical. I would say that I was always complete garbage at chemistry, and not a whole lot better at biology, so may have nurtured a disaffection that is unlikely to affect you the same way. There is some humor in the book, but not a whole lot.

Still, As a consumer of a considerable amount of crime-based entertainment, I was particularly drawn to this book. The how-dun-it often is as important as the who, and by detailing victim symptomology as well as poisoner and investigator methodologies, we can all get a greater appreciation for the challenges entailed. I may not have had the right chemical receptors for the scientific details, but there is plenty of intel in here that will enhance your engagement in crime shows, and teach you a bit about the history of these substances, many of which exist in common parlance. So, it may or may not be for you. I guess you will just have to pick your poison.

…in France in the late 1600s, the effectiveness of arsenic and disposing of wealthy relatives who had the temerity to remain alive, was so widespread that it gained the name Poudre de succession, or “inheritance powder.”

Review posted – 11/17/23

Publication dates
———-Hardcover – 2/1/22
———-Trade paperback – 8/15/23

I received a paperback of A Taste for Poison from Griffin in return for a fair review. I am happy to report that the tingling feeling in my hands, which began after I first began to read the book, soon abated. Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on my site, Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s personal and Goodreads author pages

Alas, as far as I was able to find, Bradbury’s on-line presence is slender, limited to his personal site and GR author page. Maybe laying low after having taken care of some personal rivals?

Interview
—–Murder & MayhemTalking Poisons with Dr. Neil Bradbury

Items of Interest
—–Listverse – Top 10 Remorseless Poisoners That History Almost Forgot by Radu Alexander
—–Philadelphia Inquirer –A Pennsylvania nurse is accused of killing 4 patients, injuring others with high doses of insulin by Bruce Shipkowski and Brooke Schultz, Associated Press
—–Wikipedia – List of Poisonings through history – from 399 BC to 2021 – a nifty list

Leave a comment

Filed under History, Non-fiction, Science and Nature, True crime

Thornhedge by T. Kingfisher

book cover

In the early days, the wall of thorns had been distressingly obvious. There was simply no way to hide a hedge with thorns like sword blades and stems as thick as a man’s thigh. A wall like that invited curiosity and with curiosity came axes, and it was all the fairy could do to keep some of those curious folk from gaining entrance to the tower.
Eventually, though, the brambles had grown up around the edges—blackberry and briar and dog rose, all the weedy opportunists—and that softened the edge of the thorn wall and gave the fairy some breathing room. Roving princes and penniless younger sons had been fascinated by the thorns, which were so obviously there to keep people out. Hardly anybody was interested in a bramble thicket.

How does anyone manage? There are too many streams and they all flow and all of them could be good and there’s no way to know. How does anyone ever choose to do anything?

Match.com profile – Languid Lady – Wanna meet a real princess? Low maintenance, fond of comfortable bedding, long walks in dreamland, quiet weekends at home in the castle. If you are looking for consistency, a quiet, luxurious, restful life, send me a message. Only real princes need apply. Let’s make some magic together. (Submitted for a friend)

description
T. Kingfisher aka Ursula Vernon – image from Open Library

We all know, or should know, the story of Sleeping Beauty, whether the Disney version or some other. Beautiful princess is tucked away in a tower for a seemingly endless nap, done dirt by an evil fairy. Kingfisher, as she has done many times with established tales, offers a different perspective.

description
Illustration for Charles Perrault’s La Belle au Bois Dormant from Histoires ou Contes du Temps passé: Les Contes de ma Mère l’Oye (1697) – image from Wiki

This time, what if it was not a dark force, but a kind one that had caused all those zzzzzzzzzs? What if there was a good reason for doing so? What is someone was charged with making sure that no one disturbed the sleeper, however many years, decades, centuries might pass?

One thing I like to do with fairy tales is to look at them and go “How can I make this even worse?” – from the Grim Dark interview

I am not so sure that Kingfisher’s tale really is a worse version. Well, maybe worse that the Disney version. But far from the worst. There is one (and there are others as bad) in which a wandering king happens by the castle where a sleeper named Talia is housed. He decides this is a great opportunity for him, absconds with her virginity, and leaves the unconscious Talia pregnant with twins. What a guy!

We get a look at some of the trappings of fairy tales, including a fairy civilization that is maybe not so nice. Another, the Greenteeth, who raised her, provide our heroine with her other side abilities. These include the power to switch back and forth between human and toad form, which can come in handy. Her name is Toadling. She has been dutifully standing guard over the castle in which the sleeper has been kept for multiple centuries.

description
From MY BOOK OF FAVOURITE FAIRY TALES ILLUSTRATED BY JENNIE HARBOUR. – image from Wiki

Until one day, a knight arrives. Halim is not one of those spoiled, handsome, armored snots who usually trot through such tales, slaying dragons and rescuing (abducting?) fair maidens. He is a Muslim, for one, and, not being a first-born, not exactly in line for a nice inheritance.

Being a knight isn’t about being religious, you know, so much as it is to figure out what to do with your extra sons so they don’t tear up the family seat. Every now and then someone gets the idea we should start chopping each other’s heads off, but in practice, the Pope squats in Rome like a spider and the caliphs glare at one another over their walls, and the rest of us get along as best we can with each other.”

As is obvious from this, Halim comes across as a pretty decent sort, mostly there to check out something he had read, about a long-form sleeper in a tower. I suppose there might be an angle of interest in forming an alliance with a landed bit of royalty when your own prospects are a bit slim, but really, it is mostly curiosity. We are led to think that he is a good guy by the conversations he has with Toadling. But is he on the level with her, or is he trying to manipulate her into letting him past the massive thorn hedge that surrounds the castle?

description
The Sleeping Beauty by Edward Frederick Brewtnall – image from Wiki

For her part, Toadling is riven with guilt for having messed up a magical task she had been assigned, thus her lengthy tenure at this post. She is dutiful, and honor-bound.

Toadling tells Halim her (and thus the sleeper’s) story in bits, so that by the time we are nearing the end, we know all there is to know about how the whole princess-in-a-tower situation came to be, the decisions that were made, the actions that followed and the active perils.

description
The sleeping Beauty by Viktor Vasnetsov – image from Wiki – Showing the somnolence of the entire household – not so much in this telling

There are multiple sources of joy in this novella (30K words). The first is the interaction between Halim and Toadling. Both are modest people. She tells Halim that she is not beautiful, and he says the same of himself.

Practical overworked middle-aged women basically keep the world running…And being myself a rather frumpy middle-aged woman, I write stories about people like me partly because they’re very much who I can write, but also because I want those women to have stories. Sometimes we read fantasy stories in order to pretend we’re someone else, but sometimes we read fantasy stories in order to pretend that people like us can have adventures too. Mind you, if the readers ever get tired of reading about middle-aged gardeners, I’m probably in trouble, but so far, so good. – from the Grim Dark interview

The second is the creative reinterpretation Kingfisher had concocted of the classic tale. It is far from alone. The Sleeping Beauty story first appeared in the 14th century. A later version, adapted by Charles Perrault in the late seventeenth century forms the basis of all later versions, including the one transmitted by the Brothers Grimm. That one was called Little Briar Rose. I am sure you will be excited to learn that there is classification system for fairy tales, called the Aarne-Thompson system. It was news to me that this existed. It is a major tool for folklorists. Sleeping Beauty slots in at Type #410, FYI. There have been many versions over eight hundred years.

The third is Toadling herself. She is such a wonderful character, a good person challenged with outrageous fortune in her life, but holding up because her core is good, kind, and strong. You will quite enjoy spending time with her.

description
Disney’s Aurora – image from ArmChairCinema.com

Thematically, there are walls aplenty in here, the fortress, of course, the thornhedge of the book’s title, and the barriers between the human world and the land of fairy. Halim offers a lovely image for Toadling.

“There’s a very high wall,” said Halim, “according to the imams, called al-A’raf. Between hell and paradise. And if you haven’t been good enough or evil enough to go one place or the other, you live in this wall. But even those people will eventually enter paradise, because God is merciful.” He jammed his chin onto his fist and gazed at Toadling. “It seems like you’ve been stuck in that wall for quite a long time now . . . That’s all the theology I’ve got in me, incidentally, so I hope it’s useful.”
Toadling sighed. “I would like to climb down from that wall,” she admitted.

And there is the wall between Toadling and Halim. Will they break through that one?

description
Sleeping Beauty wakes up after the kiss of a prince — Or –Startled by the presence of a strange man, the young lady sat up while sharply wiping her mouth. “And just who the f&^k are you, dirtbag?” by Otto Kubel- image from Wiki

Bottom line is that Thornhedge is a lot of fun. It takes our expectations and turns them inside out, all the while offering us the welcome companionship of Toadling. This new interpretation of an old tale is rich with creativity. No spindles required. Let Kingfisher put you under her spell and you will be in for a magical read.

Review posted – 10/27/23

Publication date – 8/15/23

I received an ARE of Thornhedge from Tor.com in return for a fair(y) review. Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s personal, Goodreads, and Twitter pages

Profile – from the Fantasy Hive
T. Kingfisher is the adult fiction pseudonym of Ursula Vernon, the multi-award-winning author of Digger and Dragonbreath. She is an author and illustrator based in North Carolina who has been nominated for the Ursa Major Award, the Eisner Awards, and has won the Nebula Award for Best Short Story for “Jackalope Wives” in 2015 and the Hugo Award for Best Novelette for “The Tomato Thief” in 2017. Her debut adult horror novel, The Twisted Ones, won the 2020 Dragon Award for Best Horror Novel, and was followed by the critically acclaimed The Hollow Places.

Interviews
—–The Fantasy Hive – Interview with T. Kingfisher
—–Grim Dark Magazine- Not All Curses should be Broken by Rona Denton
—–Orion Magazine – T. Kingfisher Wrings Hope and Drama from Fairy Tales by Kyla McCallum

My review of an earlier book by Kingfisher
—–What Moves the Dead

Songs/Music
—–Into the Woods – Agony (reprise)
—–Beautiful Dreamer – written by Stephen Foster – performed by Leslie Guinn and Gilbert Kalish

Items of Interest
—–Wiki on Sleeping Beauty – there is a lot here
—–Wiki – The Fairy Tales of the Brothers Grimm (Rackham)/Briar Rose
—–Wiki – Aarne–Thompson–Uther Index

Leave a comment

Filed under Fantasy, Fiction, Literary Fiction, Novella, Romantic Comedy

Fearfully and Wonderfully Made by Maureen Seaberg

book cover

I had no idea my experience was so different from other people’s. Now I’m convinced that everybody has their own unique holographic experience of the sensory world.”

Synesthesia has been incorrectly defined, in my humble opinion, as “crossed wires in the brain” or “mixed-up senses.” In fact, synesthetes have the same primary response to a stimulus as neurotypical people do. If the numeral 5 appears in newsprint, I know that it is black on a white (well, somewhat beige) background. However, simultaneously, I see navy blue around that number and above that number it, like an aura. Therefore, I’ve created what I believe is a much better definition: Synesthesias are traits in which a sensory stimulus yields the expected sensory response plus one or more additional sensory responses.

For myself, I have always been on the lower end of the taste/smell sensitivity bell curve, presuming there to be such a thing. I have always attributed this to the DNA luck of the draw. Some of it, though, might be a product of my homemaker mother’s abilities as a cook. There were a few things she made that were mouth-watering, but for the most part, it was said of Mom that she had a close relationship with Chef-Boyardee. Thus, it is no shock that my appreciation for cuisine exists in a narrow range. As smell is closely associated with taste, the two have traveled this low experiential road together. But maybe there is some hope for me and for folks with limitations like mine Maybe there are ways to expand the range of flavors and aromas we can detect and enjoy. (Make real friends with our taste buds?) That possibility is one of the points that Maureen Seaberg makes in her new book, Fearfully and Wonderfully Made. There are several others.

description
Maureen Seaberg – image from Amazon

Seaberg is a synesthete, gifted with abilities beyond the average. Even within that, she is a tetrachromat, proud possessor of four sets of visual cones to our usual kit of three. She has used this extra-sightedness to help a cosmetics firm produce more pleasing hues. She is also a mirror-touch synesthete, which means that she can feel your pain, really.

Patricia Lynne Duffy, a member of the United Nations Staff 1 Percent for Development Fund committee, was safely ensconced in her Manhattan office, but when she read the proposals before her, she felt the pain of the world’s most fragile people.

She is the author of multiple books on her personal experience as a sensory anomaly, and others looking into the science of what makes us different. Among these are Tasting the Universe, Struck by Genius, and The Synesthesia Experience.

While highlighting the differences in human capacity, Seaberg argues that we are all potentially synesthetes, but that our acculturation has defined limits to what our senses regard as the human range. She says we are capable of much more, and cites sundry studies to show our surprising range. One shows that we can detect light down to a single photon.

Is it that we are all, or most of us, or many of us, capable of experiencing, sensing much more of our world that we have to date? Are these tools in our toolbox that we have merely never been trained to use? Seaberg uses the examples of many people who are either synesthetes, or who have naturally enhanced capabilities to argue that we could be experiencing much, much more than we do. She also notes people who, through traumatic events, (a mugging in one case) have subsequently displayed enhanced capacities, supporting the notion that we all may have considerable untapped potential. One surprising element here is her reporting on the benefits of the Montessori teaching method, which encourages multi-sensate learning.

She suggests we incorporate into our psychological and medical frameworks the notion of a Perception Quotient, or PQ. Just as we have for our rational processing with the intelligence Quotient, or IQ, and EQ for Emotional abilities.

Seaberg spends some time with the question of transhumanism, the notion that people can evolve beyond our current biological constraints by incorporating connections (merging?) with technology. She argues against such, contending that our realized and latent capacities can take us a lot further than we have gone, without the need for electronic enhancement.

There’s plenty of evidence that humans are adapting to, even passing, machines by using their senses. Just look at the mind-meld young people have with their personal devices and the manual deftness with which they use them compared to older generations. Maybe the singularity moves in two directions, and we meet somewhere along the way. There’s a human-based component not yet considered. And since we’ve recently learned that human sensory potentials are far greater than we knew, perhaps we have a little more time to think about the value of being Homo sapiens.

In a related vein, she notes that there are mirror-touch synesthetes who blur those lines.

A very small subset of the neurological outliers known as mirror-touch synesthetes have extreme empathy for machines. They are sometimes able to feel the mechanisms in their own sensitive bodies. I call them machine synesthetes or machine empaths.

She touches on some even more esoteric subjects, like the remote viewing program sponsored by the USA military from the 1970s into the 1990s, and the possibility of consciousness permeating more of our biosphere than we may have realized.

If you are looking for a how-to re expanding your sensate horizons I would look elsewhere. The prompts offered for that here are introductory at best. Seaberg does offer some other places to go for that. This is more a treatise on the possibility of capacity expansion, not a manual for expanding ourselves.

If we are indeed the architects of our own reality, it is clear that some of us have been gifted with a superior toolkit for interpreting what we see, hear, smell, taste, and touch, in that construction process. Maybe for the rest of us there are some tools in the basement or shed that have been gathering dust all our lives, tools that can be cleaned off, greased up, and maybe even powered up. It may or may not be a widespread opportunity, but it is certainly a hopeful and very interesting one. In trying to make sense of senses, Maureen Seaberg has written a fascinating, accessible work on human possibility that should stimulate your curiosity, whether or not you experience collateral sounds, colors, scents or other incomings. Checking this book out would definitely be sensible.

“We genuinely experience scent as the emotion we have attached to it,” one sensory educator said. “Our hearts lift at the aroma that reminds us of a happy day at the beach, or our hearts break a little when we smell the aroma of a long-dead relative’s soap.”

Review posted – 10/20/23

Publication date – 8/8/23

I received an ARE of Fearfully and Wonderfully Made from St. Martin’s Press in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s personal, Instagram, LinkedIn, and Twitter pages

Interviews
—–Audacy – The Science of Synesthesia and Super Sensors – audio – 30 min
—–PSIfest 2023 – Curious Realm – Maureen Seaberg @PSIFest 2023 – Video – 27:01

Songs/Music
—–Rollingstones – She’s a Rainbow – maybe another form of synesthesia

Items of Interest
—–Untapped Cities – THE SECRET COLORS OF NYC: HOW MAC’S NEW COLOR TALENT SEES THE CITY DIFFERENTLY THAN YOU by Owen Shapiro
—–Charlotte McConaghy’s wonderful novel, Once There Were Wolves, offers a fictional look at someone with mirror-touch synesthesia
—–Wiki – Montessori Method
—–Wiki – The Stargate Project – remote viewing by the military
—–Wiki – Transhumanism
—–Optimax – Tetrachromacy: Do you have superhuman vision?

Leave a comment

Filed under Evolution, Non-fiction, Science and Nature

Holly by Stephen King

book cover

I had to write this book to write one scene, which I saw clearly in my mind. Holly attending her mother’s zoom funeral. I didn’t have a story to go with it, which was unfortunate, but I kept my feelers out because I loved Holly from the first and wanted to be with her again. Then one day I read a newspaper story about an honor killing. I didn’t think that could be my story, but I loved the headline, which was something like this: everyone thought they were a sweet old couple until the bodies began turning up in the backyard. Killer old folks, I thought. That’s my story. – from Author’s Note

Holly Gibney, partner in the Finders Keepers Detective Agency she inherited from Bill Hodges, (of the Bill Hodges trilogy, in which Holly first appeared) is called in by a distraught mother, Penny Dahl. Her daughter, Bonnie, has been missing for three weeks, and the police are at the point of washing their hands of the case. A peculiar, ambiguous note had been found on her bicycle. But there was no helmet found. Curious, no?

description
Stephen King – image from New Hampshire Magazine – illustrated by John R. Goodwin

Holly is on her own, as her partner is laid up with COVID. She has just attended her mother’s funeral. So Holly is emotionally laid low. People close to her have urged her to take some time to grieve. Still, a case might be a way to keep moving, so the game is afoot. It is not long before another missing person case shows up in her research, and another. Tough to prove, but Holly suspects there is a serial killer at work. The book opens with

It’s an old city, and no longer in very good shape, nor is the lake beside which it has been built, but there are parts of it that are still pretty nice. Longtime residents would probably agree that the nicest section is Sugar Heights, and the nicest street running through it is Ridge Road, which makes a gentle downhill curve from Bell College of Arts and Sciences to Deerfield Park, two miles below. On its way, Ridge Road passes many fine houses, some of which belong to college faculty and some to the city’s more successful businesspeople—doctors, lawyers, bankers, and top-of-the-pyramid business executives. Most of these homes are Victorians, with impeccable paintjobs, bow windows, and lots of gingerbread trim.

Hmmm, maybe King was not quite done with thought processes from his novel, Fairy Tale. One of those Victorians is home to a couple of octogenarians, mostly-retired professors at the nearby Bell University. They seem ok to a brief glance, but spend time with either one and you might feel the urge to pop up and say, “check please.” Both are considered, at the very least, odd, by those who know them. Some find them creepy. They are far worse.

Holly is assisted in her investigation by two associates from prior cases. Jerome and Barbara Robinson are both game to help, but both have other things going on, so are not entirely available. This is a crucial element in sustaining tension, (along with hoping Holly can figure out what is going on in time to save Bonnie) as their disconnection from Holly keeps her from figuring everything out much sooner. What happens if you have, among the team, all the pieces to the puzzle but simply cannot get them all on the table at the same time?

The story proceeds as, um, a procedural. Discover this clue, follow it, find another clue, follow that, and so on. Keep the unconnected breadcrumbs floating about in one’s consciousness until it becomes clear where they lead. There is nothing paranormal going on in this one, although abnormal would certainly fit.

Two time-lines swap back and forth. In the present, July 2021, Holly pursues her investigation. In the other we flash back to each of the victims, who they were, how they were taken, and how they were treated once captured.

King wrote this book during the height of the COVID pandemic, and wanted to make that a major part of the novel. We encounter Holly when she is disconnecting from her mother’s funeral. She, and others, had attended via Zoom. Mom was a diehard, literally, anti-vaxer. Buh-bye. And from what Holly expresses about the dearly departed, she is not all that sad to see her go. Throughout the story, Holly has to decide, mask-or-no-mask, for every interview. Shake hands or bump elbows? She is maybe OCD, or even somewhere on the autism spectrum, but she certainly has an enhanced intuition that some think might be a form of the shining made famous in the book by that name. Maybe she is just a really gifted detective? There is no overt diagnosing of Holly’s abilities or limitations in the book.

In addition to the presence of COVID, King offers looks at a range of people and their political attitudes. A bowling alley manager is a full-on conspiracy theorist. Emily Harris’s diverse bigotries are baked in. Speaking of bigotries, one that 76-year-old King addresses is ageism. It usually manifests in presuming the elderly to be incapable of or disinterested in this or that based simply on their age. This is a bit of bias that Holly shares, to her own peril.

I know that there are a lot of people out there on X, or whatever you want to call it, that are convinced that Covid is over and it’s not a going concern anymore. What do you think of that idea?
Well, Holly’s mother is a Covid denier, and she dies in the hospital of Covid. And to the very end, she’s saying, “I’ve just got the flu. The flu is what I have.” And I think that it goes back to this is not a new thing. There have been people for years who have just been vaccination deniers who say that if you get a vaccination for a certain kind of thing, you’re going to cause birth defects in your children, this and that. Or if you vaccinate your children, they could have strokes. And you see the same things about the Covid vaccinations. There’s this constant story that thousands of people are dying of heart disease because of the vaccinations. It’s not true, but it’s gained a lot of credence. So there’s a lot of that. And I tried to put that in the book. There are characters in the book who just say, “I don’t believe in this bullshit. It’s all crap.” And that’s the life that we live. And I always try to reflect the time that I’m writing in. – from the Rollingstone interview

It is easy to root for Holly Gibney as she struggles to learn the truth. This keeps us interested in the book. King is right to keep going back to her. (this is the sixth time) She is sooooo engaging. But there is another course in this meal. King points out how holding false beliefs can lead to mayhem, even death. It certainly did for Holly’s mom, and there is at least one criminal motivation in here that is based on a non-COVID-related disproven theory.

This may not be to everyone’s taste. “I’ve had enough” was the note left on Bonnie Dahl’s bicycle. But I bet that by the time you finish reading Holly you will be hungry for a second helping.

The outsider masquerading as Terri Maitland was evil. So was the one masquerading as Chet Ondowsky. The same was true of Brady Hartsfield, who found a way to go on doing dirt (Bill’s phrase) even after he should have been rendered harmless. Rendered that way by Holly herself. But Roddy and Emily Harris were worse.

Review posted – 10/13/23

Publication date – 9/5/23

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

SK’s personal and FB pages

my reviews of some other books by this King
—–2022 – Fairy Tale
—–2020 – If It Bleeds
—–2019 – The Institute
—–2014 – Revival
—–2014 – Mr. Mercedes
—–2013 – Doctor Sleep
—–2009 – Under the Dome
—–2008 – Duma Key
—–2006 – Lisey’s Story
—–1977 – The Shining

Other King Family (Joe Hill) books I have reviewed:
—–2019 – Full Throttle
—–2017 – Strange Weather
—–2016 – The Fireman
—–2013 – NOS4A2
—–2007 – Heart-Shaped Box
—–2005 – 20th Century Ghosts

Interviews
—–Rollingstone – Stephen King Knows Anti-Vaxxers Are Going to Hate His Latest Book: ‘Knock Yourself Out’ by Brenna Ehrlich
—–GMA – Stephen King talks new book, ‘Holly’ – lightweight, but with some nice personal details re SK
—–Talking Scared – Episode #155 – Stephen King & Writing From the Nerve Endings with Neil McRobert – audio – 1:08:56

Songs/Music
—–Pretty Little Angel Eyes – chapter 9 – Roddy sings this to Emily while serving her supper

Items of Interest from the author
—–Entertainment Weekly – excerpt from Chapter 2
—–SK reads – excerpt – video- 8:00
—–Entertainment Weekly – excerpt – print

Items of Interest
—–League of Gentlemen – Special Stuff
—–Angela Lansbury and Len Cariou – A Little Priest – original cast recording

Leave a comment

Filed under Fiction, Horror, Mystery, psycho killer, Suspense, Thriller, Thriller

First to the Front by Larissa Rinehart

book cover

On Sunday February 18, [1945] the lieutenant in charge of Navy press at the
Oakland air base agreed to see her. Eying her credentials once more, he handed them back.
“And just where was it you wanted to go,” he asked.
She had been rehearsing her response ever since her credentials first arrived in the mail.
“As far forward as you’ll let me,” she replied.
“Be here at 0600, tomorrow,” he said.

…good intentions have rarely paved such a direct route to hell.

Back in World War II there was a small bit of graffiti that appeared in many places across the world. It showed a nose, the fingers of two hands and eyes peeking over a wall, or a fence, along with the words “Kilroy was here.” It was meant to show that American soldiers had been in a particular place, and that they had been everywhere. If Dickey Chapelle had wanted to, she could have left her graffiti across the world as well, not just to show that she had been there, but that she had been the first woman, the first reporter, the first woman reporter who had done the job in many, many dangerous places.

She slept in Bedouin tents in the Algerian desert, and in the foxholes she dug herself in the hills overlooking Beirut. She rode in picket boats between battleships off the coast of Iwo Jima and flew in a nuclear-armed jet stationed on an aircraft carrier in the Aegean sea. On New Year’s Eve 1958, she patrolled the Soviet border with the Turkish infantry. On New Year’s Day 1959, she photographed Fidel Castro’s army as they entered Havana. She jumped out of planes over America, the Dominican Republic, South Korea, Laos, and Vietnam. She heard bullets flying over her head in Asia, North America, Europe, and Africa, and knew that they all sounded the same.

description
Engraving of Kilroy on the National World War II Memorial in Washington D.C. – image and descriptive text from Wikipedia

It is likely you have heard of Margaret Bourke-White, famed for her coverage of World War II. You may have heard of Marguerite Higgins, noted for reporting on the Korean War. It is very unlikely you have heard of the subject of this book. Go on Wikipedia, or most other places that aggregate such information, and look up World War II correspondents. Chapelle, whose full name was Georgette Louise Marie Meyer Chapelle, is unlikely to appear. Yet, she did seminal work covering diverse elements of the war, including battles on the front lines. She even trained as a paratrooper, so she could jump into battle zones with American military units, which she did. Lorissa Rinehart seeks to correct that oversight.

description
Lorissa Rinehart – Image from Macmillan

She tracks Dickey from her brief stint as a student of aeronautical engineering at MIT. Soon after, she was a journalist in Florida, covering a tragic air show in Cuba. It was her first real reporting “at the front” of a deadly event. And the way ahead was set. When Hitler invaded Poland in 1939, she saw that war was coming with United States. Although Congress did not agree to declare war, it did ramp up production of airplanes and other war materials to support the effort against Nazism.

description
Dickey Chapelle – Image from Narratively, courtesy of Wisconsin Historical Society

She learned that she would have to become a photographer if she wanted to cover the war. So she took photography classes. Among her teachers was the man she would marry, Anthony “Tony” Chapelle. Their relationship was never a natural. He was much older, controlling, with a temper, described by some as a consummate con man. He would be jealous of her successes, and seemingly always eager to undermine her confidence. But he was a very successful war photographer and taught her the skills that would enhance her natural eye, helping make her the great photojournalist she would become.

description
Dickey Chapelle photographs marines in 1955 – image From Wall Street Journal – from Wisconsin Historical Society

Rinehart tracks not only Chapelle’s adventures on the front lines of many military conflicts, but the skirmishes in which she was forced to engage to gain permission to be there at all. Sexism, as one would expect, forms a major portion of those struggles, but some had to do with her being a journalist at all, regardless of her gender. There is a string of firsts next to her name in the history of journalism, and the word “female” does not appear in all of them. Sadly, she was the first female correspondent killed in Viet Nam.

description
Chapelle with Pilots – image from the Wisconsin Historical Society

Dickey was tough as nails, enduring some of the same training as the GIs she was covering. In addition to her considerable coverage of World War II, she was on the front lines of the major hot spots in the Cold War. Not only embedded with marines, Chapelle spent considerable time with troops from Turkey, Castro’s rebels in Cuba, anti-Castro plotters in Florida, secret American forces in Laos, Laotian anti-communist fighters, Algerian revolutionaries, Hungarian rebels, and more. The list is substantial. She would keep diving in, wanting to get the immediate experience of the fighters, the civilians caught in the crossfire, the human impact of war. No Five o’clock Follies for Dickey. She was not interested in being a stenographer for brass talking points, seeing that approach as the enemy of truthful reporting.

description
Dickey Chapelle sits and drinks coffee with the FLN Scorpion Battalion Rebels in the Atlas Mountains in Algeria
– image and descriptive text from the Wisconsin Historical Society – shot by Dickey Chapelle

Chapelle was captured, imprisoned, and tortured in Hungary by Soviet forces. It gave her a particularly pointed perspective on the treatment of prisoners by Western militaries, and the greater implications of the USA not holding to the highest international standards.

One of her greatest gifts was a respect for local cultures and particularly local fighters. She was quite aware of how hard they trained, how hard and far they pushed themselves, how much deprivation they willingly endured. Yet she encountered attitudes from American officers and leaders that regarded non-white fighters through a self-defeating racist lens. Chapelle tried to get the message across to those in command how wrong they were in their regard for the locals the USA was supposedly there to support. Despite occasionally breaking through the brain-truth barrier, that engagement proved a demoralizing, losing battle.

description
Iwo Jima Medical Facilities – image from the Wisconsin Historical Society – shot by Dickey Chapelle

Another example of her analytical capability was fed by her time with a community in Laos, led by a cleric, possessed of superior tactical and political approaches. She tried to bring her knowledge of this to American military leaders. It was not a total failure. Although her ideas were not implemented to a meaningful extent, she was eventually brought in by the military to teach what she knew to new officers.

Through much of her work, which included extensive coverage of the on-the-ground Marshall Plan in Europe, her marriage to Tony was seemingly in constant crisis. It was an ongoing war, with dustups aplenty, advances and retreats, damage incurred, but resulted, ultimately, in a separation of forces, which freed Chapelle to pursue her front-line compulsion unimpeded by contrary wishes.

description
Fidel Castro with cigar, and five other men
– image from the Wisconsin Historical Society – shot by Dickey Chapelle

Her employers were not always news outlets. She was employed by the Red Cross to document the need for blood in the war zone. She covered a hospital ship, and medical units on the battlefield. It was hoped that her coverage would give a boost to a national blood drive encouraging Americans to give blood for wounded soldiers. It was a huge success. She worked for the American Friends Service Committee covering military behavior in the Dominican Republic. Other non-profits paid for her to report from other parts of the world. And sundry magazines provided enough employment to keep her working almost constantly.

description
A woman in a headscarf crosses an improvised bridge in the vicinity of the village of Tamsweg, escaping from Hungary to Austria
– image from the Wisconsin Historical Society – shot by Dickey Chapelle

This is an amazing book about an amazing woman.The story of Dickey Chapelle reads like fiction. Even though we know this is a biography, and that what is on the page has already occurred, Rinehart makes the story sing. Her story-telling skill brings us into the scenes of conflict, sometimes terror, so we tremble or gird along with her subject. She taps into the adventure of Dickey’s life, as well as the peril. This is the life that Dickey had sought, and which would be her undoing. The book reads like a novel, fast, exciting, eye-opening, frustrating, enraging, sad, but ultimately satisfying. Dickey Chapelle’s was a life that was as rich with stumbling blocks as it was with jobs well done, but ultimately it was a life well lived, offering concrete benefits to those who were exposed to her work, and an inspiration for many who have followed in her bootsteps.

I side with prisoners against guards, enlisted men against officers, weakness against power.
—Dickey Chapelle

Review posted – 10/6/23

Publication date – 7/11/23

I received a copy of First to the Front from St. Martin’s Press in return for a fair review. Thanks, folks.

This review is cross-posted on Goodreads. Stop by and say Hi!

======================================EXTRA STUFF

Links to Lorissa Rinehart’s personal, FB, and Instagram pages

Profile – from Women Also Know History

Lorissa Rinehart writes about art, war, and their points of intersection.
Her writing has recently appeared in Hyperallergic, Perfect Strangers, and Narratively, among other publications…When not writing she can be found photographing the natural world impinging upon the urban landscape or digging in the dirt with her husband and two sons in Santa Barbara, California. She holds an MA from NYU in Experimental Humanities and a BA in Literature from UC Santa Cruz.

Interviews
—–Writers Talking – Season 2 Episode 7 – Talking to Lorissa Rinehart – podcast – 50:30
—–Hidden History Podcast – A Conversation with Lorissa Rinehart with John Rodriguez – video – 40:18 – begin at 1:43 – there is a transcript on the side
—–Cold War Conversations – Dickey Chapelle – Trailblazing Female Cold War Journalist – audio – 1:01:50

Items of Interest from the author
—–The War Horse – excerpt
—–Facebook reel – Rinehart on Dickey Chapelle showing incredible guts
—–FB – The Top 10 Books She Read to Prepare
—–The History Reader – Escaping Algeria – excerpt
—–Narratively – The Parachuting Female Photojournalist Who Dove Into War Headfirst

Item of Interest
—–Milwaukee PBS – Behind the Pearl Earrings: The Story of Dickey Chapelle, Combat Photojournalist – video documentary- 56:05
—–Political Dictionary – Five o’clock Follies

#womeninwwii #womeninwar #womenjournalists #womenheroes #wwiibooks #wwiihistory #newbooks #mustread

Leave a comment

Filed under American history, Bio/Autobio/Memoir, biography, Feminism, History, Journalism, Non-fiction, Public policy, Reviews, World History

Mrs. Plansky’s Revenge by Spencer Quinn

book cover

Maybe sex made more sense than marriage—or even dating—in old age. Wasn’t courtship for the young?

Meet me at Café des Artistes, eighteen hundred.”
“Is that the address?”
He blew out an irritated-sounding breath. “Six,” he said. “Six o’clock this evening. Your hotel—the Royale, I assume—can give you directions.”
“How will I know you?”
“I’ll wear a billboard with a question mark.”
Click.

Loretta Plansky, widowed, retired, pretty fair tennis player, (particularly considering her new hip, only nine-months in) 71, Florida resident, financially comfortable, wakes one morning to discover that she has been pretty much cleaned out. Bank account, retirement fund, investments, the whole kit and caboodle, well, mostly. It seems that the ten grand she had given to her grandson, Will, overnight went instead to cybercriminals. The real Will had not asked her for anything. (Of course, I am totally in favor of folks sending cash to people named Will, but that’s just me. Any amount gratefully accepted.). The FBI special agent in charge holds out virtually no hope of her ever seeing her lost funds restored, but her number two, about to leave the bureau for a private gig, gives Mrs P one intriguing bit of intel. Unwilling to let this crime stand, she heads out to darkest Romania hoping to do…what? who knows? something.

description
Spencer Quinn (pen name for Peter Abrahams) – image from Macmillan – photo by Diana Gray

Mrs P is an intrepid investigator, with an unusual skill set. She manages to talk to a relevant person at the US embassy in Bucharest, and persists in following up the few clues that float down her way.

The story is told in parallel lanes. Mrs P is the primary of course, but we are also let in on the doings on the other side. Dinu is a teenager with a gift for and enthusiastic interest in American English. He collects colloquialisms and contemporary American slang the way a video-game player collects tokens to gain power. Of course, the power Dinu is amassing causes real harm. His scary uncle has paid to train him, and is now employing Dinu in making calls to American grandparents, pretending to be their stressed-out grandson, in need of emergency cash in order to get out of jail, or whatever. He has a computer whiz bff, Romeo, another teen, who is also employed by the scary uncle. Generally, they do not seem all that morally concerned about what they are doing, and the pay is good.

So, Mrs P makes her way to the relevant town, and stumbles her way through to the sort of cozy resolution one might expect. Along the way there are mysterious passageways, dark deeds, life-threatening adventures, a car chase, a valuable jewel, and some very unpleasant characters. So, I guess this is less of a cozy mystery and more of a cozy adventure tale.

It is a very good-natured story, and Mrs P is a fun lead, a very engaging sort, a good egg, who has been done dirt, but who would prefer to take matters into her own hands rather than leave her fate to the dubious efforts of others. She displays considerable courage, the creativity of an experienced field agent, and a wily serenity in stressful circumstances. One lovely element was her continued connection to her late husband, Norm. No magical realism here, just a pining for the person to whom she had been the closest for most of her life, as she shares thoughts and concerns with his memory, wondering at his theoretical advice. She is also a very kind person, amenable to applying the resources she has…well, had…to helping out her kids, despite that not necessarily being the wisest choice.

You will get a taste of Romania, a very small taste. Most entertaining among these is a hotel festooned with portraits of Bela Lugosi.

There is enough humor in here to generate several actual LOLs, which is always welcome

BUT, as things were winding up to the big finish, there were multiple eye-roller events that took me out of the book. Like running a marathon then tripping over a stick in the road, then another, then another. I did finish the book, and it was a fun read, for the most part. But I found myself saying “Really?” more than once or twice. And that damaged my overall feeling. Bottom line is that you have to be willing to overlook some egregious reliance on coincidence and deus-ex-machina trickery to make the story work out. I expect I am a bit towards the higher end in my sensitivity to such things. But if you are more forgiving, netter at leaping past roadway impediments, then do it, jump in. You will be rewarded with a fun, light read, featuring a very engaging lead. Mrs P will be glad of the company, and so will you.

Review posted – 09/29/23

Publication date – 7/25/23

I received an ARE of Mrs Plansky’s Revenge from Tor Publishing in return for a fair review and the password to my bank account. Hey, now wait a goldarned minute! Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s personal, FB, Instagram, and Twitter pages

Profile

Spencer Quinn is the pen name for Peter Abrahams, the Edgar-winning, New York Times and USA Today bestselling author of the Chet and Bernie mystery series, as well as the #1 New York Times bestselling Bowser and Birdie series for middle-grade readers. He lives on Cape Cod with his wife Diana and dog Pearl.

Interviews
—–The Big Thrill – Up Close: Spencer Quinn by Karen Hugg – all on dog books
—–Famous Writing Routines – Interview with Peter Abrahams: “I love what I do. Love seems to clear a lot of paths.” – nothing particular to this book. More on his methodology.

Songs/Music
—–The Byrds – Eight Miles High – appears in Chapter 13
—–The Chimes – I’m in the Mood for Love – Chapter 20

Items of Interest
—–Excerpt – Chapter One
—–Federal Trade Commission – Consumer AdvicePhone Scams
—–Tor/Forge Blog – Inspiration and Mrs. Plansky’s Revenge by Spencer Quinn! by Ariana Carpenter

Five or six years ago, my dad got a phone call. At the time he was in his early nineties. He died two weeks short of his 97th birthday and was in excellent mental shape and very good physical shape until the end. I want to emphasize that mental part. He was a very smart guy: quick, sharp, clear-headed. Back to the call.
Caller: Hey, Grandpa!
My dad: Jake?
Caller: Yeah, Grandpa, it’s me, Jake.
Cut To: My dad’s wife, noticing he’s putting on his jacket.
Wife: Ed? Where are you going?
My dad: To the bank. Jake’s in trouble and he needs some money.
At that point it was decided to call Jake (living in another city), and he had not called my dad and wasn’t in any trouble. “Jake” never got a penny. But I was amazed that someone like my dad could have been fooled.
And then I got back to writing the Chet and Bernie novel I was working on and thought no more about the two Jakes. Then one day on a bike ride the idea for Mrs. Plansky’s Revenge—indeed the whole set-up, including the Romanian part—came to me in one fell swoop.

Leave a comment

Filed under Comedy, Fiction, Mystery, Suspense, Thriller

The Caretaker by Ron Rash

book cover

The dead could do nothing worse to him than the living had already done.

He couldn’t shake the inkling that something was about to happen, even as the morning passed undisturbed.

Oh, what a tangled web we weave…

Blackburn Gant has had a tough go of it for such a young man. An unfortunate event when he was six left him with a distorted face and a limp. His parents did for him what they could, Mom, to the extent possible, keeping him away from those who would prey on his otherness, his father tough-loving him into strength and self-sufficiency. He was hired at the tender age of sixteen to be the caretaker of the local cemetery, as his parents were moving to Florida. That was five years ago. He is thoughtful, respectful, and kind.

description
Ron Rash – image from Garden & Gun – photo credit Daniel Dent

Blowing Rock (which might bear a slight resemblance to Boiling Spring, where Rash was raised) has some upsides but it is mostly a place that young people leave if they have a choice. For Naomi, seventeen, pregnant, married to a soldier serving in Korea, and the object of hatred by her in-laws, it constitutes a hostile environment.

When we meet Jacob Hampton, he is having a tough time of his own. Enduring unbelievable cold in Korea, he is drawn into hand-to-hand combat with a North Korean soldier in the opening chapter. He is seriously wounded, at minimum.

Jacob is Blackburn’s best friend. He had charged Blackburn with the responsibility of taking care of Naomi in his absence, knowing that his parents wanted no part of her.

The spring his family moved here from Foscoe, Blackburn’s father sent him to catch trout for supper. He’d been fishing on the edge of the Hampton property when Jacob appeared. Blackburn thought he’d come to run him off. Instead, Jacob guided him to the pasture’s best pools tent, and soon Blackburn’s stringer was heavy with fish. He showed Blackburn a pretend fort made of fallen branches, said that together they could build it up even bigger. It was only when Blackburn was about to head home that Jacob acknowledged his face. Does it hurt? Blackburn said no. I’m glad it doesn’t, Jacob had said.

The closeness between Jacob and Blackburn is palpable, but as Blackburn does all he can for his best friend’s wife, their bond grows as well.

Blackburn and Naomi are both outcasts in the town, people who must maintain a low profile just to get by. Most in the town are willing to at least go along with Jacob’s parents in decrying the marriage. Jacob is in no position to oppose them. Naomi is seen as a too-young gold-digger, interested only in the wealth that Jacob is slated to inherit from his successful parents. They are cruel to her, and disinherit their son. Only Blackburn stands with Naomi, seeing that she is safe, and cared for. He has nemeses of his own, a pair of louts whose desire for mayhem and dominance goes beyond teasing and beating.

A terrible thing takes place as the pregnancy progresses, a criminal deception that throws multiple lives into a particularly hurtful turmoil. You will spend the rest of your time reading this book desperate to see how it all plays out, and terrified about what awfulness will descend on characters you have come to care for.

Considering that this is very short for a novel, less than 60,000 words, there is an awful lot going on in it, so much more than gut-clutching and relatable characters. Rash is a master. He offers up poignant imagery to reinforce the story. Blackburn makes note of the fact that different breeds of apple fruit at different times of year. This just might possibly relate to Blackburn being something of a late bloomer. There are signs of hope as well as just cause for despair.

The storm had shaken branches off the white oak. Blackburn picked them up, including one on Shay Leary’s grave. The weathervane shifted. Clearer skies were coming.

But are they, really? I could not help but think of another expression of hopeful anticipation, Something’s Coming from West Side Story. And how did that story of young-love-thwarted play out? Just sayin’. The imagery is not solely applied for the literary weight-bearing, but, directed through the consciousness of his Appalachian characters, the images serve to speak against any uninformed take about the intelligence of the people living in this part of the world. It requires sophistication to think in images. Giving them these thoughts makes it impossible to think of them as hillbillies, or unintelligent, regardless of how many years of school they may have completed. Some are there not so much to broaden the characters, as to toss readers an omen for our consideration. As soon as you see a mention of Barbara Hightower, for example, your antennae will be on alert for some sort of nefarious trade, whether real or theoretical. Mentions of trout might be there to highlight some form of purity.

Place is always a central element in Rash’s fiction, Appalachia in particular. The Caretaker gives us a look at rural North Carolina in the 1950s. His portrait of small-town life includes a look at how residents interconnect, showing how this person might feel indebted to that one, and how this one might feel too intimidated to say no to another, showing shared histories, bonds, and conflicts. He also provides a look at the supportive side of the community.

When Rash was in high school, his father was hospitalized for depression, an illness that tormented him for years. Sue Rash was left alone to look after three children in a small Southern town, one that often felt to her eldest son like its own dwarf planet. But when the family needed support from their neighbors, they got it. “The whole town helped us,” Ron says. “It was a struggle that was never spoken of, but they knew. And people came through for us.” – from the Garden & Gun interview

Friendship is often in Rash’s spotlight. How far would you go for a friend? Where is the line you would not cross? Family dynamics are given a close look, in Jacob’s family and beyond, particularly how parents treat children and why. Character will be sorely tested. Not all will do themselves proud.

I had one gripe, a convenient bit of unconsciousness that seemed very deus-ex-machinery, but really, that is a quibble. This is a wonderful read.

The Caretaker is Ron Rash’s first novel in ten years. It was inspired by a true story he had heard over twenty five years before, about a soldier who had eloped with a woman his parents disapproved of, before he was sent overseas. Rash changed it from WW II to Korea and expanded on the dark event that happened in that tale. In the lecture linked in EXTRA STUFF, he says, It’s been the hardest novel I’ve ever done. He considers himself more of a short-story writer, which goes a ways to explaining the considerable gap since his last novel.

One of the masters of American literature, Ron Rash has struck again, with a story that will not only dazzle you with the strength of the character portrayals, but keep your abs clenched as you worry how the central crime (Rash is so good that you can really understand why the crime was committed, and appreciate the desperate motivation, without necessarily empathizing with the whole undertaking) will resolve for all involved. He will enrich your reading experience with dazzling literary skill, while giving you a look at a time, a place, and a culture. That West Side Story song may or may not portend something wonderful for the characters in this book, but it definitely works for any new work published by Ron Rash

Somethin’s comin’, I don’t know what it is
But it is gonna be great

Yes. Yes, it is.
Review posted – 09/22/23

Publication date – 09/26/23

I received an ARE of The Caretaker from Doubleday in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Link to Rash’s personal site. His son, James, set up, and his daughter, Caroline, currently maintains, a Fan Club FB page for him. But the latter does not appear to have been updated since 2020.

Profile – Marky Rusoff Literary Agency

Ron Rash’s family has lived in the southern Appalachian Mountains since the mid-1700’s, and it is this region that is the primary focus of his writing. Rash grew up in Boiling Springs, North Carolina, and graduated from Gardner-Webb College and Clemson University. He holds the John Parris Chair in Appalachian Studies at Western Carolina University. Rash is the author of 9 books: The Night The New Jesus Fell to Earth (short stories), Casualties (short stories), Eureka Mill (poetry), and Among the Believers (poetry), Raising the Dead (poetry), One Foot in Eden (novel), Saints at the River (novel), The World Made Straight (2006), and Serena (2008). His poetry and fiction have appeared in over one hundred journals, magazines, and anthologies, including The Longman Anthology of Southern Literature, Western Wind, Sewanee Review, Yale Review, Georgia Review, Kenyon Review, New England Review, Southern Review, Shenandoah and Poetry.

Interviews
—–Garden & Gun – August 2020 – Meet Ron Rash, the Blue-Collar Bard by Bronwen Dickey – done for his prior book, but still relevant
—–PBS Books – Ron Rash Interview at Miami Book Fair
– by Jeffrey Brown – video 8:34 – from 2014 – on the impact of landscape on stories and authors who have informed his work

My reviews of other Ron Rash books
—–2020 – In the Valley
—–2016 – The Risen
—–2015 – Above the Waterfall
—–2013 – Nothing Gold Can Stay
—–2012 – The Cove
—–2010 – Burning Bright
—–2008 – Serena

Item of Interest
—–Romantic Asheville – Brown Mountain Lights – mentioned in Chapter 20

Item of Interest from the author
—– CCC&TI Writer’s Symposium – 2023: Ron Rash lecture – video – 56:05 – Rash begins at 6:00

Songs/music
—–Red Foley – Chattanooga Shoe Shine Boy – referenced in chapter 6
—–Arthur Smith – Guitar Boogie– noted in Chapter 15
—–West Side Story – Something’s Coming – from 1961 film

Leave a comment

Filed under Fiction, Literary Fiction, Reviews

Knowing What We Know by Simon Winchester

book cover

The arc of every human life is measured out by the ceaseless accumulation of knowledge. Requiring only awareness and yet always welcoming curiosity, the transmission of knowledge into the sentient mind is an uninterruptible process of ebbings and flowings. There are times—in infancy, or when at school in youth—during which the rate at which knowledge is gathered becomes intense and urgent, a welling tsunami of information ever ready for the mind to process. At other times, maybe later in life, the inbound knowledge drifts in more slowly, set to adhere and thicken like moss, or a patina.

Digital amnesia, for example, is now widely agreed to be a phenomenon, a thing. It is a condition that posits that words looked up online are often forgotten almost as quickly as they are acquired. Information that we know can easily be Googled needs never be known, or if it is known, needs never to be retained. Telephone numbers, for example, once so often known and the more cherished ones remembered, need not even be known at all now. The name of the person to be called is all that is required. The name is hyperlinked to the phone’s dialing system and merely touching the name gets the distant phone to ring.

Epistemology is one of those ten-dollar words that make my brain hurt, particularly as its meaning is not made obvious through common Latin roots. Speaking it aloud could certainly lead one astray. It is neither the study of urine, excessive alcohol consumption, nor anger, but the study of knowledge. Winchester spends some time trying to define just what knowledge is. If you think it is something consisting of 100% verified, tested, water-tight, bullet-proof factoids, you will be disappointed. Simon traces human thought on this back to the ancients and adopts, as the world has, the definition of knowledge as “justified true belief.” (JTB) So, not the same thing as facts, information, or truth. Squishier. But still fascinating. He tracks advances in the Theory of Knowledge (TOK), (sadly, nothing to do with the media platform) including the latest thinking.

description
Simon Winchester – image from Kepler’s Literary Foundation

The sub-title of the book bears noting, The Transmission of Knowledge: From Ancient Wisdom to Modern Magic. Once having established what knowledge actually is, Winchester goes on to write about the means by which that knowledge was dispersed. He goes back to the development of the earliest known languages, marking the bridge where pictographic symbols were succeeded by letters representing sounds. It is fascinating to note that the use of written language arose more or less at the same time across the planet, across cultures that had had no contact with each other.

Once languages existed, schools would be needed, to sustain cultures and communities. The earliest known examples sprang up in Iraq and China. So, the means of transmission, beyond the family, was teachers. Some things never change. Winchester notes the considerable similarities between ancient and modern education. And some modern differences.

A Chinese school final exam is to the American SAT as Go is to Go Fish.

He touches on the greatest hits of educational advancement. Gutenberg democratized, to a considerable degree, the acquisition of knowledge, or at least access to books, with his seminal press. A huge, big deal, as regular folks could now read materials that previously been reserved for the clergy and educated classes.

Another advancement earning considerable attention is the library, humanity’s storehouse of knowledge. Winchester goes into some detail on different sorts of libraries and how they spread. There are many fun bits of intel here, such as on the shift from scrolls to folded paper for books, and on an eccentric indexing system used in one notable private English library.

…knowledge has long been seen as far too precious to treat with casual disregard. It needs to not just be kept, but kept safe and secure. For almost as long as language, especially written language, has existed, we have sought ways of collecting, storing, and safeguarding this endlessly swelling body of what is known, of what has been learned, and of all that can then be taught, discussed, challenged, debated, and decided. The most widely recognized and most ancient means of storage is the institution that derives its English name from the Latin word for the inner bark of a tree, on which early works were said to have been written. The Latin word for this bark is liber; by way of centuries of etymological convolution, the English word, used since Chaucer’s time, is, of course, the library.

Each revolution in how knowledge was transmitted was revolutionary well beyond the specific hardware upgrade. It was not just readily printable books that revolutionized the world. Printing presses were used to print newspapers as well, ushering in a world of regular information delivery to great numbers of people. Of course, newspapers have always been used as a source of propaganda and misinformation in addition to true reporting of actual events. So the capacity for mayhem grew with the capacity for a growth in awareness.

Why…did the transmission of knowledges that seem so potentially beneficial to us all get to be so drowned out by the noise of commerce and nationalism and war?

Encyclopedias come in for a close look. They were seen as the informational bible for large numbers of people, as they sought to offer buyers all the information currently known. He covers several of the major such products, including those beyond the Encyclopedia Britannica. (I remember when I was a child in the 1950s Bronx, our local supermarket, an A&P, sold the Frunk and Wagnall’s encyclopedia volume by volume. Hardcover, very thin paper, occasional illustrations. I remember looking forward to the arrival of every single one of the twenty-five volumes. There would always be something of interest.) Such publications continued the work of Gutenberg, making potentially vast amounts of information available to regular people.

Further advances in info transmission were to come. The telegraph shrunk the world of the 19th century the way the internet has done today. Radio broadcasting had a great impact. We learn much about the early days of the BBC, and its Japanese counterpart, including the impact those institutions had on the education, and attitudes toward education, of their respective populations. This was particularly eye-opening.

The middle of the 20th century saw major advances. Computer chips revolutionized everything. Now we can access information on most things instantly, or close enough to it, using a hand-held device. And in place of bookshelf-filling volumes we can check with Wikipedia for information on almost anything.

But knowledge is a feeder to a larger question. Whither wisdom?

What can and may and will happen next to our mental development if and when we have no further need to know, perhaps no need to think? What if we are then unable to gain true knowledge, enlightenment, or insight—that most precious of human commodities, true wisdom? What then will become of us?

This is not a new concern. Socrates was worried that the development of writing would impair people’s ability to understand things. He thought that if people could access written material, they would no longer have a need to memorize said material, by which means they supposedly incorporated it into their personal long-term storage, and had it available at the speed of thought. It is no big stretch to be concerned that the outsourcing of so much intellectual heavy lifting, which has been a product of the computer revolution, might leave our minds flabby and diminished.

Winchester offers a look at the greatest thinkers of all time, polymaths ancient and modern. In addition to the usual suspects, there are some names here that will be unfamiliar. Really? I never even heard of that guy. is a reaction I had more than once to some of the personages in his all-time, intellectual all-star roster.

If there is one thing that I found lacking in the book, well, lacking is not the right word, more like something I would have liked to have seen there. Is a look at how knowledge is lost or destroyed, whether by misfortune of evil intent. For just as knowledge can advance civilization, denial of access to it can help bring about a dark age.

Winchester’s aim here is to wonder how we will fare going forward when so much of our learning is housed outside our brains. Knowledge is a crucial element in the development of wisdom. Will our brains, uncluttered of vast amounts of information, be freed to contemplate deeper truths? Or will the neurons that gather information be too softened to address heavier thinking? Given what I have heard of so many younger people in the work force, I am leaning toward the dark side on this one. But I sure hope I am wrong. Encountering a passel of bright young minds in the last few years keeps alive hopes for better.

Simon Winchester is a national treasure. (probably for two countries, as he is an English-born American citizen) He repeatedly produces amazingly interesting books that open our eyes to parts of the world, contemporary and historical, that might otherwise remain unknown. Considering how much he has taught us through his writings, there is no question but that the world is a much richer place for how much knowledge and wisdom he has imparted to us all through his ongoing production of fascinating material. You may or may not become wise as a result of reading this book, but I guarantee you will become more knowledgeable.

How, in sum, do we value the knowledge that, thanks to the magic of electronics, is now cast before us in so vast and ceaseless and unstoppable a cascade? Amid the torrent and its fury, what is to become of thought—care and calm and quiet thoughtfulness? What of our own chance of ever gaining wisdom? Do we need it? Does anybody? How does a world function if no one within it is wise?

Review posted – 9/15/23

Publication date – 4/23/23

I received an ARE of Knowing What We Know from Harper in return for a fair review.

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the Winchester’s personal, Twitter and FB pages

A nice overview of Winchester’s professional life can be found here

Interviews
—–The Michael Schermer Show – Are We Risking Our Ability to Think?
There is a wonderful story re material in the Encyclopedia Britannica about how a relied-upon source can foment truly awful errors.
—–Free Library of Philadelphia – Simon Winchester | Knowing What We Know: The Transmission of Knowledge
—–Live Talks Los Angeles – Simon Winchester in conversation with Ted Habte-Gabr at Live Talks Los Angeles

Reviews of other Simon Winchester books we have read:
—–2021 – Land: How the Hunger for Ownership Shaped the Modern World
—–2018 – The Perfectionists
—–2015 – Pacific
—–2010 – Atlantic
—–2008 – The Man Who Loved China
—–2005 – Krakatoa: The Day the World Exploded
—–2001 – The Map That Changed the World
—–1998 – The Professor and the Madman

Leave a comment

Filed under anthropology, History, Non-fiction, Science and Nature