Tag Archives: Fiction

Sweet and Sour

book cover

It didn’t come easily to me. I had to work at it. But if I learned one thing from Mom, it’s that it was usually worth it being the sweet girl.

“When you die, can I have your skin?” she asked calmly, tracing a finger over my face, before getting up and walking out of the room, leaving me so afraid that I couldn’t move.

Paloma Evans is 30 years old, living in San Francisco. She had been adopted at age 12 out of a Sri Lankan orphanage, the Little Miracles Girls Home. Recently cut off from her parental funds, she engages in dodgy on-line behavior to make a buck, (One of her creepy clients appears to be stalking her) and had to take in a room-mate to help with the insane San Francisco rental costs. But the roomie, an Indian immigrant, learned her big secret, and is blackmailing her, which is bad enough. Arriving home after a few too many, she finds him dead in her kitchen. It gets worse. Chased out of her own apartment by the presumed killer, a seemingly spectral figure, she heads for the stairwell. But fingers close on her neck before she can escape. She wakes up hours later, in the stairway, a scolding neighbor barking at her, presuming she had passed out, drunk…again.

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Amanda Jayatissa – image from Artra Magazine

Before she can figure out how to deal, the cops arrive. She tells them what she had seen, but when they look through the apartment, the body is gone. The detective does not believe her, and his skepticism is understandable. Paloma is a blackout drunk, unable to recall events that took place, actions she undertook during her blacked-out hours. She really has no idea what happened to the guy, but does remember that she had fled her apartment, looking around after discovering the body, and was chased out of the place by a ghost from her past.

Paloma may be an adult, but, despite years of therapy, she has carried from childhood a powerful belief in an old-country ghostly being called Mohini, (think the freaky girl who emerges from The Ring in desperate need of a makeover, dressed in white). Seeing that terrifying presence in her apartment just after discovering her roommate’s body reinforces her belief. Losing hours after fleeing her apartment does not help. So what’s going on?

Mohini is my favorite ghost story. She is one of the most famous urban legends here in Sri Lanka, a stereotypical woman in white…It’s a story that is very special to me. It’s a story we grew up whispering to each other around the candle in the night. I have actually dressed up as Mohini…to scare my cousins…It was hilarious. I knew that I needed to include this ghost story element into the book…It was the story that defined a lot of the scary stories of my childhood. – from the Books and Boba interview

The tale takes place in two timelines, alternating chapters, today, presumably 2018, give or take, as Covid is not yet a thing, and 2000, also give or take, when Paloma was a 12yo orphan in Sri Lanka. We follow her story there, her friendships, her interests, her hopes. The home is not a bad place, those in charge are a relatively benign pair, but on occasion the girls are given a class with the terrible, the horrible, the most feared Sister Cynthia, a sadistic witch of a person, who delights in physically harming the girls and threatening them with eternal damnation. (zero stars in RateMyTeachers) She is, unfortunately, in charge of Saint Margaret’s Home for Girls, the place where those who are not adopted will be sent after they age out of Miracles, a terrifying prospect. The Evanses are a wealthy American couple, supporters of the orphanage, and many other charities. They are looking to buy adopt a child. The girls at the orphanage are all prepped for when potential adopting parents stop by for a look-see, orphanage management trying its best to make a good impression, get one of their girls adopted, and hopefully gain some extra financial support and good press from the adopters.

Paloma and Lihini are besties at Miracles. Physically similar, fair-skinned, similar in height, build and overall looks. They sleep together often, in the comforting child-like sense, not that other one. We see how their relationship evolves with each chapter back in Sri Lanka. As only one child will be selected, there is understandable tension between them.

Today, give or take, Paloma is frantic. She goes to stay at her parents’ suburban house, as they are away, and remaining at the scene of the crime seems unwise. Was she hallucinating? This is not entirely impossible as she had been warned by her therapist that drinking on top of her new meds could do really bad things to her. But did we mention that Paloma is a blackout drunk? Paloma goes all Miss Marple trying to figure out what happened to her roomie, and why. Then the mysteries start to breed. A neighbor of her parents vanishes mysteriously, and who is that strange woman who seems to be spying on her?

The story is plenty fun enough on its own merits. But there is more going on here. Racial elements permeate. Lihini and Paloma stand out a bit from the rest of the girls because of their relatively fair skin, seen as an advantage for those hoping to be taken in by a westerner. There is a wonderful scene in a restaurant bathroom in which Paloma is mistaken for another Asian women by a somewhat inebriated white woman, an experience Jayatissa has had, and which many people she knows have had. It is not the only moment in the book in which someone is unable to tell two people of color apart. Toss in discussions with other POCs about stereotypes applied to South Asians. Her shrink, Nina, whom she likes, is raucously white, dressing in white, her office decorated all in white, and it is shocking when Paloma sees her wearing anything with color.

She kept all her pristine white files inside a pristine white filing cabinet, in a corner of her pristine white office. When I say pristine, I mean surgical-level clean. When I say white, I mean eyeball-searing, detergent-commercial white. She even asked her clients to take their shoes off so they wouldn’t mess up the spotless shag carpet. And it always smelled like freshly laundered sheets. She probably had an air freshener tucked behind the couch or something, because there was never any laundry in sight.

Gender and madness permeates. The book opens with Paloma about to lose it, dealing with a bank employee who is not quite up to speed with the institution’s processes.

I was suffering from the worst case of writers’ block, and to say my mood was bleak would be an understatement. And then I had a really annoying experience with a customer service associate at my bank, where I found myself wanting to scream and shout and make a scene, but of course I didn’t. I kept it together, like most of us are trained to do, went into a coffee shop, where I pulled out a notebook and a piece of paper and really let that customer service associate have it. I guess you could say that’s how Paloma came about. – from The Big Thrill interview

Difficult women are often presumed to be nuts, and many have learned to couch their displeasure under a polite veneer. Paloma does that in the book. In fact, while one might think of her as foul-mouthed, the profanity in her internal monologue remains unspoken. This is not to say that Paloma is not abrasive and does not need considerable therapy. She certainly is and she certainly does. Orphanage girls must cope with potential. sexual predation, always knowing that they will be called liars or delusional if they report abuse. And there is the trauma of losing children that can drive women mad with grief. Also the danger of internalizing it when people keep telling her she is losing her mind.

Several classic novels are mentioned, among them Little Women, Anne of Green Gables, Oliver Twist, and, most significantly, Wuthering Heights, all present in the orphanage library, the last being Paloma’s favorite. (Mrs. Evans was going to be my Catherine. She was going to save me.). Unsurprisingly, most have to do with orphans. (Wish she had found a way to fit in a reference to The Pirates of Penzance, as well) Thematically, there are concerns from those books that are reflected here. Sister Cynthia certainly represents a Dickensian nightmare of orphanage management. The girls in these are hassled in other ways by people at an orphanage or a placement. There are other elements of contemporary orphanage life that echo the perils of being parentless in the 19th century, including the timeless emotional pain of losing, or being left by, biological parents.

At first glance, My Sweet Girl offers us an unreliable narrator in the mold of The Girl on the Train’s Rachel Watson, another troubled soul with a drinking problem. Both generally fall into The Madman sort in the classification system to be found here. But Jayatissa takes the unreliable narrator a step further, so that there are times when you are not even certain who the narrator is, let alone the veracity of her reporting.

Unrelated Random thoughts
There is an Agatha Christie, Poirot-ish feel to the story when the facts are laid out near the end.

The preparation the school does with the orphans for the visit by the Evanses reminded me of young women in Austen novels gussying up for the arrival of potential suitors, or going to a meat-market ball.

In addition to the rage at the clerk scene that opens the book, there are other elements taken from the author’s life, some noted above. She named a character for her younger brother, Gavin.

GRIPES
We never get enough of a feel for Paloma’s actual life with the Evanses. She seems not particularly fond of them at age 30. How did that come to be? This could have used more. I had issues with how the POV was handled. It was a bit like one of those time travel stories in which it becomes impossible to keep track of who is where and when. The guilt Paloma experiences is way out of line with what she had actually done. That was a stretch for me.

SUMMARY
Nevertheless, My Sweet Girl is a fun, fast-paced thriller that will encourage you not to drink to excess and be more discriminating in selecting possible roommates. It may offer ideas for how to monetize some used clothing, and offer a perspective on how people perceive people who do not look like they do. It will maybe give you a few chills, and make your head spin like Reagan MacNeil (without the pea soup), with the twistiness of the finale. And you might be forgiven, if, when you get to the end, you feel an urge to hold up your bowl and say, “Please, sir, I want some more.”

…things that don’t feel real during the day have a way of sliding into bed with you at night.

Review posted – September 10, 2021

Publication date – September 14, 2021

This review has been cross-posted on Goodreads

I received an e-ARC of this book from Elisha Katz of Berkley Books in return for an honest review. But then, I may have that wrong. I had imbibed a bit more than usual the day the offer came in, and I was quite distracted by finding that unexpected body in the basement, so…maybe it was her. I am beginning to wonder. And thanks to NetGalley for facilitating.

=============================EXTRA STUFF

Links to the author’s personal, FB, Instagram, and Twitter pages

Jayatissa was brought up in Sri Lanka, graduated from Mills College in California, moved to the UK, and now lives in Sri Lanka. She is a corporate trainer and an entrepreneur, with a chain of cookie stores. My Sweet Girl is her second novel. Her first was The Other One, released under the name Amanda Jay.

Interviews
—–Books & Boba – on Player FM – audio – #150 – Author Chat with Amanda Jayatissa by Reera Yoo and Marvin Yueh – audio – 51 minutes
The interviewers claim to have read the book but misidentify where half the book takes place. They also keep saying that it is a debut novel. It is not. Nevertheless, there is a lot of good information in here. Roll your eyes and give a listen.
—–The Big Thrill – When Nightmares Follow You Halfway Around the World by Neil Nyren
—–News line – Award winning author Amanda Jayatissa speaks of her experiences – video – 28:50 – this is from 2018 re her first novel, The Other One, with too much focus on her experience winning an award, but there is other intel in here that makes it worthwhile

Items of Interest from the author
—–Excerpt – From Penguin Random House
—–The Nerd Daily – another excerpt

Items of Interest
—–Amaya resorts and spas – Sri Lankan Folklore:Mohini
—–Gutenberg – Wuthering Heights full text
—–Gutenberg – Anne of Green Gables full text
—–Gutenberg – Oliver Twist full text

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Filed under Reviews

The Slasher Story Goes Meta

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“You sure you should be working around kids?” Jade asks. “Or even around, you know, living people?”
“Tried the morgue in Boise,” he says. “There was . . . an incident. Ask your dad about it sometime, he was there.”
Jade waits for him to guffaw or chuckle, because this has to be a joke, doesn’t it?

“Can’t I just like horror because it’s great? Does there have to be some big explanation?”

Before you sit down to read Stephen Graham Jones’s most recent novel (well, this week, anyway. The man produces King-ian, Asimov-ian volumes of work), My Heart is a Chainsaw, you might want to prepare a large bowl of popcorn, not that microwave crap, actual popcorn, kernels from a jar or bag into a pot with pre-heated oil, and a lid ready to pop over the top, to keep your kitchen floor from getting covered with flying bits. If you’re like me, there will be a second burner dedicated to melting a slab of butter. Once the popping stops, pour some or all of this heavenly treat into a large bowl. (Well it does not have to be too large as you are probably reading alone.) then drip the melted butter across the top, mix it up a bit. Open up a shaker of popcorn salt and apply. This calls for an oversize cold-drink for help in washing it down. It really should be a Friday or Saturday night. And why go to all this trouble for a book? Because Stephen Graham Jones is taking you to the movies.

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Cutting edge author, Stephen Graham Jones, on his way to work – image from 5280 Magazine – Photo by Aaron Colussi

You may or may not have been around in the 1970s, 80s, 90s, or some of the other decades noted here, but videos of the films made back then have been available for a long time and formed a major part of Jones’s cinematic education as a young person. His life was considerably enriched from seeing a lot of horror movies, slasher films in particular. He loves them.

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Adrienne King as Alice Hardy in Friday the 13th – image from movieactors.com

In this book, SGJ offers up an introductory class on the genre, or sub-genre. (Can’t say how closely it might mimic the course he taught on the subject in his day gig as a college professor. But I would love to see the syllabus for that.) in the form of chapters titled Slasher 101. These remind us, for example, that the slasher is always driven by revenge. His rage is not mindless. That there is usually a significant gap between the commission of the crime that is being avenged and the execution of that mission. That there is always a “final girl,” the purest of heart, who ultimately (usually) either escapes or bests the baddie, for the moment, anyway. In his 2015 novel, Aquarium, David Vann does something similar, calling attention to the structural girders being put in place as he places them, in his case for the literary novel form. Reads like these are always extra fun.

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Courtney Cox as Gale Weathers – in Scream – image from Den of Geek

As Jones walks us through the stages in a slasher film, he echoes the tropes in the novel through his lead, Jade Daniels, a damaged seventeen-year-old Native girl who has seen and caused a huge amount of trouble. She seems to be in conflict with the world more or less constantly, but she is not a bad kid. She does janitorial work for the county. She is smart, resourceful, and a huge fan of horror, particularly slasher films, toting with her Jones’s encyclopedic knowledge of the genre. She is maybe a bit too obsessed with this stuff. I mean, if your only tool is a hammer, every challenge begins to look like a nail. But what if you have, by pure chance, made yourself the perfect tool for this very prominent, thin piece of metal sticking straight up out of your town. A bloated tourist body floats to the top of the lake and blood starts flowing like the elevator at the Overlook. Jade knows, or at least thinks she knows, what’s coming.

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JLC at Laurie Strode in Halloween – you don’t get to choose your family – image from Den of Geek

She writes reports (the twelve Slasher 101 chapters) for a favorite teacher, one Mister Holmes (Grady, (which reminded me of Delbert Grady of The Shining fame) not Sherlock), each one explaining one or more of the tropes of horror films. Each trope is summoned into being in the real world, of course, making this very meta.

Metafiction is a form of fiction which emphasises its own constructedness in a way that continually reminds the audience to be aware they are reading or viewing a fictional work. – definition from Wiki

Jade lives in Proofrock, Idaho, proud possessor of several of the elements native to slasher flicks. Teenagers, of course. A lake (Indian Lake) with its own historical spook, Stacey Graves, bent on avenging wrongs done to her family,

Stacey Stacey Stacey Graves
Born to put you in your grave
You see her in the dark of night
And once you do you’re lost from sight
Look for water, look for blood
Look for footprints in the mud
You never see her walk on grass
Don’t slow down, she’ll get your–

a camp on the lake with its own sanguinary history, and LOL name, Camp Blood, as least that’s what everyone in town calls it. Fifty years ago it earned that designation with extreme prejudice.

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Robert Englund as Freddie Krueger – from Nightmare 3 – What a Rush! – image from Screen Rant

There is not a lot going on in Proofrock, (which MUST BE a reference to T.S. Eliot’s first published poem, The Love Song of J. Alfred Prufrock, which, according to Wiki, is a dramatic interior monologue of an urban man, stricken with feelings of isolation and an incapability for decisive action that is said “to epitomize frustration and impotence of the modern individual” and “represent thwarted desires and modern disillusionment.”) Jade provides that inner take here. She certainly experiences isolation, and endures frustration and impotence, not to mention personal abuse. Jade is both wishing for the slasher to be real and for him not to be real. Great, if it is. You were right all along. Take a bow. On the other hand, you are likely to be killed. Hmmm, decisions, decisions. She is actually eager for the inevitable bloodbath to begin, finding this strangely exciting. Well, maybe not so strange for a kid with suicidal impulses. She’s got her reasons.

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Jane Levy (yes, that Zoe) as Mia Allen in Evil Dead 2013 – Image from Screenrant

Jade is a Cassandra (another slasher film trope) trying to tell everyone that dire days lie ahead, but no one believes her. The new wrinkle in Proofrock, Idaho is the arrival of The Founders, a group of billionaire families who managed to have some of the national forest on the other side of the lake made un-national, and have begun building an enclave, Terra Nova. Yachts and smuggler boats have begun to appear on the lake, homes are being erected. And the daughter of the alpha male of that crowd befriends Jade. Letha Mondragon (are we meant to think or Arthur Pendragon here?) fits right in with Jade’s narrative. She is the supreme final girl. In case you are unfamiliar with the term, it was coined by Carol J. Clover in 1992.

The original meaning of “final girl”, as described by Clover in 1992, is quite narrow. Clover studied slasher films from the 1970s and 1980s (which is considered the golden age of the genre) and defined the final girl as a female who is the sole survivor of the group of people (usually youths) who are chased by a villain, and who gets a final confrontation with the villain (whether she kills him herself or she is saved at the last minute by someone else, such as a police officer), and who has such a “privilege” because of her implied moral superiority (for example, she is the only one who refuses sex, drugs, or other such behaviors, unlike her friends). – from Wiki

Think Alice Hardy in Friday the 13th, Laurie Strode in Halloween, Nancy Thompson in A Nightmare on Elm Street and on and on and on.

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Sigourney as Ripley in Alien – Get away from her, you bitch! – image from Yahoo! Entertainment

The good-girl element of the final girl trope eased over time, offering more kick-ass than kiss-ass, with final girls like Ripley in the Alien series, or Jamie Lee Curtis sticking it to Jason in Halloween. Jade spots Letha as the final girl of the upcoming carnival of blood. She is a really good person, and an actual model, with unbelievable skin. She is athletic, morally strong, and seems to have been sent over from central casting. She is also unbelievably hot, and Jade has a bit of a crush on her. Nevertheless, Jade determines to do everything in her power to see to it that Letha has the weapons and knowledge she needs to go to battle in the inevitable final bloodbath, aka The Body Dump.

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Marilyn Burns as Sally Hardesty in The Texas Chainsaw Massacre – image from BitchMedia

But we know, or at least suspect, since the slasher film story is usually told from the perspective of the final girl, that maybe Letha is not the one.

I wanted to push back against the notion of the final girl being a supermodel, valedictorian, or babysitter. Since the 1970s, they’ve all been Jennifer Love Hewitt types. For many girls and women, that’s an impossible ideal. The book’s main character, Jade, has dealt with feelings of inadequacy her whole life. Also, most of the victims are rich and entitled white guys, not 17-year-old cheerleaders. – from the 5280 interview

The mystery is who (or what) is perpetrating mayhem, and why. That satisfies the need, or, certainly, a desire, for a mystery. Slasher movie bloodlettings are acts of revenge. Ok. So, what is it that is being revenged, why, and by whom? The how is where movie directors and novelist get to come up with creative ways to pare back, sometimes waaaaay back, the character list.

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Heather Langengkamp as Nancy Thompson in Friday the 13th – image from StopButton

Jones always keeps an eye on social content, payload that arrives with the story. It, or at least some of it, usually has to do with Native people and their relationship with the white world in which they are embedded. Very real-world stuff. No Magic Indians need apply. The presenting issue here is gentrification, an invasion by the Uber-rich into a very working class area, upsetting everything, taking public land for private use, trying to buy their way into acceptance, while toting along a significant shortage of moral concern. There is also the existence of racist elements in the town and the Native people getting the lesser end of things economically.

When people in Proofrock can direct their binoculars across the water to see how the rich and famous live, that’s only going to make them suddenly aware of how they’re not living, with their swayed-in fences, their roofs that should have been re-shingled two winters ago, their packed-dirt driveways, their last decade’s hemlines and shoulder pads, because fashion takes a while to make the climb to eight thousand feet.

Secondary characters run a gamut. Some are cannon fodder, of course, but there is a nice collection of understandable town characters. Jade’s teacher, Holmes, is wonderfully understanding, and has plenty of quirk (and anger) to support it. The town sheriff is a remarkably understanding sort, with a soft spot for Jade. He may not understand, or accept what she tells him (she is a Cassandra, after all, and there is the very real possibility that he might be hiding something) but he seems to be quite well-intentioned. Her father is a horror, and his bff may be even worse. There is sympathy for Jade in surprising places. They know something we do not. The Founders are mostly cardboard cutouts, which is fine. And then there is Letha (last name not Weapon). While presented as impossibly perfect, she is the one member of that clan given a closer look. Is she or isn’t she what Jade sees her to be, a paragon of final girlhood?

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Jennifer Love Hewitt as Julie James in I Know What You Did Last Summer – image from ScreenRant

Throughout the novel, there is a pervasive sense of humor. The quote at the top of the review is a prime example of that. There is more. Not sayin’ you’re gonna shoot your beverage of choice out your nose, but there is plenty here that will make you smile.

…if you don’t have those staged resets, those laughs, then horror just becomes the flat screech, and that’s no fun. – from the GQ interview

GRIPES
Not much. The deus was messing with his ex, machina, a bit too much for my taste. I could not fathom why Jade was not more curious when a stranger’s cell phone falls into her hands. And I was not entirely thrilled with the last bit of the ending. (But then, SGJ has written a sequel, so, maybe put a hold on that.) But these are minor concerns. My Heart is a Chainsaw is both a jaw-dropping, brilliant homage to the slasher genre, and a bonafide member of the club.

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Sharni Vinson as Erin Harson in You’re Next – image from Wicked Horror

So, when you read this, takes notes, consider all that is going on. There will be a test. Pass/Fail. Pass, and you gain three college credits toward your degree. Fail? Well, trust me, you really, really do not want to fail.

She’s everything Jade always wished she could have been, had she not grown up where she did, how she did, with who she did.
It’s going to be epic, the final battle, the final girl against slasher high noon.
Unless Jade’s just making it all up, she reminds herself.

Review posted – August 27, 2021

Publication date – August 31, 2021

I received an eARE of My Heart is a Chainsaw from Saga Press of Simon & Schuster in return for a fair review and some extra-strength fishing-hooks. Thanks to S&S, and NetGalley for facilitating.

=============================EXTRA STUFF

Links to the author’s personal, Twitter and FB pages

Interviews
—–GQ – 8/26/21 – Horror Writer Stephen Graham Jones’s New Nightmare by Colin Groundwater
—–Locus Magazine – 9/9/21 – Stephen Graham Jones: Slasher Cycle
—–Nightmare Magazine – April 2017 (Issue 55) Interview: Stephen Graham Jones by Lisa Morton
—–Nuovo Magazine – Stephen Graham Jones Battles Stereotypes and Serial Killers in His Breakout Novel by James Grainger – about The Only good Indians but still interesting for Jones’s take on the world
—–Vol, 1 Brooklyn – MORNING BITES: STEPHEN GRAHAM JONES INTERVIEWED, VIC GODARD, FRED THOMAS’S MUSIC, BILL GUNN, AND MORE – August 11, 2021
—–5280 Magazine – August 2021 – Colorado Horror Writer Stephen Graham Jones Is Back With a Killer Follow-Up by Philip Clapham

The horror genre is full of books and movies that make a political statement, like the films Dawn of the Dead and The Purge. Which is scarier: real-life terrors or fictional ones?
I think for the last four or five years, we’ve seen people doing reprehensible things and then not being punished for them. The slasher genre is basically a justice fantasy. But the bad thing about living in a slasher world where wrongs are punished is that they’re punished brutally. You might catch a machete to the head.

—–Bull – Stephen Graham Jones by David Tromblay

Before The Only Good Indians, I’d done two slasher novels, I guess—Demon Theory, The Last Final Girl—but I hadn’t said even close to all I wanted to say in and with and around the slasher. So, I committed to the slasher. I wrote this one, then another, and another. But I also wrote a haunted house novel. Oh, and a slasher novella, I guess. And I guess a ghost novella. I just love all the parts of horror, but the slasher, the slasher’s really special for me. I like the sense of justice in it. I like how bad deeds are punished. That’s not the world we live in, but, while reading a slasher, we can pretend for a little bit…

—–Montana Press Monthly – April 2020 Rez Gothic: Stephen Graham Jones by Jay MacDonald – not specific to this book, but good on SGJ
—–Colorado Public Radio – Ten Stories Novelist Stephen Graham Jones Says Will Make You Afraid Of The Dark by Stephanie Wolf –
10 stories Jones says are great gateway reads into the horror fiction genre:
• “The Black Cat” by Edgar Alan Poe
• “The Monkey’s Paw” by W. W. Jacobs
• “The Dunwich Horror” by H. P. Lovecraft
• “The Veldt” by Ray Bradbury
• “The Lottery” by Shirley Jackson
• “It’s a Good Life” by Jerome Bixby
• “Where Are You Going, Where Have You Been?” by Joyce Carol Oates
• “Bloodchild” by Octavia Butler
• “The Jaunt” by Stephen King
• “The Night They Missed the Horror Show” by Joe R. Lansdale

My reviews of (sadly, only two) previous books by Jones
—–Mongrels
—–The Only Good Indians

The List
I started keeping track of the names of the mentioned flicks once I had read a bit, so my number is probably not close to the actual total, but even with not beginning from the beginning I came up with 93, the list that follows. I have seen, maybe, 23, enough to be able to follow along without feeling that I was missing out on too much. Not all are slasher films, but all 93 are horror of one sort or another. If I made any mistakes in entering the titles please let me know and I will make the needed repairs.

Alien
Alien 3
All the Boys Love Mandy Lane
Alone in the Dark
April Fools Day
Bay of Blood – from 1971 – a possible grandfather of the slasher genre
Black Christmas
Blue Steel
Burial Ground
The Burning
The Cabin in the Woods
Camp Blood
Candy Man
Child’s Play
Children Shouldn’t Play with Dead Things
Cold Prey
Cold Prey 2
Cold Prey 3
The Craft
Cropsy
Cry Wolf
Curtains
Cutting Class
Dead & Buried
Dead Calm
Deep Star Six, Leviathan
Demons
Donkey Punch
The Dorm that Dripped Blood
Evil Dead
The Exorcist
Exorcist III
Fatal Attraction
Final Destination
Final Destinations
Fire in the Sky
Friday the Thirteenth
Friday the Thirteenth Part II
Friday the 13th Part III
Friday the Thirteenth – The final chapter
Ghost Ship
Girls Nite Out
Grizzly, 1976
Halloween
Halloween III
Hannibal Lecter
Happy Birthday to Me
Hell Raiser
High Tension
The Hitcher
Home Sweet Home
I Know What You Did Last Summer
I Still Know What You Did Last Summer
Jason Takes Manhattan
Jaws
Just Before Dawn
Kristy
The Land that Time Forgot
Last House on the left
Lord of Illusions
Mausoleum
Mortuary
Mother’s Day
My Bloody Valentine
New Nightmare
The Night of the Hunter
A Nightmare on Elm Street
Poltergeist 2
Popcorn
The Prey
Prom night II
Prophecy
Prowler
Reeker
Ringu
Road House – 1988
Rosemary’s Baby
Scream
Scream 2
Slaughter High
The Shining
The Silence of the Lambs
Sleepaway Camp II
SS Lazarus
Stage Fright
Terminator
The Texas Chain Saw Massacre
Triangle
Trick or Treat 1986
Twisted Nightmare
Virus
Wishmaster

Articles on Final Girls
The Final Girl is a trope that has come in for some criticism over the years. Below are several articles that address this, and the changes that have taken place in how Final Girls are portrayed from the 1970s to the present. If you know some good pieces on this subject, I would be happy to add them to this list.

—–NY Times – October 22, 2015 – In Horror Films, the ‘Final Girl’ Is a Survivor to the Core by Erik Piepenburg
—–Wiki – Final Girl
—–Cinema de Merde – Is the Final Girl an Excuse?
—–Pretty Scary – Gender Roles within Scary Movies by Alex Boles
—–Ax Wound – Teenie Kill & The Final Girl by Hannah D. Forman

Clover argues we shouldn’t just ask ourselves: “Does this film depict violence against women?” but rather, “Why does it do so? From whose point of view? Creating sympathy with whom? And what final message?” The answers to these questions no doubt are complex and reveal much about how we view the sexes, the double standards that underlie our behaviors and social mores we are brought up to follow.

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Filed under Horror, Reviews

True-Crime Family

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My parents named me Dahlia, after the Black Dahlia—that actress whose body was cleaved in half, left in grass as sharp as scalpels, a permanent smile sliced onto her face—and when I first learned her story at four years old I assumed a knife would one day carve me up.

I’m not looking for evil. I’m looking for answers.

You know straight away that this one will be told with tongue firmly attached to cheek. The four siblings are all named after famous murder victims. The Lighthouse family has seen quite a few lives dashed on the rocks, well, not personally, or well, maybe personally. That is the crux of the mystery. There is a never-caught serial murderer on the island, The Blackburn Killer, responsible, so people think, for the murders of seven women over two decades. The family is gathered on this wind-swept, rocky isle when father dies, mostly unlamented, a heart attack,

”Dad’s heart was a real bastard about it. took him out in two seconds flat. Pushed him face down in his venison stew…Mom had to wipe the meat off his cheeks before the paramedics came. It’s poetic really. Dad hunted so many deer in his lifetime, and in the end, he died on top of one. Seems almost…intentional, doesn’t it? Like his heart knew what he’d been up to and murdered him for it.”

summoning the now-grown children (well, three out of four, anyway, as the fourth had left a note ten years back announcing he was leaving for good) back from their definitely-NOT-on-this island homes for his funeral and burial. But when the caretaker of the considerable grounds digs up dad’s assigned plot, he is surprised to find that it is already occupied. The missing brother, Andy, gone ten years, has been found. Oh, dear.

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Megan Collins – image from Wheaton College

The whole thing stems from the title, which is not how I usually do my books at all. The title usually comes last, and I agonize over it. But I was working on something else, and I was trying to title that, and I asked my husband for some suggestions. And I said I want something that speaks to the family aspect of the book and he just threw out, “I don’t know, The Family Plot?” And I was like, no, that doesn’t work for this, but that is amazing as a title…that just rattled around in my head for a few days, until it was like a burst, that came to me, of a family that came together to bury one family member, only to find another member of the family in that grave. So then from there I thought well, what family would it be most interesting to see in that kind of story? It would be really interesting to see someone who, a family who was so interested in true crime that they built a library. And now they’re in the center of true crime story. – from the World of the Write interview

Interested understates it a bit, as the Lighthouse family, stemming from mom, is obsessed with true crime, so much so that the kids, who were home-schooled, studied famous murders. In place of the usual book reports they were charged with producing murder reports. There is a room in their large, creepy home, that is designated the Victim Room, as it holds the considerable collection of books and reports the family has amassed on the most notorious serial killers, and greatest murders, solved and unsolved, of all time. No wonder the locals refer to it as Murder Mansion.

Our docent in this odd place is Dahlia, 26, returned (Dead leaves skitter around my feet as if welcoming me home – Yikes!) from the mainland where she has been living since she moved out at age 19, obsessed with finding her lost twin, Andy (named for Lizzie Borden’s father).

The trust fund is how I manage the way I do—jobless, hunched over my laptop, scouring photos of any crowd on social media, looking for crinkly eyes, for the cowlick on the back of Andy’s head.

She has always felt that she and Andy had a special twins bond and that, if he were dead, she would know it. Her older sibs have been holed up in New York City since they fled the island, as soon as they could. Charlie (named for the Lindbergh baby) is an actor who appears in off-Broadway, off-off-Broadway, and nowhere-at-all-near-Broadway productions, when he can get cast, and when he is sober. Tate (named for Sharon Tate) has an on-line following of 57,000 for her site @Die-orama, on which she produces miniature reproductions of famous crimes. We all do what we’ve gotta do to cope with what came before in our lives. Am I wrong? Tate continues coping by making a diorama of the finding of her brother’s body. Charlie plans to turn the house into a temporary display, The Lighthouse Memorial Museum, to show the Blackburn island residents that the Lighthouses are actual people, not some homicidal, Addams family knockoff. Even Mom (Lorraine) Lighthouse deflects actual emotional dealing into consistently failed attempts to bake cookies, a running joke.

I just went and threw everything into it that I am obsessed with and that I love. I love true crime. Threw that in. I love secluded, dark little islands. Threw that in. I love mini things, so I had this diorama thing. I love these creepy mansions, so I had that. I went wild with all the things that excite me in the hope that if I am excited about them, hopefully it makes a good story, and other people will be into it. But yes, atmosphere, definitely tons of atmosphere… – from the World of the Write interview

There is a fun supporting cast. A mysterious local girl (Ruby Decker) used to spy on the Lighthouse manse at night when Andy was still around. The local detective on the case is Elijah Kraft, who just happens to be the son of the detective who was in charge of the Blackburn Killer investigation back in the day. He had always been convinced that Daniel Lighthouse (the recently deceased dad) was the killer and junior seems determined to pin Andy’s killing on him as well. At the very least, pin it on some member of the family. We see him mostly while sparring with Dahlia. Fitz, the lifelong caretaker, does not always make it to the ferry for his nightly trip back to the mainland. Why is that? Greta, a friend, runs a café below Dahlia’s apartment, and shares the Lighthouse obsession with true crime, if not the family history. She stands in for the more typically obsessed true-crime aficionados in the world.

I’ve never written plays, but it kinda felt like writing a play sometimes, thinking of like almost every scene in the book takes place in the house except for a few of them, so there is a kind of claustrophobic sense. And so the house really felt like a set to me that I was moving the characters around and now they’re the living room and what’s happening in there, and now they’re in the room that they call the victim room because it has all their books about true crime. – from the World of the Write interview

She also gives us a taste of backwater mentality, and eagerness to believe the worst of people who are different. And the separation from humanity of many true-crime enthusiasts, fixated on details of murders to the exclusion of pain and suffering, the human experience of those personally impacted.

Dahlia is an honest broker, well, mostly. She truly wants to find out who killed her beloved brother, and who the Blackburn Killer might be, even if it turns out to be family. There are twists aplenty, and swaths of atmospherics. Collins clearly had a lot of fun writing this book and it comes across.

I did have one gripe. Are we really expected to believe that a family would construct an entire home-schooling curriculum around murders? It was a bit much to swallow. But if you are willing to suspend belief, and, yes, your honor, I confess to doing just that, The Family Plot is a delicious bit of mystery fluff, a fun, roller-coaster ride of a yarn. If you pick up The Family Plot looking for a very entertaining Summer read, you will be dead on.

…the fact that their bodies were returned to our shore, spit onto sand instead of carried to another coast, is proof that the ocean wants us here, contained to Blackburn Island.

Review posted – August 20, 2021

Publication date – August 17, 2021

I received an ARE of The Family Plot in return for crucial intel on an unsolved case. Thanks to Maudee at Atria.

=============================EXTRA STUFF

Links to the author’s personal, FB, Instagram, GR, and Twitter pages

Interviews
—–World of the Write Review – – video – 30:09 – by Kerry Schafer – if you have to choose only interview to check out, it would be this one.
—–Player FM – A murderous chat with CT Author Megan Collins! – Renee DeNino – Audio – 16:30
—–Dead Darlings – Interview with Megan Collins, Author of Behind The Red Door by Susan Bernhard – 8/6/20 – this interview was done long before The Family Plot came along, but still has some interesting intel, such as

My instincts as a storyteller are to begin as close to the inciting incident as possible. By the end of the first chapter, I want some sort of bomb—big or small—to have been dropped on my characters, so that the reader has a sense of the stakes right away.

—–Megan Collins: Author of The Winter Sister – also done before Collins’ latest book, but of value nonetheless

Items of Interest from the author
—–Crime Reads – What Scares a Thriller Writer – 8/4/20
—–Collins’ site – links to 22 other pieces

The book site for The Family Plot lists gothic among its genres. It felt like it was close to that on reading, but not quite, so I resorted to this scorecard, which I used a bit more grandly in my review of While You Sleep. So, is it or isn’t it?

Gothic Novel Scorecard

Ticking off the gothic criteria
1 – setting – old mansion – check – secret passages – yep, and more
2 – atmosphere of mystery or suspense – you betcha
3 – ancient prophecy or legend – nothing supernatural here
4 – omens, portents, visions – well, portents maybe (no good tents, though)
5 – supernatural or otherwise inexplicable events – the deaths on the island – Andy’s demise
6 – high, overwrought emotion – for sure
7 – woman in distress – Dahlia – yep
8 – Women threatened by powerful, tyrannical male – murder vics, presumably – there is no living tyrannical male in this telling – and while The Blackburn Killer is assumed to be male, there is no certainty of the killer’s gender for most of the book.

Frequent Gothic Elements
Wind – always
Rain – don’t really recall, so if it was there, it was not particularly memorable
Doors on rusty hinges – I don’t think so, but maybe
Eerie sounds – not really
Character strapped in a room – no
Approaching footsteps – yep
Ruins of buildings – not really

It may not tick off ALL the boxes that define Gothic novels, but it marks enough of them to matter. It is clear that while Collins worked from her notions and was not trying to craft a classic gothic novel, The Family Plot is certainly gothic enough to count.

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Re-wilding the Highlands

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I had always known there was something different about me, but that was the day I first recognized it to be dangerous. It was also the day, as I stumbled out of the shed into a long violet dusk, that I looked to the trees’ edge and saw my first wolf, and it saw me.

They’re more dangerous than we are.”
“Are they?” I ask. “They are wilder, certainly.”
“Isn’t it the same?”
“I don’t think so. I think it’s civilization makes us violent. We infect each other.”

Inti Flynn had always had a feel for nature. Her father had been a woodsman, first working for a lumber company, then, later, living a mostly solo subsistence life, in Canada, trying his best not to contribute to the global demise. He taught Inti and her twin, Aggie, about how to live in and with the wild. Their mother, a detective in Australia, was more concerned with teaching them how to contend with the wild in civilization. There is a lot in here about parents, of both the human and lupine persuasion, teaching children or pups how to cope in the world, how to defend against predators. The human sorts offer different approaches, some counseling firm defenses, others advising understanding, and some resorting to extreme kinetic measures. There are plenty of parents teaching questionable lessons.

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Charlotte McConoughy – image from If.com.au

Dad used to tell me that my greatest gift was that I could get inside the skin of another human. That I could feel what nobody else could, the life of another, really feel it and roll around in it. That the body knows a great deal and I have the miraculous ability to know more than one body. The astonishing cleverness of nature. He also taught us that compassion was the most important thing we could learn. If someone hurt us, we needed only empathy, and forgiveness would be easy.

Inti’s gift is not metaphorical. Her ability to experience what others feel, gives her a unique advantage in understanding both wildlife and people. It also makes her very vulnerable.

I am unlike most people. I move through life in a different way, with an entirely unique understanding of touch. Before I knew its name I knew this. To make sense of it, it is called a neurological condition. Mirror-touch synesthesia. My brain re-creates the sensory experiences of living creatures, of all people and even sometimes animals; if I see it I feel it, and for just a moment I am them, we are one and their pain or pleasure is my own. It can seem like magic and for a long time I thought it was, but really it’s not so far removed from how other brains behave: the physiological response to witnessing someone’s pain is a cringe, a recoil, a wince. We are hardwired for empathy. Once upon a time I took delight in feeling what others felt. Now the constant stream of sensory information exhausts me. Now I’d give anything to be cut free.

McConaghy’s prior novel, Migrations, looked at the demise of wildlife (birds in particular, and even more particularly terns) in a slightly future world. In this one, she continues her interest in the impact of people on the natural environment. Officially, the last wolf in Scotland was killed in 1680. There are reports of wolves being seen as late as 1888, but Scotland has been essentially wolf-free for well over three centuries. Sadly for Scottish woodlands, it has not been farmer, sheep, or climate-change-free. Part of the problem is that the local deer population tends to linger in place long enough to lay waste to new shoots. A great way to keep them moving is to reintroduce wolves. Good for the goal of restoring natural forest, re-wilding at least part of Scotland is good for the health of the deer population as well. Thus, Inti’s presence. She is leading a team charged with re-introducing a small population of wolves to a remote part of Scotland, near the Cairngorms, a mountainous area in the highlands.

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The Cairngorms – Image from The Royal Society for the Protection of Birds

As one might imagine, there is considerable resistance among farmers concerned about the potential loss of livestock. The minimal-to-non-existent actual danger to humans is played up by those opposed to the reintroduction. Battle lines are drawn. The program has official sanction, but the locals have guns, and itchy fingers. And then someone goes missing. Inti’s primary concern is with the danger to the program, as she expects her wolves to be blamed.

The mystery for us is why, and how this person vanished. After a meet-cute early in the book, Inti and the local sheriff, Duncan MacTavish, team up, in a way, to try figuring out what happened. There are other mysteries as well, albeit of a different sort. What happened to Inti’s sister that had left her so damaged? Is Duncan trustworthy? The book alternates between the present and looking back at two periods in Inti’s and Aggie’s lives, with their father in British Columbia, where they learned how to live off the land, and as adults, when Inti was working on a wolf project in Alaska.

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Red deer are Scotland’s largest surviving, native, wild land mammal. It’s estimated that there are 400,000 of them in the Scottish Highlands – image and text from Good Nature Travel

Inti struggles with her desire to protect her wolves, and her need to engage with the locals as something other than as a know-it-all outsider. The complexity of the town’s social relations is quite fascinating. Duncan is our eyes on this, and a big help to Inti, knowing so well the people in the community in which he had grown up, understanding motivations, relationships, and local history much better than any outsider could.

Abuse is a central issue, in both the Old and the New World, whether at the hands of the distraught, the damaged, or the downright evil. Multiple characters in Scotland come from homes in which there was violence, whether against spouses, children, or both. It is clear that one of the locals has beaten his wife. Other instances of family violence are important to the story. The abuse that does take place is mostly done off-screen, reported, but not seen first-hand. Inti’s attempt at restoring the Scottish landscape, of giving new opportunities to a much-reviled species mirrors her attempt to heal, to restore the vitality of her own family.

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A wealthy landowner in Scotland is hoping to bring wolves from Sweden to the Scottish Highlands to thin the herd of red deer. – image and text from Good Nature Travel

One can probably make too much of it (I am sure I did), but I found it fun to look at the wolves for indications of comparison to the human characters. Was Inti like Six (the wolves are given numbers not names, for the most part). Who might be lone wolves? Who is fiercest in protecting their pack/family? Who are the alphas?

There is much resonance with Migrations. Both leads are working far from home. Both are trying to do something to help in a world that seems set against accepting any. Although she has her sister with her in Wolves, Inti is primarily a solo actor. She finds a family of a sort with charming, and not-so-charming locals, in the way that Franny Stone in Migrations teamed up with the fishing boat crew. Like Franny, Inti bears the burden of deep, traumatic family secrets. Like Franny, she is trying to find her true home, whether that be in Scotland, Canada, Australia, or maybe wherever the wolves are. Inti has a near-magical power of sensitivity. Franny had special abilities in the water. Like Franny, Inti teams up with a guy in a position of some power. In Migrations it was Ennis Malone, captain of a fishing boat. Here it is Duncan McTavish, the local sheriff. In both novels McConaghy shows the concerns of those imperiled by the front lines of attempts to correct a bad ecological situation. Of the two, this novel struck me as a bit more optimistic about the possibilities of making meaningful change.

In the real world, wolves have not been officially introduced back into Scotland, but there is one wealthy individual who is looking at doing so in a limited way. Who knows? Maybe the re-wilding of Scotland is not entirely a pipe dream.

Once There Were Wolves offers a close look at the issues involved in programs of this sort. The locals are accorded plenty of respect for and insight into their legitimate concerns, as we get to see past the rejectionist veneer. Very hard choices must be made, and the decision-making is very adult. Inti is a tough young woman with a challenging responsibility. It is easy to care about what happens to her. McConaghy keeps the action flowing, so there is no danger of losing interest. The main mystery is very intriguing and the final explanation is twisty and wonderful, with Inti finding her inner Miss Marple to sleuth her way to the truth. Once you sink your canines into this one, you will not want to let go. There are hankie moments as well. Tears will be shed. Set in a wintry place, it seems an ideal book to cool off with in the hot summer months. (Of course, if you read this in cooler months, it is distinctly possible that you will be wearing some wool, and thus will be reading a book about wolves while in sheep’s clothing. Just sayin’.) It seems appropriate to keep a modest supply of whiskey near to hand, just for ambience, of course. Or for those of the teetotaler persuasion, maybe some Irn-Bru. As for the best place in which to read this book, and read it you should, that should be obvious, in a den.

There is violence in me, in my hands, which vibrate with the need to exert some kind of control, some defiance, and if it is revenge for the things that have been taken from me then fine, I will have that too. I am done with falling prey. I will be predator, at last. I will forget the walls and the self-protection and I will become the thing I hunt and feel it all.

Review posted – July 9, 2021

Publication date – August 3, 2021

I received an E-ARE of OTWW in return for a fair review. Thanks to Amelia at Flatiron, to NetGalley for hosting the book and to MC for facilitating.

=============================EXTRA STUFF

Links to the author’s personal, Instagram, Twitter and FB pages

Interviews
Interviews with CM re this book have been as tough to find as Scottish wolves, but I did unearth an oldie, from 2014. I am sure after the book is released there will be more interviews available. There are several interview links in my review of Migrations
—–AusRom Today – AUTHOR SPOTLIGHT: Charlotte McConaghy – from 2014 – this relates to her very early, romantic fantasy writing

My review of McConaghy’s previous book
—–2020 – Migrations

Items of Interest
—–Sea Wolves – Panthalassa.Org – mentioned in Chapter 8
—–Good Nature Travel – Bringing Wolves Back to Scotland by Candace Gaukel Andrews
—–The Guardian – Stories to save the world: the new wave of climate fiction by Claire Armitstead
—–Wiki on mirror touch synesthesia – yes, this is a real thing
—–Travel Medium – Why Are There No Trees in Scotland? by Paul McDougal – this is a wonderful overview of how Scotland lost so much of its woodlands over the last 6,000 years
—–Public Domain Review – Werner’s Nomenclature of Colours – Inti’s father kept a copy for use in his work – Chapter 3
—–The Guardian – Rewilding: should we bring the lynx back to Britain? by Phoebe Weston – 8/16/21 – One proposed re-wilding site is the same one used in this book

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