I’m missing a dove, he tells me, a small water fountain…half an assistant.
I’ll keep my eyes out, I tell him.
It’s that awful moment when any of us realize that why we began something is no longer why we’re doing it.
In his latest short story collection, literary lion David Kranes puts on quite the show. Performance Art offers up stories about people who perform in public. Nine of the stories in the collection were published between 1991 and 2015, with four new tales fleshing it out to a baker’s dozen. While offering some new material the collection serves more as an introduction to a powerful literary writer you may not know. Kranes is 84, and has been at this a long time. He writes in whatever vessel seems appropriate for the stories that occur to him, whether that is poety, plays, novels or short stories. Sometimes the stories migrate. One of the included tales here was the inspiration for a novel.
David Kranes – image from Continuum
The external focus in this collection is performance, stage performance, for the most part, although the definition is somewhat fluid. The talents on display run quite a gamut, from a daredevil to a stand-up comic, from an actor to an escape artist, from a spokesperson for a weight-loss program to a magician, from a fire and glass eater to a master of sleight of hand, to a world-class photographer, to a carnival knife thrower, and a bit more.
There are some themes, images, and issues that run through, central among which is invisibility. People feeling unseen, maybe even being unseen.
Scott paces four rooms, each one of which, even when he’s in it, seems empty. (A Man Walks Into a Bar)
Nothing about me took up—space or anything else (Target Practice)
Ginger’s twenty-seven and has almost perfected invisibility. (The Weight-Loss Performance Artist)
I turned and moved away. Went. Didn’t stop. Didn’t look back. Instead: became invisible. Became a ghost anchored only by an abiding faith, finally, in the power of absence. (Escape Artist)
Painters permeate. Two of the lead characters paint, and painting is an element in several others. In Daredevil, a character is fascinated with Hans Holbein’s Dance of Death. Target Practice includes a character very into Turner. The Garden of Earthly Delights get some spotlight in Devouring Fire.
Celebrities drift or flash through the stories, and not in a particularly favorable way.
Several characters are faced with potentially life-changing opportunities. A painter has a chance to be a very in-demand actor. Another painter might have a chance to direct a film for a household name producer. A stage performer has a chance to revive a career long thought dead and buried. An obese woman is offered a huge sum to be the public face of weight loss. A drug addict is offered a chance to be the knife instead of the target.
The notion of next comes up. In Daredevil, pop offers useless advice to his son re next steps in life. In Target Practice a social services report on the narrator calls her directionless. (“I had no comprehension of next. I had no next moments; obviously no next month, no next week.”)
The stories are set in Vegas, mostly, the southwest, generically, Idaho a time or three. It is pretty clear that Kranes knows The Strip and Vegas like a local. He lives in Salt Lake City. I do not know if he ever lived in Vegas or maybe spent a lot of time there. Both seem likely.
There are a few tales that include bits of fantasy. Most do not. I would not categorize this as a fantasy collection, per se.
While the circumstances are sometimes extreme, there is still plenty to relate to. How many of us have felt unseen, invisible in the world, or maybe want to be. I can certainly relate to the latter. In my theatrical debut (It was Kindergarten I think) I was called on to walk to center stage and recite Peter Peter Pumpkin Eater. I managed to get the words out, but that was not all. By the time I exited stage left my pants had taken on an unwanted yellow tint. Invisibility cloak, please, NOW!!! And we have probably all felt the sting of feeling completely unseen by that boy or girl, man or woman whom we really, really want to see us.
Bottom line is that this collection may not feature all new material (that said, even the previously published stories were new to me) but it offers a splendid sample of a literary talent of great skill and power. David Kranes is a writer worth getting to know. This is top-tier, star-power material.
Review posted – 10/5/21
Publication date – 10/15/21
I received an e-galley from the University of Nevada Press through NetGalley, in return for a visible, performative review. Thanks.
The Daredevil’s Son (2010) – imagine your father was Evel Knievel. Imagine he was dead set on you following him in the family business. Imagine you have the body, the build, and the looks. Then imagine you have zero interest in doing that.
“So then, you don’t want to be like…do what your father does?” people asked.
“No, because my father scares people,” Lucas Jr said.
There is a lot here that resonates with Kranes’s life. He grew up in the Boston area, his father a big-shot surgeon at one of the biggest hospitals in the city. He even enrolled in pre-med, but knew it was not for him. Later even tried Yale Law School. Ditto. Dinners at home would feature Nobel Prize winners (as guests, not on the menu). The bar seemed too high, the pressure too intense to succeed, to perform at that level, at things that did not appeal to him all that much. He headed west instead, opting to follow his own inclinations, not those of his father.
The Stand-up Phobic (2015)
Ethan Fallon feels compelled to perform on stage.
The language of the story mimics the sort of stream-of-consciousness that Robin Williams might have launched into in a moment or that George Carlin might have scripted. It is about words, words, words, and associations, free or otherwise There is a manic aspect to Ethan. It is presented as an interview between Ethan and…someone. You feel bad for the guy, with all this verbal churn going on in his head, and only the stage as a venue for relief.
Ethan’s hair is an air show and he’s sweating. Every performance lately seems a conspiracy-theorist’s nightmare. Any room he’s booked into is slack-jawed and oversized and swallows him. Like a bad Jonah dream. Like having a three-day booking at the Whale. AT THE HOUSE OF RIBS. YEAH! PUT Y0UR HANDS TOGETHER—WON’T YOU, PLEASE—for our own sackcloth and ashes! Ethan Fallon!
A Man Walks Into A Bar (2012)
Scott Elias, a dealer (cards, not drugs) and painter, is approached by two men in a Vegas bar. They mistake him for a well-known actor, but offer him a screen test because they like his presence. They see something in him. So Scott is carted off to appear in the film, sorry, project, they are producing, and life gets crazy from there. But is this the life he wants? He has a roomie, a young man, Tory, also a painter, who had been injured in an auto mishap. It is more of a ward and sponsor relationship, not a sexual one. Tory’s paintings reflect Scott’s inner battle.
Escape Artist (2002)
From birth, Lou has been getting out of things. The need comes with some innate capacity. But there are others who would do well to escape unwanted circumstances, yet lack the native tools and even when they learn the learnable skills, opt for the safety of captivity to the freedom of escape. This story includes a bit about escaping the East Coast, and doctor father, which echoes the author’s relationship with his father.
When I was two, a nurse locked me in a closet under a pile of coats. I got out. When I was six, three bullies tethered me with clothesline, filled my mouth with detergent. I escaped, spat the detergent into the sunlight. It turned green in the bright air, hardened into a nugget of turquoise.
At two, six, I had no words, no plan, only knew my need: lift. Rise, break out, court the insane of the world—if that’s what it took.
When the Magician Calls
Daniel Lawrence, or maybe Lawrence Daniel, has tracked Sheila down. (There is a reference in another story to a Sheila who had been at least partly mislaid by a fading magician) He seems to think Sheila will remember him. Sounds like they had had a prior connection. He would like to help her fully disappear from her current, somewhat imprisoned life. Maybe he can conjure a bit of magic, although it may not be his true calling. My stage-self hungers for standing-room-only. Mostly, though. I feel like some kind of bulked tortoise, lumbering to the sea.
The female narrator seems to have almost died too many times to be a coincidence as a kid. Became a target when she got older, for a Sunday school teacher, for boys with an interest and for needles. But when she meets a carnival knife thrower (and former MLB pitcher) she learns, ironically, how not to be a target, but to be the knife, her survival no longer an unexpected miracle.
The Warren Beatty Project (1991)
Ethan Weise has had a bit of success with his painting, sold canvasses to some famous people. He is working on a series of Edward-Hopper-type paintings, set outdoors. Once, he worked as a “visual consultant” with a student at the American Film Institute. And then, one day, Warren Beatty calls, wanting him to direct a project for him. LaLa Land beckons, limo-driven and low on artistic merit, rich with industry glitterati and the suggestion of connection and work, while short on actual delivery. While his girlfriend pulls him in a different direction. Will he gain notice, or remain largely unseen? Is this project the stuff dreams are made of, or something else?
The Weight-Loss Performance Artist (2008)
Ginger is 5’5” and 340 pounds. Two men approach her to take part in a project. They have a weight-loss program called PoundSolve that offers tailored meals to subscribers, and software that can project what someone will look like after reaching certain weight-loss benchmarks. They would like Ginger to be their spokesperson, and will pay her $4k per pound for every sixteen ounces she takes off. It a pretty good deal from where she sits. Ginger’s twenty-seven and has almost perfected invisibility. As she moves up to translucent, and even apparent, life changes in many ways. The question is how she will cope and whether the changes are all welcome.
My Life as a Thief
The narrator here is unnamed. His father is a doctor, working at Mass General (where Kranes’s father worked). He started doing magic at eleven, with a kit his dad bought him. Turns out to be a gateway drug to ever more professional levels of magic. His life as a thief begins when he is thirteen, teamed up with Arthur Foley, a pal, whose father happens to be a criminal. Turns out having a talent for making things disappear offers a direct path to shoplifting. They move on from there.
Devouring Fire—An Interview
Robbie, a young reporter, has a chance to interview an entertainment legend, Anthony Aquila, 89 years young and still scary. Anthony is renowned for his ability to eat both fire and glass.
There is a fun interaction between the two of them, as Anthony totally intimidates the young man, but also sees the potential in him.
I’ll confess here: I was drawn to his image. It was like one I’d seen in my History of Religions course at State; he was an ascetic. A kind of harp with skin. Bare feet. Ribs like a rack of lamb. Deep hollow cavernous eyes. You could almost hear his echos echo. Shabby, torn clothes. I got the sense that whatever he did, at the same time he could stand back and watch himself doing it.
The Resurrection of Ernie Fingers
The Downtown Palace in Vegas seems to be doing everything right, post Covid, yet the players are not showing up. The place needs something
We need an attraction,”Dickie Rice, the GM, said to Tony Padre, Head of Marketing. “We need crowds fighting to get in. We do that and who we offer, what we offer will sell itself.”
Tony Padre agreed, “Attraction! Absolutely! But what? Who?”
They bring a legend back. Ernie Fingers is a fill-the-place-entertaining performer, but he has been out of the business for a while and has gotten way too familiar with a particular brand of hooch. Can Ernie be brought back to his old form? Ernie ha a special ability, though, and his skills may be fading.
The Photojournalism Project (1996)
Melissa Probert is a gifted, very much-in-demand international freelance photographer. Her work has been shown in major national museums. Hunt is a painter, working on a project making tempura images of roadside memorials. They had a thing once but have remained friends. Melissa calls Hunt to help her with a special project, a book. She wants to make a photo history of a binge drunk, her own, she having a history of such antics, sans lens. Hunt and Leah, his wife? gf? have an ongoing conversation while he is at Melissa’s multi-day drunk re what and how he sees and her forbearance of his friends. In offering a stage for the unseen, is Melissa making Leah vanish from Hunt’s life?
The Fish Magician (1997)
Malcolm volunteers from the audience at The Monte Carlo in Vegas to participate in magician Lance Burton’s show. He steps into a Lucite box on the stage and in short order is vanished…well…transported, to Idaho it would appear. Oopsy. And the aging magician cannot recall where he’d sent Malcolm. Some time later his wife, Ginger, alarmed at her husband’s sudden disappearance, and failure to reappear, hires an investigator to find out just WTF happened. This is a fun tale in which the investigator is a psychic former NFL player who dreams of doing standup. The story was the basis for Kranes’s 2018 novel Abracadabra.
Kranes does not maintain an on-line presence, as far as I can tell.
Here is a profile of him in Mapping Literary Utah
—–Radiowest – The Legend’s Daughter – by Doug Fabrizio – audio – 52:04 – even though it was recorded eight years ago I found this interview very illuminating re this collection
—–Arthur Rubinstein – Chopin’s Nocturne in E-Flat – From Ernie Fingers