Monthly Archives: November 2022

The Witch and the Tsar by Olesya Salnikova Gilmore

book cover

Once war is on men’s minds, Selica had said, it festers within, claiming them.

For a soldier to let his enemy live despite the entrenched inclination to kill touched my heart with a flame. And as he looked out on our land, on the people dying and bleeding on it, no matter if they were Russian or Mongol, I saw pain, deep and endless and raw, open inside him like a ravine about to swallow us. There was light there, light that left me hopeful. Perhaps life, possibly even goodness, did exist, even in a soldier, and it prevailed in the world after all.

Baba Yaga, aka Bony Legs, has gotten a bad rap. Ivan the Terrible, however, deserves all the lousy press that can be heaped upon him. Terrible seems far too tame a word, The monstrous, the psycho-killer, the unspeakable, the mindless slayer of mankind, and on, and on, [insert your pejorative here]. (Of course, this is the portrait presented in the book. The real-life Ivan may have had cause for his paranoia, given the considerable opposition of the gentry to many of his policies. Find out more in this small piece in Britannica.)

description
Olesya Salnikova Gilmore – image from her site

The most common images of Yaga are of a frightening witch, tooling about in a strange vehicle, trapping and devouring children, and generally doing dirt to people, a personification of evil. But even in traditional lore, she is sometimes shown with a softer side, a healer instead of a tormenter, a consoler, a comforter instead of a horror. She has been seen as a personification of nature, a Slavic version of Persephone. She appears as a change agent in many stories, a trickster, helping the hero or heroine fulfill their quest.

description
Image from The House of Twigs

I had written two books that had gone nowhere. Totally uninspired, almost desperate, I turned to the Russian folktales I had grown up with as a child. Baba Yaga loomed large in these stories—her elusive and mercurial character, her enchanting chicken-legged hut, her terrific mortar and pestle mode of transport, her sharp tongue and fearsome appearance, unsurprising for a woman of knowledge living alone in the wood.
As it turns out, some scholars believe the Baba Yaga we know—the old, ugly hag from the fairy tales—is based on, or is a descendent of, a fertility and earth goddess worshiped by ancient pagan Slavs. I was instantly fascinated by how a goddess could become a witch and just knew I had to write a book not about the infamous hag, but about the little-known woman named Yaga.
– from the Writer’s Digest interview

description
A painting portraying Baba Yaga. According to Slavic folklore, Baba Yaga was a witch who often preys on children to eat them. However, some accounts present her as a wise and helpful creature. The painting was created in 1917 and is now located at the House Museum of Viktor Vasnetsov in Moscow.

Gilmore is looking to give Yaga some better press, make her more human in some ways, more of a bad-ass superhero in others. She has a team, of course. (Y-men?) The house on chicken legs that is the very definition of creepy, has been transformed into Little Hen, a supportive, nurturing friendly character who might have been the original mobile home. When Yaga speaks to Little Hen she regards her as somewhere between a beloved pet and a partner. Dyen (meaning day) is a considerable wolf. He (thankfully) is Yaga’s primary means of high speed transportation, while also offering his considerable fierceness. Noch (meaning night) is an owl. Noch specializes in reconnaissance and intel-gathering. They share Yaga’s immortality.

description
Xénia Hoffmeisterová [cs], Ježibaba [cs] (2000)

As a provider of potions for this and that, Yaga has a following. Among those is the tsar’s wife, the tsaritsa, whom she has known for a long time. She is suffering from an illness that the court physicians cannot seem to touch. Yaga helps her out, but suspects foul play. Although she would prefer to remain safely in her house in the woods, she must go to Moscow to find out who is doing this to Anastasia Romanovna, a kind, sweet young woman. It would appear that Yaga and crew are not the only immortals wandering about. The tsar has fallen under the influence of a dark-hearted ageless sort, someone Yaga knows. And the game is afoot.

description
Image from King Edward’s Music

Tsar Ivan is not exactly the best administrator, and it is not long before he is laying waste to large swaths of the country, under the guidance of a dark force. Whether getting there because of his genetic inheritance, or because his mind had been poisoned by a demonic sort, (The actual Ivan was quite superstitious, taking an interest in witchcraft and the occult.) Ivan, who seems at least somewhat rational when we meet him, is soon barking mad, seeing enemies everywhere, even among friends, and showing no hesitation about slaughtering anyone who displeases him. Yaga loves her Mother Russia and considers it her patriotic duty to defend her against enemies foreign and domestic. Ivan definitely counts among the latter. So, superhero vs supervillain.

description
Ivan Bilibin, Baba Yaga, illustration in 1911 from “The tale of the three tsar’s wonders and of Ivashka, the priest’s son” (A. S. Roslavlev)

There are levels of existence here with diverse characteristics, lands of the dead and living, a glass mountain, with spells aplenty. Yaga’s adventures might remind you of western mythology and Campbellian quest forms having to do with descending to hell in order to emerge better armed to take on whatever. Yaga needs help from other immortal sorts to accomplish her mission, which becomes pointedly clear later in the book. In the shorter term, she is faced with carnage in Russia, and trying to find ways to stop or even just slow it down.

description
Baba Yaga depicted in Tales of the Russian People (published by V. A. Gatsuk in Moscow in 1894)

There is even a bit of romance to counterbalance some of the considerable blood-letting.

After I had witnessed my first birthing not ten years into my life, Mokosh had explained to me the intricacies of lovemaking and child making. “Though immortals can birth other gods and half gods,” she had said, gently, “it is not simple for us, with mortals above all. Most of the time, it happens not. It is even harder for half gods. If it happens, it does so for a reason. It is willed by the Universe.” I had known many men over the centuries, both mortal and immortal. Not once had my trysts ended in anything other than fleeting pleasure or pointless regret. I knew it would never happen for me.

But then she meets Vasily Alekseyevich Adashev, studly warrior, but mortal, which is a problem. It gets complicated. He is probably in his 20s or 30s, she is several hundred. (Baba Cougar?) It is a delightful element.

This is a time of transition in Russia, when the old gods were being replaced by the Christian invader. But local loyalties were sometimes with the old and sometimes with the new. Yet, the old gods were still actively interfering in human activities. Getting a look at such a tumultuous period in Russian history is one of the bonuses of this book.

description
Image from Meet the Slavs

The view of reality Gilmore presents is informed by her childhood exposure to Russian mythology. She was born in Moscow and spent her early years there. Fairy tales from childhood figure large, particularly stories set in Old Russia. (Gilmore would have included even more, but maybe in some future work.) Setting her tale in medieval times felt right, which led to focusing on Ivan as THE medieval tsar. It helped that he made an ideal villain, given his location in history, his interest in the occult, and his apparently mass murderous sociopathy. What makes a guy go there?

This being a book by a Russian-born author, about Russia, you can expect that many characters will be referred to be multiple names. And it can be tricky discerning the good Ivans, Vasilies and Alexes from the bad ones. I read an ARE, so cannot say if the final print (and epub) versions contain character lists. If your copy lacks one, you might want to start your own. My minimal gripes about the book have to do with the attention required to keep everyone straight, and a need for a primer on the structure of everything in Old Russian lore. How many layers of afterlife are there? How does one move from to another? It can be eye-crossing keeping this in order.

description
Image from Amino Apps

That said, I found The Witch and the Tsar a delightful, satisfying read. Yaga was a very appealing character. Gilmore has succeeded in making her relatable, and her companions appealing. The devastation wrought by Ivan and those driving him provide all the motive force anyone might require to do everything possible to stop it, which gives us a lot to root for. The romantic element is a nice touch. Added payload on Russian history, folklore, and old religion is most appreciated. I have provided a few links in EXTRA STUFF to more about Yaga in folklore. I urge you to check those out. Baba Yaga may have had plenty of unpleasant things written about her, and many a hideous image created, but in The Witch and the Tsar, Yaga is looking pretty good.

Mother had taught me the immortal side of earth magic, of doing without awareness, without feeling. With Dusha, I learned to listen to the natural world around me, not only to the sky, the trees, the waters, the very air, but also to myself.

Review posted – 11/25/22

Publication date – 9/20/22

I received an ARE of The Witch and the Tsar from Ace of Berkley of Penguin Random House in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating.

This review has been cross-posted on GoodReads

=======================================EXTRA STUFF

Links to the Gilmore’s personal, FB, Instagram, and Twitter pages

Gilmore is hard at work on her next novel, with a draft due to her editor in September. This one will be a gothic, set in the 1920s, after the revolution. Two sisters confront their past in their old ancestral house in Moscow. Pub date TBD.

Interviews
—–Malaprop’s Bookstore & Cafe – The Book of Gothel: Mary McMyne in convo with Olesya Salnikova Gilmore – video – Gilmore reads from the beginning of her book – 0:00 to 21:48. Mary McMyne then reads from her book – to 39:43. Then Stephanie Jones-Byrne interviews them from about 40 minutes
—–Writer’s Digest – Olesya Salnikova Gilmore: On Introducing Russian History to Fantasy Readers by Robert Lee Brewer
—–Paulette Kennedy – DEBUT SPOTLIGHT: Olesya Salnikova Gilmore

Items of Interest from the author
—–Paste Magazine – excerpt
—–discussion guide from her site

Items of Interest
—–World History Encyclopedia – Baba Yaga
—–Literary Hub – Baba Yaga Will Answer Your Questions About Life, Love, and Belonging by Taisia Kitaiskaia
—–Britannica on Ivan the Terrible

Leave a comment

Filed under Fantasy, Fiction, Historical Fiction, Literary Fiction

Newsroom Confidential by Margaret Sullivan

book cover

Too many journalists couldn’t seem to grasp their crucial role in American democracy. Almost pathologically, they normalized the abnormal and sensationalized mundane.

These days, we can clearly see the fallout from decades of declining public trust, the result, at least partly, of so many years of the press being undermined and of undermining itself. What is that fallout? Americans no longer share a common basis of reality. That’s dangerous because American democracy, government by the people, simply can’t function this way. It’s high time to ask how public trust in the press steadily plummeted from the years following the Watergate scandal and the publication of the Pentagon Papers in the 1970s—when seven of ten Americans trusted the news—to today’s rock-bottom lows.

My parents were both readers, which should come as no surprise. Mom, a homemaker, consumed a steady stream of mysteries her entire life, as least the part of it that included me. Dad worked at night, but would set aside some reading time every day, particularly on his days off. He was not much of a book reader, though. His preferred material was the newspaper. Well, newspapers. There was a flood of them coming in, the New York Post (pre-Rupert), the Daily News, The Herald Tribune, The Mirror, the Telegram, the Times. Not saying that we had all of these coming in every day, but all were well represented. And if you wanted to see what he was reading, it was not hard to figure it out. Next to his living room easy chair there was always a stack. If it were books, today, we would call it a TBR. But the stack had a life of its own, and a sorting that was inexplicable. He must have read a fair bit as he kept the pile from overwhelming the room, hell, the entire apartment. I cannot say that I was a big news-reader as kid. More sports than anything. I wanted to keep up with the teams I cared about, the baseball Giants, the Yankees, and eventually the Mets.

description
Margaret Sullivan – image from PBS

I was very fortunate to have been raised in an environment in which reading the news, every day, was just a normal part of living. Even though my parents were not well-educated—Mom finished high school. Dad did not.—they valued staying informed. There was no talk at home about reporters slanting stories, although I am sure they did. The news was like the water supply, presumed to be potable, and universally consumed. But there was one exception. It was not until later in life that I began to read the news with a more critical eye, but even as a kid, I could see that sportswriter Dick Young was a mean-spirited son-of-a-bitch, flogging right-wing bile that had nothing to do with sports. I guess that was my first real exposure, consciously anyway, to journalistic political bias. Young was not a person who could be trusted, even though he held a very public position at a major New York newspaper. I doubt, if Dad were still with us, that he would accept what he’d be reading today as revealed truth. But back then, mostly, though, we took the news at face value.

Margaret Sullivan, a doyen of media self-reflection, has not been happy with the face value of American news reporting for quite some time. The news media, in her view (and in the view of anyone with a brain) is far too concerned with the horserace aspect of political competition, far more than they are with the actual policy substance that differentiates candidates and parties. One of the most respected journalists of her generation, having led a major regional newspaper, and having held two of the most widely read and respected writing posts in contemporary American journalism, she has had a ring-side view of this in action. She worked for thirty-two years at The Buffalo News, rising to be their top editor and a vice president. In 2012 she moved on to be the Public Editor at The New York Times, and in 2016 headed to The Washington Post as a media columnist in the high-powered Style section. She retired from that gig in August of 2022, and is currently teaching part time at Duke while working on a novel.

She won a Mirror award for her writing on Trump’s first impeachment, served on the Pulitzer Prize board, and was a director of the American Society of News Editors. She has also suffered the slings and arrows of outrageous sexism, as she worked her way through her share of glass ceilings. She knows a thing or two, because she has seen a thing or two. Newsroom Confidential is not just a personal memoir of her career in the newsroom, but a look at the changes that has taken place in journalism and in our view of journalism over her career.

It’s high time to ask how public trust in the press steadily plummeted from the years following the Watergate scandal and the publication of the Pentagon Papers in the 1970s—when seven of ten Americans trusted the news—to today’s rock-bottom lows.

The high point may have been the inspirational impact of Woodward and Bernstein’s reporting on the Nixon administration’s corruption, Watergate most particularly. It was seeing that journalism was a way to impact the world, to improve it, that moved her to pursue a career in the news. We follow her through the career travails at The Buffalo News. She tells a bit about her full dedication to work conflicting with the demands of having a family, exacerbated by having to cope with the extra resistance of gender bias in her struggle to advance her career.

But while Buffalo may have occupied the bulk of her professional life, it does not occupy a proportional piece of the book. The real meat begins with her move to The New York Times. As Public Editor, her role was to be an outsider, looking critically as the work of Times reporters. Not exactly a recipe for making friends. Most editors were not particularly receptive to criticism, constructive or not. The sexism presented straight away, as a Times obituary about a very accomplished woman opened with a description of her cooking skills. Her job was not only to write about wrongs, but to offer recommendations for improvement. It would prove a Sisyphean task. She writes about her personal conflict in taking on a Public Editor investigation into a story written by a Times mentee of hers. While it may have been an important and high-profile position, it was a very tough job at times.

One thing I learned back in my twenties is that it is not only the content of articles that merits attention. Their placement is also significant, as is the heading given to those articles. These are often provided by an editor, not the reporter, and are often misleading. Sullivan writes about the most egregious example of the Times doing this, in its treatment of Hillary Clinton during the 2016 presidential campaign. The paper saw Clinton as a “pre-anointed” candidate, presuming that she would win. They wanted to be seen as tough, and were very defensive about being seen as too soft on Democrats.

The Times had certainly treated the FBI’s two investigations of the 2016 presidential candidates very differently. It shouted one from the rooftops, and on Trump and Russia the paper used its quiet inside voice, playing right into the Republican candidate’s hands. With a little more than a week to go before the election, the Times published a story with the headline “Investigating Donald Trump, F.B.I. Sees No Clear Link to Russia.” If anyone was concerned about Trump’s ties to Vladimir Putin, their fears might be put to rest by that soothing headline, though the story itself was considerably more nuanced. Even that reporting, not very damning for Trump, appeared on an inside page of the paper, a far cry from the emails coverage splashed all over the front page, day after day. We now know, of course, that Russia had set out to interfere with the election, and did so very effectively.

That sort of selective exposure was not exactly new. The Times had been aware, back when John Kerry was running against George W. Bush, of a domestic spying program. They sat on the story for thirteen months, finally posting the information when the reporter who dug up the story threatened to scoop them with his book. The potential impact was considerable, as revelation of the program during the campaign might have impacted the election result. One collateral result of this was that when a later major leaker of government secrets was looking for a trustworthy outlet, the Times was bypassed, because there was no confidence that the paper would publish the material. The Washington Post and The Guardian received the materials instead.

She writes about the transition of the news business from paper to digital, the decline in readership overall, and the national decline in news outlets, noting some who railed against the change, and others who saw the future early on and climbed on board.

Sullivan’s real reporting bête noire is excessive reliance on anonymous sourcing, aka access journalism. Sure, there are instances in which getting on-the-record quotes is impossible, or even dangerous. But the over-reliance on anonymity has resulted in reporters being played for fools, being fed self-serving tidbits, often intended to dishonestly manipulate public perceptions, often aimed at using reporters as ordnance in internecine political battles, and far too frequently serving no public good. The classic example of this was Judith Miller at the Times, reporting inaccurate intel given to her by members of the Bush Administration in order to build support for a war that was already being planned.

In the digital age another piece of this is a compulsion to generate clicks. This creates an incentive for reporters to sometimes hold on to maybe-less-exciting policy stories in favor of pieces that are likely to raise a reader’s temperature. The old trope If it bleeds it leads has been translated into the age of digital journalism as favoring heat over light.

It is not really breaking news why people’s trust in journalism has declined. The news was once considered a realm in which professionals investigated and reported stories with an eye toward what was considered newsworthy. But with the demise of the Fairness Doctrine regarding broadcast news, the gates were opened for full-time partisanship in the airwaves. The concentration of media ownership into the hands of fewer and fewer corporations has diluted, if not entirely removed, local news reporting. Now, many local stations broadcast what their distant owners tell them to, including the airing of political puff pieces for favored candidates and issues, and political hit pieces for those they oppose. With so many places in the nation reduced to a single newspaper or local news channel, local news has become more and more a mouthpiece of national corporate views. And a reduction in the availability of diverse perspectives.

The rise of the internet has had a huge impact on how we receive and perceive news. But a major reason, maybe the biggest, for a loss of faith in the media is the relentless assault on mainstream media by the right. Bias in the media is hardly new, but the unceasing emotionally-charged torrent of lies from right-wing media has raised dishonesty to a new, steroidal level. Every article that portrays Republicans or their supporters in a less than flattering light is attacked as evidence of some imaginary left-wing bias. One result of this relentless attack machine is that many outlets have become reluctant to report actual facts, lest they be attacked as biased. The Times, for example, took years to finally come around to describing Donald Trump’s blatant lies as just that. Can you fully trust a paper that is so weak-kneed about reporting the facts? Even regular Times readers must wonder. And, of course, those on the right now attack any media outlet that does not totally support the GOP party line. Even where no bias is present, many, if not all, on the right claim to see unfairness because they have been told thousands of times that such bias is always present. And the right is fond of using the threat of lawsuits to harass their targets. Trump is notorious for suing the objects of his ire, not expecting to win in court, but hoping to cost the sued large sums of money in legal fees, thus intimidating them, and, he hopes, deterring them from crossing him again. At least the Times has the resources to stand up to such bullying, but there are many media outlets that do not. Thus, MSM reporting slants away from truth.

Sullivan’s experiences writing for the Times and Post are fascinating, offering a view from inside the fishbowl, of the cultures, and some of the personalities, the battles that were fought against external attackers and the internecine conflicts that occur everywhere.

If Dad were around today, I expect he would approve of the many news subscriptions my wife and I share, the Times, the Washington Post, Philadelphia Inquirer, Daily Beast, our local paper, et al. Our stacks of unread material may not accumulate next to chairs in our living room, but reside instead in a black hole of unread materials and a digital TBR of things we intend to get to. We have come to view news reporting with critical eyes, sensitive to biases that creep into (or are on full display) the text of pieces, aware of how those pieces are presented, where, when, and why. The sort of trust in the news that was extant in the middle twentieth century is gone. But that does not mean that all trust has been lost. For those willing to do the work, it is possible to discern good from bad, both in publications and reporters. But it takes a lot more effort today than it ever did. We are aware, as our parents’ generation was less likely to be, of a reporter’s bent. As the world has forced us to look closer at all sorts of informational input (think ingredient lists on food packages), we have become more discriminating consumers of news. This reporter can be relied on. That one cannot. The fracturing of the news into a galaxy of providers has made it easier than ever to choose only the news that that fits preconceived perspectives. But it is not exactly a news-flash is that it remains possible to find quality reporting. It just takes a bit of digging.

As for Sullivan’s look back at her career and the shift in public perceptions, it is revelatory, informative, and engaging. If you know anything at all about Sullivan’s writing, this will not come as a shock. The bad news? The decline in public trust of media is very real, as is the reduction in local reporting. The good news? (I believe) people are becoming more aware of bias in supposedly neutral news media. Trust in journalism can be rebuilt, but it is clear that many outlets rely on readers/watchers accepting their reporting with uncritical eyes. After you read Newsroom Confidential you will have a greater sense of what the journalistic challenges are today, both for readers and producers of news. You will not be able to say That’s news to me.

Review posted – 11/18/22

Publication date – 10/18/22

I received an ARE of Newsroom Confidential from St. Martin’s Press in return for a fair and balanced review. Thanks, folks, and thanks to NetGalley for facilitating an ePUB.

This review has been cross-posted on GoodReads

=======================================EXTRA STUFF

Margaret Sullivan’s FB and Twitter pages

Interviews
—–Time – Margaret Sullivan Can Only Indulge in So Much Nostalgia About Journalism – by Karl Vick
—–Vogue – Local Journalism Is Dying, and Margaret Sullivan Is Sounding the Alarm in Ghosting the News – by Michelle Ruiz – not for this book but a fascinating interview
—–The Problem with Jon Stewart– also from 2020 – also very good
—–PBS – Trump’s Showdown – Margaret Sullivanby Michael Kirk – from 2018 – good stuff
—–Apple News in Conversation – Something is Broken in American news. Can it be fixed? with Shumita Basu – Podcast

Items of Interest from the author
—– Sullivan pieces for the Washington Post –
—– Sullivan pieces for the New York Times
—–The Washington Post – If Trump Runs Again, Do Not Cover Him the Same Way: A Journalist’s Manifesto an adapted excerpt
—–Literary Hub – Veteran Reporter Margaret Sullivan’s Favorite Books About Journalism

1 Comment

Filed under Bio/Autobio/Memoir, Journalism, Non-fiction