Monthly Archives: March 2024

March 29, 2024 · 12:01 am

Goldenseal by Maria Hummel

book cover

Falling into friendship, with Edith was also, for Lacey, inextricable, with falling in love with the northern summer. Never had she woken to birdsong, or plunged headfirst into cool water on a blazing day, or listened to the whispers of the oaks as a thunderstorm, swept in. Never had the sun felt so warm and golden, or rain soaked her so completely. The shrill of crickets, alarming at first, began to soothe her to sleep at night. A toad hunched by a log was so intensely ugly she cried out in shock, while a fox, slipping through the pines, looked like the tip of a paintbrush dipped in orange. Her hands and legs became tan and useful. She could tie three kinds of sailor knots, and she could kick her way up a river current. Her face in the spotty cabin mirror was freckled, it also looked rounder and full. She was gaining weight back, and when one night Edith observed, “You’re not coughing anymore,” Lacey realized it was true.

“When the stranger returned to the city…” are the opening words of Goldenseal, or could be of a fun Western. The description that follows is pure delight, set in 1990 Los Angeles, as Maria Hummel shows off her poet’s gift for description. In The Rumpus interview she talks about having to tone that element down to spend more focus on moving the story forward. A loss for the likes of me. Edith Holle left Lacey, and Los Angeles forty-four years ago. She is back now on a mission known only to herself.

I was interested in creating a novel that had an allegorical Western feel. The stranger comes back to this city for the first time in forty-four years; “the stranger comes to town.” That’s the beginning of the classic Western, and Westerns play an important role throughout the story, as both subject and backdrop, especially in regard to gender. Because in the classic Western, the “stranger” is male, right? But here, it’s Edith, an old woman in a wrinkled skirt and sneaker boots. – from The Rumpus interview

In addition to the western genre references, there is a mystery afoot here, well, a few. What was the nature of Edith’s connection to Lacey? Why did she leave? Why is she back?

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Maria Hummel – Image from her site

We get an up close look at Lacey’s discomfort, wondering what Edith is up to, stressing over what to wear, as if her sartorial selections might provide a layer of armor, but Lacey is also clearly dying to see her. Once the waiting is done, we get on with the bulk of the story. It is told in two time lines. First is an ongoing conversation between the two women, the frame. Second is the history they recount within it.

Lacey Crane was born in Prague, her parents fleeing before, but not because of, the future Nazi invasion. Middle class, they were able to experience success in the hotel business. We get a look at the impact of the Holocaust on her parents, particularly her Jewish mother. As girls, Lacey and Edith meet at a California camp, where Edith is a bit of a loner, the daughter of the camp caretaker, special for her talent at stage performance, among other things, but seen as too lower class for most of the privileged girls. Not for Lacey. They become instant besties. (see quote at top) Edith’s home life is challenging, and Lacey wants to take her away from all that.

We follow the development of their friendship, and of their lives, together and apart. It is events in adulthood that split them, a final, dramatic schism. Dirty laundry is pulled from their memory bags, and held up for close inspection. Some garments are left unaired.

The contemporary conversation functions as a way for them to both examine the lives they have led. It also illuminates some of the changes women experienced in the 20th century.

The novel germinated over a protracted period, until all the elements finally came together. First was the Biltmore. When she and her husband moved there in the early aughts, Hummel was smitten with the LA hotel culture, particularly that hotel.

[This] combined with a book that I read that came out in American translation in 2001 called Embers …originally published in 1942, is a story about two old friends, males, an old general and a soldier, meeting in a castle in the Carpathians for the first time in forty years. They’re also weighing out friendship. When I read that book, I thought, this is such a great treatise on friendship, but it’s about male friendship. Female friendship is different. Wouldn’t it be great to use this structure but set it in an American castle? There it is. Then the third piece was, as we all experienced, we lived like recluses, particularly for me, the academic year that was 2020/’21. I thought, I know how to write this character now, this person who’s basically a hermit who lives in the hotel and never goes out and is locked in her tower. – from the Moms Don’t Have Time to Read Books interview

Underneath it all is that primal bond, forged in childhood, hardened in adulthood but seriously damaged. We are waiting for the high noon moment when the women unholster their revelations and take aim.

The Lacey-Edith intersection is, in a way, where Old World meets New. Lacey having been born middle class in Europe. Edith living a much more frontier-type of existence in the American far west. Lacey is relatively well-to-do, while Edith is a bit of a Cinderella character, responsible beyond her years, kept as something of a household slave by an unfeeling parent. Maybe Lacey can fit her up with a glass slipper, get her a carriage ride to something better? There are medical remedies from both the Old World and the New that present the strengths of both cultures. Familial tragedies echo across the divide.

Do we care? Each girl faces challenges at home. And both are portrayed as decent kids, so it is not hard to feel for them. The tale of their early friendship is incredibly charming and engaging, a major strength of the novel. The bond between these two is palpable and we want it to be eternal. Each girl finds relief from her personal stresses in having someone with whom to share. We get glimpses of their time together later, as teens, but these are fleeting, and lack the immediacy and impact of their camp days. Their time as adults is also presented in brief glimpses, stroboscopic flashes of events. Sure, there is angst, pain, heartbreak, betrayal, and disappointment, but having stepped back from Lacey and Edith, the impact is dulled. It is not a bad thing to leave readers wanting more of a character but it seemed to me that we got a bit short-changed and should not have needed that much more.

The narrative flow works quite well, switching back and forth between the contemporary and historical. But in a latter section of the novel, the conversation became much less…conversational, transforming into almost straight up exposition. I found this distancing, and thus off-putting.

There is a lot going on in Goldenseal. Thematically, it offers a trove of genre touches, coming of age, mystery, western, domestic drama and probably others. Hummel writes beautiful descriptions. I wish there had been even more of that. She gets us to care about her leads. And offers a persuasive explanation at the end, for most questions. It is a good read for sure, but maybe a Silver Seal instead of a Golden One.

Review posted – 03/29/24

Publication date – 01/09/24

I received a hardcover copy of Goldenseal from Counterpoint in return for a fair review. Thanks, folks.

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to Hummel’s personal and Twitter pages

Profile – from her website

Maria Hummel is a novelist and poet. Her books include Goldenseal, Lesson in Red, a follow-up to Still Lives, a Reese Witherspoon x Hello Sunshine pick, a Book of the Month Club pick, and BBC Culture Best Book of 2018; Motherland, a San Francisco Chronicle Book of the Year; and House and Fire, winner of the APR/Honickman Poetry Prize… Hummel worked for many years as an arts editor and journalist, and as a writer/editor for The Museum of Contemporary Art, experience that informed Still Lives and Lesson in Red. She also taught creative writing at Stanford University and Colorado College, and is now a full professor at the University of Vermont. She lives in Vermont with her husband and sons.

Interviews
—–The Mark Twain House & Museum Program – GOLDENSEAL with Maria Hummerl and Barbara Bourland by Omar Savedo – Video – 58:15
—–Moms Don’t Have Time to Read Books – Maria Hummel, Goldenseal by Zibby Owens
—–The Rumpus Friendship Sunset: A Conversation with Maria Hummel by Jenny Bartoy

Items of Interest from the author
—–Reading Group Guide
—–LitHub – The Shadow Self of Domestic Stories: A Reading List of Novels Set in Hotels

The Age of Deer by Erika Howsare

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…deer…occupy a middle zone between …extremes of domestication and wildness. Far from tame, they are nonetheless experts at living with people, and in many ways, they actually prefer to share habitat with us. All across North America, as in many other parts of the world, we exist in intimate proximity to deer.

The FAA considers white-tailed deer more hazardous to U.S. civil aircraft than any other animal.

Many images might pop to mind when we think about deer. I am sorry to say that the first one in my tiny mind is the sad vision of road kill. The second is the sheer joy of spotting wild deer in woods, or yards, or, more grandly, in national parks, whether the white-tail native to my part of the world, the mule deer and caribou more prevalent in the west, and even moose. I cannot say I have seen reindeer in the wild, unfortunately. Many visits to the Bronx Zoo introduced me to a much wider range of cervids, the family to which deer belong, including the diminutive muntjacs.

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Erika Howsare – image from her site

Erika Howsare has had more of a connection to deer than, I expect, most of us. She grew up in western Pennsylvania in a family that hunted. In fact, the Monday after Thanksgiving is an unofficial holiday in our state, with most schools, and many businesses closed due to expected high absenteeism. This is one of many foci of interaction between deer and people.

I’d had an inkling, even before writing the book proposal, that deer were involved in all manner of controversies, contradictions, and human strivings. That was what got me interested in them. But I didn’t know too many specifics. When I started researching, one of the first things I did was to set up news alerts on deer and several other related terms.

Within a week, I had a rough outline of some of the major roles deer play in our world. They are victims; they are pests; they are something to hunt as well as something to study and protect. They are the targets of culling operations and the objects of sentimental love. They are trophies and intruders. It was all there in the news cycle. – From the Lithub article

Thankfully, Howsare, a published poet, offers a lot more than the daily deer chyron.

I did start the book from a fairly cerebral place where I thought, “Oh yeah, great subject. Like, this will bring up all kinds of great questions, and I’ll be able to go down all these roads in terms of the research and make these points, and it’s gonna be a really great opportunity to dig into these intellectual questions.”
What I wasn’t expecting was how much it would change me as a person. – from the Phoebe Journal interview

And a wondrous opportunity it proved. You will learn a lot about the human/deer connection, and a bit about deer behavior as well.

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White tailed deer – image from PennVet – University of Pennsylvania

One thing to consider is just how long deer and humans have been interacting. Pretty much as long as there have been people, judging by the content of ancient cave art. They appear in all cultures, and are a rich presence in mythology worldwide. As our first-hand experience of deer is usually liminal, many have come to see deer as ambassadors of the wild world, crossing from theirs to ours, and maybe offering a route away from the world of living humans. Of course, for many of us there is an UR deer image that has been burned into our brains. Really, can you name any other deer this side of Santa’s team?

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Bambi – image from Disney via KRCA.com

They are beautiful and offer us an image of wildland innocence. But for many they have become pestiferous. Consider having spent months planting and tending your beautiful back yard garden, only to wake one day to find that real-life Bambis and their kin have laid waste to all your work. There is also the carnage caused not just to deer but to people and their vehicles from collisions with deer. There are folks whose job it is to collect the bodies. Howsare spent time with one of them.

Deer have been a crucial source of food for people across the millennia, but also of a wide range of materials. Howsare gets trained in earth skills to find out how to make buckskin, and many other useful items formed from deer parts.

We usually think of reintroduction of wildlife having to do with trout, or other finned creatures. You may have heard of attempts to reintroduce predators, like wolves in Yellowstone. But the largest and most successful reintroduction in US history occurred in the early 20th century when deer, which had been driven near to extinction, were reintroduced in many parts of the nation.

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Sweet Tooth – image from Netflix via BBC

Ok, this was not at all included in the book but I kinda hoped it would gain at least a mention, as it does speak to the closeness of our species.

Factlets abound. Did you know that deer can suffer from a chronic, deadly disease that we usually associate with cattle, chronic wasting disease? Or that maybe the notion of adorning rulers with crowns was a way of imitating the stag rack? You will gain an appreciation for the use of deer-based imagery in the film Get Out. There are plenty more.

One of the main points to be gained is seeing how deer are actually quite adaptable, and have managed to carve out an ecological niche at the perimeters of human population.

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Moose – image rom Britannica

A survey course on cervid-sapiens connection makes for an entertaining, informative read on its own. But Howsare incorporates a personal journey into her narrative. Never a hunter, at least not one who shoots anything, she has enough personal connection to folks who do, relations, to want to gain a better understanding of the hunting culture and the rationales of those who kill deer. She looks at her own feelings about deer and hunting. Not all who hunt actually shoot. Hunting can be a group activity, with a diversity of roles, very reminiscent of our prehistoric ancestors. One very appealing element of this learning curve for Howsare was becoming more comfortable with being still, settling into a place and letting herself experience the environment, the moment, fully, a form of meditation almost.

She looks at some of the outrages associate with hunting as well. Like releasing or breeding deer in fenced areas to be killed by people fond of killing things, but not much interested in doing all the research and preparation that serious hunters undertake. Think Dick Cheney hunting quail.

My only gripe about the book is a petty one. I find that science/nature books always go down easier when the information is spiced with a bit of humor. No danger of that here. So, past my personal preferences, The Age of Deer is an easy thumbs up. You will learn a lot and gain a far greater understanding of the relationship between humans and cervids throughout history and our interactions today, finding yourself saying, whether aloud or internally, “I never knew that.”

In the Anthropocene, it seems that far too much of humanity has assumed the position of the prototypical you-know-what frozen in place as the headlights of global doom approach at increasing speed. Deer, at least, have an excuse for such behavior, as their woodland-creature-instinct, however misguided it might be on a paved road, is to become very still so an approaching predator might not see or hear them. Given their abundance on the planet, it is a strategy that has worked out well for them, despite the roadside carnage, as deer remain the last large wild animal in most places. The roaches and rats will not be alone after we are gone. Deer, icons of woodland beauty, are adaptable. They are survivors, and will be keeping them company.

If the American project was, in part, to make a pastoral landscape out of a wilderness, deer benefited from that project in a cultural sleight of hand. We thought of them as part of the wild, but we had misconceived them. Their secret was that they, like us—like squirrels, corn, apple trees, clover, ands sparrows—would flourish in our human garden.

Review posted – 03/22/24

Publication date – 01/20/24

I received a hardcover of The Age of Deer from Catapult in return for a fair review. Thanks, folks.

This review is cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s personal, FB, Instagram, and Twitter pages

Profile – from Catapult
ERIKA HOWSARE holds an MFA in literary arts from Brown University and has published two books of poetry. She also worked in local journalism for twenty years, covering culture and environmental issues. She teaches writing and contributes reviews and essays to various national outlets. A native of Pennsylvania, she lives in rural Virginia.

Interviews
—–Poets & Writers – Ten Questions for Erika Howsare by staff
—–Flyleaf Books – Erika Howsare presents THE AGE OF DEER -Howsare reads from the book then takes questions – the sound quality is poor
—–Phoebe Journal – Hungry Deer and Pissed off Gardeners: An Interview with Erika Howsare by Ashlen Renner

Items of Interest from the author
—–The Atlantic – An Incurable Disease Is Coming for Deer – an excerpt – but requires a subscription
—–Orion – Skin to Skin with a Deer – excerpt
—–Virginia Audio Collective – If You See a Deer – a four-episode companion podcast
—–Lithub – Erika Howsare on Finding Inspiration in Headlines

Items of Interest
—–Be vewy, vewy quiet. – Mister Fudd may be hunting a different species, but his approach applies to deer as well
My review of Stephen Graham Jones’s – The Only Good Indian – a wronged elk on the warpath
—–My review of Elizabeth Marshall Thomas’s – The Hidden Life of Deer: Lessons from the Natural World
—–Gutenberg – The Yearling by Marjorie Kinnan Rawlings

The Future by Naomi Alderman

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The road to ruin is paved with certainty. The end of the world is only ever hastened by those who think they will be able to protect their own from the coming storm.

Love is the mind killer.

So what would you do if your super-secret software gave you the alert? End times are afoot. Time to scoot! If you are like most of us, you might seek our your nearest and dearest to see the world out together. But what if you are one of the richest people on the planet? Well, in that case, you would have prepared a plan, an escape, a plane, supplies, a bunker somewhere safe. Buh-bye, and off they go. The they in this case includes three billionaires, the heads of humongous tech companies, some years in the not-too-distant future, Lenk Sketlish, Zimri Nommik, and Ellen Bywater.

They were definitely not inspired by anyone specifically who could sue me for everything I’m worth and barely notice it…They are composite characters made up of some of the ridiculous and awful things that tech billionaires have done and some of it just made up out of my head. But of course the companies are inspired by real companies. – from the LitHub interview

What if you were the number one assistant to one of these folks, or the less-than-thrilled wife of another, or the ousted former CEO and founder of a third one, maybe the gifted child of one? You might have been spending your time trying to see what you could do to mitigate the vast harm these mega-corporations have done to the planet. These are Martha Einkorn, Lenk’s #2, Selah Nommik, Zimri’s Black British wife, Alex Dabrowski, founder and former CEO of the company now headed by Ellen, and Badger, Ellen’s son.

“Margaret [Atwood] has very much covered how bad it can get, so we don’t need a lesser writer doing that,” Alderman says. “I’m interested in the most radical ideas about how we can make things better, and what are the avenues we can pursue.” – from the AP interview

BTW, Atwood mentored Alderman.

What if you were attending a conference in Singapore, having recently met one of group B above for an interview, and gotten entangled in an unexpected way, but now find yourself in the vast mall in which the conference is being held, being chased and shot at by some psycho, probably a religious nut? Lai Zhen is a 33yo refugee from Hong Kong, an archaeologist and well-known survivalist influencer. She had met someone she thinks may be The One, but her immediate survival is taking up all available mental space. Thankfully, she has help, but will it be enough?

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Naomi Alderman – image from The Guardian

The action-adventure-sci-fi shell encasing The Future is a dystopian near-future that takes an if-this-goes-on perspective re the road we are currently traveling toward planetary devastation, global warming, the increasing greedification of the world economy, and concentration of wealth, at the expense of sustainability and human decency. But Alderman has done so much more with it.

The Future has a brain and a heart, to go along with the coursing hormones, and some serious mysteries as well. Did I mention there is a romance in here also? Good luck shelving this thing. You probably will not have much luck putting it down once you start reading. Well, take that advisedly. I did find that it took a while to settle in, as there is a fair bit to get through with introducing all the characters, but once you get going, day-um, you will want to keep on.

While offering a look at survival post everything, Alderman tosses in some fun high tech and BP-raising sequences. And she gives readers’ brains a workout, providing considerable fodder for book club discussions. To bolster the thematic elements, Aldermen provides plenty of connections to classic tales, biblical and other, that offer excellent starting points for lively discussions.

Martha was raised in an apocalypse-concerned cult, led by her father. As an adult she gets involved in on-line exchanges about questions like what might be learned from the experience of a biblical apocalypse survivor, Lot. Alderman was raised as an Orthodox Jew, studying the Torah in the original, so knows her material well. (God was about to firebomb Sodom when Lot’s kindness to a couple of god’s emissaries earned him and his family a get-out-of-hell-free pass.) In addition, she finds relevance in Ayn Rand, The Iliad, The Odyssey, and more.

She brings in a discussion of the enclosure act in the UK, how the stealing of public land by the wealthy has a mirror in the theft of public space of different sorts in the 20th and 21st centuries. But the biggest issue at work here is trust. In fact, Alderman had intended to title the book Trust. But when Herman Diaz’s novel, Trust, won a Pulitzer Prize, she had to find an alternative. Can Zhen trust her new love interest. Can she trust the AI that is supposedly helping her? Can she trust any of the oligarchs? Can she trust people she has known for years on line, but never met in person? This is a core concept, not just on a personal, but on a societal level. Civilizations are built on trust. It is an issue that touches everyone.

The wealthier you are, the less you have to ask people things and the less you ask people for things, the less you have to discover that you can trust and rely on them. Eventually, that erodes your ability to trust. Then, you’re sunk. – from the Electric Literature interview

Consider a concern that is immediate in early 2024. Can American allies, whose alliances have kept the world out of World War III since the end of World War II, trust the US intelligence services with their secrets, when our next president might give, trade, or sell it to our enemies? Can you trust that the person you are communicating with on-line is being honest with you. (As someone who has met people through Match.com, I am particularly aware of that one.) If you are stuck on a survival island, can you trust that the other people there will not do you in, in order to improve their chances of gaining power once things begin to return to some semblance of global livability?

In today’s culture, technology, particularly social media, “encourages us not to really trust each other,” Alderman explains. “The ways that we use to communicate with each other have been monetized in order to make us as angry at and afraid [of one another] as possible.” And while the internet can all too often amplify “absolute hateful stupidity” to feed our distrust of one another, the author continues, “It can also demonstrably, again and again, multiply our knowledge and capacity to understand.” – from the Shondaland interview

Zhen’s is our primary POV through this, although we spend a lot of time with Martha. She is an appealing lead, a person of good intentions, and reasonably pure heart. She is wicked smart, able, and adaptive. It is easy to root for her to make it through. But, noting the second quote at the top of this review, if Love is the mind killer, might it impair her clarity of thought, her maintenance of necessary defenses? Of might it impair that of the person she is love with?

The concern with dark forces is a bit boilerplate. Two of the oligarchs are cardboard villains; another has some edges.
But it is the conceptual bits that give The Future its heft. Oh, and one more thing. Woven throughout the 432 pages of this book is minor crime, Grand Theft Planet. It should come as no surprise that an author who has had great success with her previous novels, and who has spent some years writing video games, would produce a fast-paced, engaging read, replete with dangers, anxieties, fun toys, and wonderful, substantive philosophical sparks. I cannot predict the future any better than 2016 presidential pollsters, but my personal AI suggests that should The Future will find its way to you, you will be glad it did.

Imagining bad futures creates fear and fear creates bad futures. The pulse beats faster, the pressure rises, the voice of instinct drives out reason and education. At a certain point, things become inevitable.

Review posted – 3/8/24

Publication date – 11/7/23

I received an ARE of The Future from Simon & Schuster in return for a fair review, and the password to my super-secret software. Thanks, folks, and thanks to NetGalley for facilitating.

This review is cross-posted on Goodreads Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s personal, Instagram, GR, and Twitter pages

Profile – from Simon & Schuster

Naomi Alderman is the bestselling author of The Power, which won the Women’s Prize for Fiction, and was chosen as a book of the year by The New York Times, The Washington Post, the Los Angeles Times, and was recommended as a book of the year by both Barack Obama and Bill Gates. As a novelist, Alderman has been mentored by Margaret Atwood via the Rolex Arts Initiative, she is a Fellow of the Royal Society of Literature, and her work has been translated into more than thirty-five languages. As a video games designer, she was lead writer on the groundbreaking alternate reality game Perplex City, and is cocreator of the award-winning smartphone exercise adventure game Zombies, Run!, which has more than 10 million players. She is professor of creative writing at Bath Spa University. She lives in London.

Interviews
—–Professional Book Nerds – Dystopian Futures with Naomi Alderman – video, well, mostly audio, with no real video – 41:59
—–Toronto Public Library – Naomi Alderman | The Future | Nov 13, 2023 with Vass Bednar – 45:05 – there is a nice bit in here on tech as neither bad nor good, but a tool which can be used for good or evil.
—–Literary Hub – Naomi Alderman on Creating a Fictional Tech Dystopia by Jane Ciabattari
—–Shondaland – Naomi Alderman Is Still Finding Hope in Humankind by Rachel Simon
—–AP- Naomi Alderman novel ‘The Future’ scheduled for next fall by Hillel Italic
—–Electric Literature – Dystopian Future Controlled by Technology by Jacqueline Alnes
—–Independent – How We Met: Naomi Alderman & Margaret Atwood – by Adam Jacques – Atwood mentored Alderman in 2012 – a fun read

Item of Interest from the author
—–BBC Sounds – audio excerpt – 1.0 – The End of Days – 15:47

Items of Interest
—–Tristia by Ovid – Zhen reads this prior to a trip to Canada
—–The Admiralty Islands
—–inert submunition dispenser – a kind of cluster bomb
—–Wiki on the enclosure act