…witches were always orphans. According to Primrose, this was because of a spell that went wrong in some bygone era. Mika was certain this tale was a figment of Primrose’s imagination, but she also had no better explanation because the fact remained: when a witch was born, she would find herself orphaned shortly thereafter. It didn’t matter where in the world the witch was born, and the cause of death could be anything from innocuous illnesses to everyday accidents, but it was inevitable.
WITCH WANTED. Live-in tutor wanted for three young witches. Must have nerves of steel. Previous teaching experience not necessary. Witchiness essential.
We have all answered want ads, but I expect there are few (you know who you are) who have come across one like that. But Mika Moon has been looking for an opportunity. There are not many witches in England and they have lived very separate lives in Mandanna’s witchy world. Apparently when they get together, their magic, which manifests as something like those specks you see in the air when bright light shines in an enclosed space, but gold, visible only to those with witch blood, combine and draw attention. (maybe they are scraped from yellow bricks? ) Also, as noted at top, they are all orphans. There are quarterly meetings of England’s witch population, well, a portion of them anyway, but they are living very separate lives. (People come and go so quickly here.) Their cover story, of course, is that they are a book club.
Mika was unusual in the group, being the child of a witch, and the granddaughter of a witch. It appears that most witches in this world were born to parents the Potter-verse might refer to as Muggles. When she was orphaned in India, Primrose Beatrice Everly, maybe the oldest living witch, found her and brought her to England, where she was raised in Primrose’s home. Not the worst life, but a lonely one.
Sometimes, when she looked back on her childhood, Mika had trouble remembering all her nannies and tutors. There had been so very many of them that she would sometimes catch herself forgetting names or struggling to conjure up a face or attaching a memory to the wrong person.
What she did remember, in perfect, crystalline detail, was the loneliness. She remembered how much she’d longed for company. A parent, a sister, a friend. Someone who was there because they wanted to be and not because they were paid handsomely to be.
Mika amuses herself by posting videos on line of her pretending to be a witch, expecting that no one would believe she really is one. But someone does see, thus the Help Wanted ad finding its way to her. And the game is afoot, or maybe a-broom.
Sangu Mandanna – image from her site
In a way, Mika’s experience is a bit like Dorothy’s when she first set foot in Oz. Where Am I? What is this place? Although she doesn’t, she could easily, on her arrival, have said, “Circe, [that being her dog] I don’t think we’re in Brighton any more.” There are three young witch girls living there. How is that even possible? Their combined magic is manifest, and a sure sign of imminent peril!
“Too much magic in one place attracts attention,” [Primrose] would say. “Even wards can only hide so much. And attracting attention, as witches have discovered time and time again over the centuries, is dangerous. Alone is how we survive.”
She meets with the four grownups of Nowhere House (yes, really) first. They are very welcoming, well, except for one, who is as crusty as he is handsome. The lady of the house, (Lillian Nowhere, and thus the name of the house. Yes, really. ) absent at present, had adopted the girls from different parts of the world. While it is clear that this is a loving household, it is also clear that someone needs to train the girls in how to manage their unusual gift. In the role of Wicked Witch, there is an accountant, engaged by the absent Lillian, set to arrive in six weeks, and he holds enormous power over them, the girls in particular. If their magic is not locked down it could result in the dissolution of the household. So, no pressure.
One thing Mika brings with her is a true heart and an eagerness to help, and a cheerfulness that runs into some barriers. There is no wondering for us if Mika a good witch or a bad witch as she teaches the girls not only how to better manage their power, gaining some trust and affection. But not all members of the household are convinced. One of the girls is overtly unhappy that Mika is there and does her best to be unpleasant to her, and unengaged.
As for Mika in particular, honestly, I think she represented a ray of sunshine and hope that I needed when I started writing this novel in lockdown. – from the United by Pop interview
Then there is Jamie, the crusty, protective librarian who had the most responsibility for the girls. If you have ever seen a Hallmark movie, you can see what’s coming the instant these two cross paths. I am not saying that I mind this. I have been dragged to the living room to watch (more than) my share of Hallmark movies (Could you loosen those ropes a bit, dear? ) so I speak from a reasonable amount of experience. I will confess that I actually like some of these things, however formulaic. And the romance here is indeed formulaic, albeit charmingly done and with some nice magical elements.
I’ve loved stories with fantasy and magic since I was a little girl, and I was an eager tween when I first discovered my love of romance novels. I think it was inevitable that I would write a book that combined fantasy with romance, but as I’ve grown older, I’ve also discovered a love of stories about found families, outcasts finding a place to belong, and the magic of the everyday. I wanted to write a book with all of these things. – from the United by Pop interview
Thankfully, there are other things going on. In her interview with Verve, Mandanna recalls being in love with the play, Les Miserables as a teen, and acting out all the parts herself, believing that there would never be a chance for someone with brown skin to play any of those roles. Even her favorite characters from classic literature seemed out of reach, and rom-coms and other forms all seemed to feature females of only one sort. So, when she started writing it was with an eye toward including people who looked like her. Thus, Mika was born in India. And the girls are diverse. One is black, one is from Vietnam and another is Palestinian. (I am sure that it is purely a coincidence that there are three children in the novel and Mandanna has three of her own. )
Mika struggles with her need for a family, for acceptance of what she is, for love. She has been raised to believe that attachment is lethal, as once non-witch people in her life learn of her powers, only trouble follows. So, don’t get attached, don’t settle in, keep moving, and stay away from other witches. It makes for a very lonely life. But with that mindset, how can you accept what appears to be a real connection to a loving family if they could yank it away at any time? This applies both to the family and her relationship with Jamie. But she feels herself falling in love with this family. Isolation sucks.
Mandanna wrote this during the COVID lockdowns, so Mika has taken on the additional task of standing in for so many of us who struggled with disconnection, who were unable to have physical contact with family and other people for a long time.
Gripes are modest. Yes, it is a romance, but I found it a bit jarring for a book that was going along reading very much like a YA title to then get a fair bit steamy a time or two. Not surprising that someone who has made her mark writing for a younger audience (The Very Secret Society of Irregular Witches is her first novel for adults) might retain a lot of that sensibility while adding more adult elements. (There is the odd profanity as well) But it felt unnecessary. What we gain from those scenes could have been accomplished with much less detail. I wanted to know so much more about Primrose, and how she located her special orphans. Ditto for Lillian. And maybe how witches who are constantly moving from place to place manage to make a living. While the setup makes sense to establish Mika’s situation and that of the residents of that special place, it does not seem likely to stand up well to much expansion.
I really liked the notion of making magic not only visually manifest, but with its own personality. There is some LOL material here as well. It is not a long book. The story rolls along quickly. It is engaging, as Mika is an appealing lead and her situation is tailor-made to pluck your heartstrings. It is a fast, enjoyable read, perfect for when you might be looking for something to cheer you up. You will be charmed. While reading The Very Secret Society of Irregular Witches I expect there will be Nowhere you would rather be.
She hadn’t understood how exhausting and heartbreaking it had been to hide such a big part of herself all these years, to reshape and contort herself into something more acceptable. She hadn’t realised just how heavy her mask had been until she’d discovered what it was to live without it.
Review posted – September 16, 2022
Publication date – August 23, 2022
I received an ARE of The Very Secret Society of Irregular Witches from Berkley in return for a fair review, and a few obscure ingredients for a potion. Thanks, folks, and thanks to NetGalley for facilitating.
This review has been cross-posted on GoodReads
Profile – from her site
Sangu Mandanna was four years old when an elephant chased her down a forest road and she decided to write her first story about it. Seventeen years and many, many manuscripts later, she signed her first book deal. Sangu now lives in Norwich, a city in the east of England, with her husband and kids.
—–She Reads – August Guest Editor Sangu Mandanna on The Very Secret Society of Irregular Witches
—–Verve – A GIRL LIKE ME: SANGU MANDANNA – from 2019 – so not specific for this book, but interesting intel about the author
—–The Fantasy Hive – INTERVIEW WITH SANGU MANDANNA (THE VERY SECRET SOCIETY OF IRREGULAR WITCHES) by Niles Shukla
—–United by Pop – Sangu Mandanna On Her Bewitching New Rom-Com, The Very Secret Society Of Irregular Witches by Kate Oldfield
—–Writers Digest – Sangu Mandanna: On Writing Her First Novel for Adults by Robert Lee Brewer