Tag Archives: Noir

Blaze me a Sun by Christoffer Carson

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I raped a woman in a car. It’s near Tiarp Farm. A brief silence followed. Then: I’m going to do it again. Bye.

Monstrousness was always sleeping right beneath the surface, just out of sight.

1986 – A terrible crime in an out-of-the-way place. A young woman is brutally raped and murdered in her own car. It might have gotten a bit more national attention had there not been another crime that night, the murder of Swedish Prime Minister Olof Palme. The attention would have been merited, as the killer taunted the police with a phone call, boasting of his deed and promising more of the same. He will become known as Tiarp Man. The case falls to Sven Jörgensson. It will consume him.

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Christoffer Carlsson– image from Ahlander Agency

Blaze Me a Sun has a frame structure. It opens in 2019, with a writer looking into the famous crimes that had taken place in Halland County, in southern Sweden. He is a local, who has been away for a long time, but felt a need to return home. Those who knew him as a kid call him Moth. The primary story is the one that Moth researches and tells. Then we go back to Moth for the final fifth (or so) of the novel.

The book is divided into multiple periods. The first (inside the frame) is 1986, when the first crimes take place. Next is 1988 when the national police take over the investigation. In 1991, there are more violent crimes. Is it the same person? 2019 is when Moth is up front as our narrator, at the beginning and end of the novel.

I was reminded of the true-crime format, in which the host/narrator walks you through all the details of one or multiple crimes, then offers the reveal at the end. But the first-person perspective of the frame is replaced in the core here by a third-person-omniscient perspective. At the back end of the story, the narrator takes center stage again, leading us through his further inquiries.

Mostly, we follow Sven as he looks into several murders and one near-killing. As with the Palme murder, finding the perpetrator is a fraught, frustrating job. Evidence is scarce and the struggle to identify the perpetrator wears down the patience of both Sven and his superiors over time. He is an intrepid detective, someone who takes his responsibility to the victims and their families to heart. He thinks of them every day, even long after he is no longer on the case, even after he is retired. Sven is an easy character to pull for, mostly. A white knight on a worthy quest, but there is tarnish on that armor as well. Sven is far from purely benign.

Even heroes can make mistakes. The dream of a spotless past is, after all, only a dream. No one makes it through unmarked. We have to learn to live with it. If we can.

One element that struck me was that we come to think of the victims by their first names, as Sven does. It gives them a bit of extra presence that enhances our feel for Sven’s struggles, his determination to see justice done.

Even Sven’s son, Vidar, as an adult, gets caught up in the complications, the reverberations of the case. Families are a major focus of the book. The crimes have both immediate and long-term impact on the people who must survive the horrific loss of a loved one. Single crimes echo through time to generate multiple waves of misery and destruction. People come to learn things about those to whom they are the closest. You can see why some folks might be jarred learning those things. The truth doesn’t just hurt, it can break your psychic bones, change your direction in life, make you into a different person than you were. Sven’s relationship with Vidar is both loving and strained, a source of tension that carries through the story.

Carlsson links the Tiarp Man murders to the Palme assassination thematically, rather than concretely.

When the prime minister was shot and the shooter was never more than a shadow heading up the stairs into the dim light of David Bagares Gata, it unleashed something. Distaste. A rage that no one could quite control.
From opinion pages and kitchen tables came an indignant clamor over police and politics, criminality and immigrants, the wretched creature that had become Sweden and one’s own reflection in the mirror. It was clear now. The country could have come through anything unscathed—anything but this. The youthful boy with his smiling eyes, a mother-in-law’s dream who turned out to be a murdering monster up there in the north: Maybe that’s us.
Of course this sort of thing leaves its mark on you. Of course it marks a country. How could it not?

Tiarp Man personified that for this part of Sweden. Things that remained unresolved for far too long. A sense of community comfort that was forever disrupted.

There is no real magical realism at work in this book, but Carlsson does offer up an omen in the form of a local superstition.

As spring arrived, the village came to life. Everything seemed to shimmer, and the colors grew so vivid. Sweet days awaited.
The first white wagtail sighting also brought a moment of uncertainty. We learned to be very cautious. If you saw the bird from the back, which you almost always did, it meant happiness and good fortune. But on those rare instances in which you first happened to catch sight of it from the front, and got a good look at the black spot on its tiny breast, it was a bad omen: Misfortune and sorrow lay ahead.

Carlsson knows a bit about police work and crime. Mom was the Swedish equivalent of a 911 dispatcher. And the author’s day job is putting his Criminology PhD to use as a college professor, and writer of professional papers on criminology. His father was an auto mechanic, a job he hands off to Moth’s father in the book. Carlsson is from the area in which these crimes take place. I suppose only those who know the area can opine on whether he presented it accurately.

Criminology taught me the rough brutal truths about crime: it’s dirty, bloody, messy, painful, raw, costs a lot, and, sometimes, it’s beyond meaning in any reasonable sense of that term. – From Crimereads article

I had only two real issues with the book. There is a gap between some of the crimes that is not really explained, and an authorial disinclination to go into the killer’s motivations. If you are ok with that, then this one should satisfy. It enhances a procedural mystery with a look at family, questioning how well we really know those closest to us, and the limits of what one might do for loved ones. It adds a take on the sense of the place and the times. Best of all, there are some excellent twists.

The one she asks for light is also the one who will bring darkness. Like the face of Janus.

Review posted – 01/20/23

Publication date – 01/03/23 – (English translation) – It was originally published in Swedish in 2021

I received a digital ARE of Blaze Me a Sun from Hogarth in return for a fair review. Tack, gott folk, and thanks to NetGalley for facilitating.

This review has been cross-posted on GoodReads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s Instagram and Twitter pages

Blaze Me A Sun is Carlsson’s ninth book and American debut.

Interview
—–Penguin Random House – Book Club Kit – there is an excellent interview in this
—–Booktopia – An award-winning crime writer’s advice for aspiring authors. by Anastasia Hadjidemetri – from 2017

Songs/Music
—–Sting – Russians – noted in chapter 23

Items of Interest
—–Wikipedia – Assassination of Olof Palme
—–Oregon State University – frame structure in novels

Items of Interest from the author
—–Google Scholar – Carlsson’s criminology writings
—–Crimereads – 1/11/2023 – With the Dead

Could the worst of crimes be devoid of meaning? Strange things happen all the time, every day, and we don’t think too much of them because they don’t affect us that deeply. They are just “coincidences” or something else, depending on what you believe in. Criminology taught me the rough brutal truths about crime: it’s dirty, bloody, messy, painful, raw, costs a lot, and, sometimes, it’s beyond meaning in any reasonable sense of that term.

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Filed under Mystery

Secret Identity by Alex Segura

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The comics business was messy—a slapdash sprint to meet immovable deadlines, a blur of pages flowing from production to editorial and back before being jettisoned out the door to the printer. Carmen loved it.

Miami was a city, too, Carmen knew—but New York was something else. A disease that bubbled and expanded and multiplied and morphed, like some kind of magical, mystical being that seemed from another world.

Carmen Valdez, late of Miami, is where she wants to be. She may not be exactly doing what she wants, but she is trying to get there. A New Yorker for the last year, Carmen is 28. She works at Triumph Comics, a third-tier publisher of such things, and is living the dream, if the dream is to be working as a secretary to a boss who cannot see past her gender, cannot even imagine a woman, let alone a Hispanic woman, actually writing stories for his press. But the stories are there, the ideas filling notebooks. She gives him some, but even if he bothers to read them, he dismisses the work out of hand. All she needs is a chance. And then one appears.

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Alex Segura – image from Comicsbeat

Harvey Stern is a junior editor there, young, friendly. They bond over a shared love of the medium (a love she had acquired from her father taking her out for father-daughter bonding that included the buying of comics). They are friendly without being quite friends. The house has a sudden need for a new character; Harvey is given the job of coming up with one, a female hero who will get a rise out of young male Triumph readers. Carmen sees her opportunity and offers to “help.” Their work together goes well. The story is mostly hers, of course, but Harvey has some skills. They produce a pretty good book. It does well. Problem is that no one other than she and Harvey knows the truth about how it came to be. Then Harvey suffers a BLAM! BLAM! leaving him with even less conscious corporeality than an invisible six-foot pooka. Guess who finds the body? And the noir gets dark.

I’ve always been fascinated with Megan Abbott’s work and her ability to bring the tenets of noir to areas where you wouldn’t expect noir to exist—gymnastics, cheerleading, science, and so on. She crafts these narratives that are tense, fraught, and loaded with style outside of the typical noir settings. I remember reading Dare Me and just thinking, huh, wouldn’t it be cool to write a comic book noir? – from The Big Thrill interview

Segura had recently finished writing his Pete Fernandez Miami Mysteries, so has the chops to produce a pretty good whodunit. Carmen sees, in short order, that the police are not up to the task. She also knows that unless she can figure out why Harvey was killed, and by whom, she will never be able to get recognition for her work, or maybe sleep at night. Harvey is not the last person attacked by a mysterious villain.

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The Legendary Lynx – from the book – image from The Firewire Blog

Secret identities abound here. Carmen hides her true author self from the boss because of the sexism of the age. Everyone seems to have a secret. Harvey certainly does did. Are all the names that we are given really the characters’ true names? Might there be an alias or two creeping around, for dark purposes?

she had to become someone else to survive

Segura has been busy in the comic book industry for many years, working on Archie Comics, while living in Miami, then moving to New York to work for DC. He has written detective novels, and a Star Wars book, stand-alone mysteries, short stories, a crime podcast, and probably an encyclopedia. He is married with kids, and I imagine that he must sleep some…time. Maybe he is one of the characters he writes about and his secret power is eternal wakefulness. Captain Insomnia takes on every request for writerly product, and satisfies them all.

He has a particular soft spot for the 1970s in the comics industry, when the industry’s body was laid out on the street, bleeding money and readers. Who would come to its rescue?

Well the comic book industry was really struggling at that time after the glory years of the 50s and 60s. Comics were struggling. It wasn’t like today, where we have shows about Peacemaker or obscure characters – it was considered a dying industry. So I wanted to use her passion for the medium and contrast it with comics at its lowest point, and then show her fighting to control this one thing she loves. – from the Three Rooms Press interview

This was a time when comic books were sold only on newsstands or in small stores, before there were comic book conventions, before the steady drumbeat of blockbuster films based on comic book characters. There was plenty wrong with the industry at the time (there probably still is), with notorious cases of people stealing credit for the work of others. Some of those are noted here. In fact, there are many references made to well-known names in the comic book industry. I am sorry to say that most just slipped past me, as I am not the maven for such things that Segura and no doubt many readers of this book are. I can report, though, that not knowing all the references did not at all detract from my overall enjoyment, and recognizing the ones I did enhanced the fun. He even tosses in a nod to a character of his from another project, as that character’s story was set in the same time period.

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The Legendary Lynx – from the book – image from The Firewire Blog

There was plenty wrong with NYC at the time. I know. I remember. Fun City, originally a tossed-off line by a 1960s mayor facing multiple municipal crises (“It’s still a fun city.”) had not completed the shift to The Big Apple, itself a reconstitution of a city logo from the 1920s. The city, a political creation of the state, was starved by the state for the funds needed to provide the services it was required to offer, then was looked down on for that inability. It was a time when graffiti was ubiquitous, crime was up, and gentrification was beginning, as landlords were torching their properties to drive out residents so they could transform their buildings into co-ops. It was a time of white flight and a time when a local tabloid featured the infamous headline: Ford to City: Drop Dead, after NYC had turned to the federal government for aid. We get a taste with Carmen’s arrival.

the drab, claustrophobic walls of the Port Authority giving her the most honest first impression of New York she could expect. As she wandered the cavernous transport hub, a concrete behemoth at the tail end of the Lincoln Tunnel, she got a heavy dose of what she’d only imagined. A city in disrepair, boiled down into this one sprawling bus terminal. Leaky ceilings, shadowy conversations, blaring horns, and unidentifiable smells all coalesced into an unbridled fear that gripped Carmen as she stepped out into the New York sunlight.

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The Legendary Lynx – from the book – image from The Firewire Blog

Carmen’s mission is to solve the crime of course (When a man’s woman’s partner is killed he’s she’s supposed to do something about it. It doesn’t make any difference what you thought of him. He was your partner and you’re supposed to do something about it.”), but it would not be a noir if Carmen did not have some personal struggles going on as she struggles to figure out whodunit. There are parental issues, which might not be quite noir-ish, but a dark episode from her past stalks her, which certainly is. And there are some romantic bits as well, which definitely fit. She may have been raised Catholic, but Carmen is no nun. All this serves to make for a rounded character, one we can cheer for. Part of that rounding involves some flaws as well, and not the sort we are used to in our primary investigators.

For example, did Carmen really believe that the boss would disbelieve her if she told him the truth about authorship of The Legendary Lynx? There is a scene in which Harvey gets weird and take off after a working-together session. Holy Tunnel Vision, Batman! No freaking out over that? And she lets Harvey take her notebooks, her primary and unbacked up material? Even the Daredevil wasn’t that blind. There was something else, of no real consequence, that really bothered me. There is a scene which entails Carmen walking from the East Side to the West Side of Manhattan without any mention of passing through Central Park, which is directly in the path, or walking around it. That just seemed odd, particularly coming from a guy who lives in New York. Not really a spoiler, just wanted to spare most folks this aside.
I used to live on the West side of Manhattan, for most of the 1970s, West 81st Street, then West 76th Street, and walked across the park to my grad school on the East Side. Walked back, too, so, speaking from experience. Like I said, no consequence.

One thing you will definitely enjoy is the inclusion in the book of seventeen pages from The Legendary Lynx. They presage events in the chapters that follow. It is a perfect addition to the book.

Music permeates, including nods to the venues of the day, The Village Vanguard, CBGBs, The Bottom Line, et al. Her roommate, Molly, is a musician, rubbing shoulders with rising stars, like Springsteen and Patti Smith.

Secret identity covers a fair bit of territory, an homage to a beloved industry in a dire time, a noir mystery, a look at the city where he now lives, when it was on its knees, while saluting the music of the time and the creators of the comic book industry, warts and all. And he tosses in a comic book for good measure. This is a fun read of the first order, even for those, like me, who may not be comic nerds. In producing this very entertaining novel, Alex Segura has revealed his true identity, at least for those who did not already know. Clearly, Seguro really arrived on this planet not in a Miami hospital ward, but probably somewhere in the Everglades, his ship originating in a galaxy far, far away. He may or may not be able to leap tall buildings in a single bound, but he clearly wields otherworldly power as a writer. POW!

If it got published, I’d be ghostwriting it. . . . I mean, I’d get a shot, and if it did well we’d reveal my involvement, but. . . .”
“You’d be anonymous at first? Like his secret partner?”
Carmen waited a beat, letting her mind skim over what she already knew to be true. She nodded at Molly, hoping her friend couldn’t see her resigned expression in the dark.
“Is that what you want?” Molly asked. “To live your dream—in secret?”
Carmen felt her stomach twist into a painful, aching knot.

Review posted – March 11, 2022

Publication date – March 15, 2022

I received an ARE of Secret Identity from, well, I can‘t tell you, in return for a fair review. Thanks, folks. And thanks to NetGalley for facilitating an e-galley copy.

This review has been cross-posted on Goodreads. Stop by and say Hi!

=======================================EXTRA STUFF

Links to the author’s personal, FB, Instagram, and Twitter pages

Interviews
—–Crime Reads – SHOP TALK: ALEX SEGURA IS ALWAYS WRITING, EVEN WHEN HE’S NOT by Eli Cranor
Mostly on Segura’s process and insane productivity
—–The Big Thrill – Up Close: Alex Segura by April Snellings
—–Three Rooms Press – Stand Up Comix:> An Interview with Author Alex Segura

Item of Interest from the author
—–Segura’s Sub-stack

Items of Interest
—–When a man’s partner is killed…
—–pooka

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Filed under Fiction, Historical Fiction, Reviews, Suspense, Thriller

Shamus Dust by Janet Roger

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It wasn’t complicated. Not more than an early morning call from a City grandee, a nurse who came across her neighbor dead or dying before dawn on Christmas Day, and the dead neighbor’s latchkeys in my hand. That and the voice that always whispers in my ear, soft as telling a rosary, that for every reason I might think I have for mixing in a murder, there are ten better reasons to walk away. I crossed the angle of the court, fitted one of the keys in its lock and gave it a quarter turn. As for the voice that whispers, I hear it every time I step uninvited into an unlit room. The trick is not to let it start a conversation.”

April is not the cruelest month, not by a long shot. That would be October, when I drown my annual sorrows with the hope that next year, for sure, my beloved Metropolitans will not only make the playoffs, but go all the way. It is salved by the orgasmic visual and tactile experience that is Autumn in Northeastern USA, particularly after yet another too hot, overlong summer. But then, it is spoiled in turn as retailers insist on pushing their Christmas season earlier and earlier into the year. It used to be that they held off until Santa climbed off his Macy’s float and began renting lap space for cash. But no, they have pushed it back, past Halloween, past Columbus Day, to the beginning of October, and they may even have snuck past that to late September when I was otherwise engaged. A blot on humanity, this. How long can it be before the Christmas advertising begins right after Independence Day? Bad words are used in abundance, if not at particularly high volume, more muttering really. Greed, filthy lucre and all that. Not that I have anything against filthy lucre, per se, other than its insistent avoidance of my wallet and financial accounts. But I may have to rethink all this. It appears that Santa found his way to my chimney in OCTOBER! Not that I spotted him scrambling down. That would not have ended well for him, as, while we do have a chimney, there is no actual outlet inside the house. He might have missed subsequent deliveries, and the aroma might have become noticeable, but it was clear that he had me in mind this year, and early. It has been a while since I read a terrific Christmas book. And this one wasn’t even wrapped in a bow, with reflective or joyously seasonal paper.

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Janet Roger – image from Dorset Book Detective

It was a friend request. Not the first one I had received from an author. In fact, they are a bit of a problem in the dark business of book-reviewing, so much so that I had put a line in my profile intended to ward off author review requests. This one had the smarts to not bug me for an opinion. We exchanged a few friendly messages. You might like to check this website. Oh yeah, well You might want to check out This short story, and on it went, until a page from her book got around my virtual chain-link guard dogs, finding its way to my bloodshot eyes. It was the sort of book you catch a glimpse of, and your knees start to wobble. The edges of your mouth start to head toward your eyes. I knew there was no antidote to a virus like this. I had been successfully dosed. “Consider me seduced,” I wrote. “Can I get a review copy?” She didn’t play coy, but accommodated straight away. I like that in an author. Her people would be sending one my way faster than a copy editor strikes out a repetitive “the.” Wondering how easy this might turn out to be, I pushed my luck. Not everyone goes for extra stuff like this, but she seemed game, so I went ahead and asked. “How about an e-book, too?” And scored! No sooner did I download the book than I had to, just had to start reading. Even though my usual preference is for ink on dead trees, there was nothing for it. The heart wants what the heart wants, and boy, did my heart want.

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The streetlamp hung off a half-timber gatehouse in the middle of a row of storefronts with offices over, there to light the gatehouse arch and a path running through it to a churchyard beyond. – image from A London Inheritance

Some books you rush through, even some good books. But this one, for me, was a slow read. Not in the sense of too dense to take in all at once. More in the way of wanting the pleasure to last. Wanting to squeeze the most out of the reading experience, and enjoying the sensations. I am sure most of us have had those experiences when there is sensate joy to be had and the best way is slow and steady, not wham-bam and I’m outta here. There is enough juice, enough fun in this one to let you linger a good long while, sustaining a peak of interest, a long plateau, with frissons of thrill along the way. Taking one’s time encourages close attention, which is significant in keeping up with all that is going on. Roger does not waste a lot of time on irrelevant side-trips. It helps, also, if you like noir, if Raymond Chandler, Dashiell Hammett, and writers of the sort satisfy that particular need. It helps if you like to smile. We all got needs.

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The church had a square over a doorway framed in checkerboard stonework. An iron-studded door stood half-open on the porch (entrance), a police officer hunched in its shadow. – image from A London Inheritance

Newman (no, Seinfeld fans. Picture that guy and lose the mood entirely.) is our mononymous PI, halfway, I guess, between the fully named Philip Marlowe and Hammett’s nameless Continental Op, a Yank, late of an insurance investigation gig, long-time resident and practitioner in The City of London. The specificity is intentional. Greater London, these days, is over 700 square miles. In 1947 it was half that, give or take. The City of London, the Wall-Street-ian financial capital, is one square mile, inside the original Roman walls. Chandler had LA, Hammett had San Francisco. Newman has the CoL. Definitely easier to jog in a day. Although under the circumstances it would be tougher than one might assume. 1947 London is enduring one of the coldest winters ever, and all that snow, a special and long-lasting delivery from a Siberian weather system, and right at the beginning of the Cold War. (Maybe a pre-emptive attack?) An intentional counterpoint to the heat of the City of Angels. It is a time of shortages, food, fuel, soap, and most things needed to live, power outages, rationing, the fruits of victory no doubt, without the consolation of heroism. Somehow the well-to-do manage to find supplies denied the little people. He gets a call at an odd hour, on Christmas morning. Seems a Councilor, for whom he has never before worked, needs him to check out a crime scene, deliver some keys to a detective there, then report back. When the detective is not to be found, Newman starts pulling on the thread that we will spend the next few hundred pages unravelling. (Like carefully opening a tightly wrapped Christmas gift?) Deader in the lobby (called a porch here) of an old church. (On the first day of Christmas my true love gave to me, a dead fellow in a lobby) Candle still burning in the usual place inside. A nurse from nearby St Bart’s hospital had called it in.

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The post-War CoL with a fluffy blanket – image from Roger’s site

Newman, tasked with delivering keys (not seasonally wrapped) to a detective at the site, but said detective having departed the scene, opts instead to use said keys, to the vic’s apartment. What he finds there gets the gears moving, and the game is afoot. No sooner have you dialed M for murder than the bodies start piling up like plowed snow, and Newman has to wonder if his own client has culpability. The questions pile up even faster. How long, for example, was the nurse inside the church before the pre-dawn shot to the head outside, and why didn’t she hear it?

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Snowy London – image from the author’s site

Vice is front and center, as people with tastes that were considered a major no-no at the time are being blackmailed. But there is so much more going on. Of course, it may seem like very little to the locals, who have just endured the devastation of much of their city by our friends in Germany. Early Cold War London was rich with grift, corruption, ambition, and rubble. The City of London was considerably flattened. And, as has been made all too clear in the states, real estate development attracts the worst of the worst in human nature. Speaking of which, there is plenty of human nature on display here, indulging in all sorts of unpleasantness from garden-variety assault, to domestic violence, marital infidelity, a touch of human trafficking, police corruption, prostitution, blackmail, a dose of substance abuse, and enough backstabbing to justify proposing it as an Olympic sport.

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Raymond Chandler – image from LA Taco

So what about our leading man? We can expect our PI to keep a supply of spirits close to hand, and Newman does not disappoint. We can expect that there will be times when he dives a bit too far into that bottle. Newman does not disappoint. We can expect that our PI is a tough guy, able to deliver as well as take a punch, or absorb blows from whatever sorts of objects may come into contact with his carcass. Newman does indeed uphold a knight errant code by approaching a deserving sort with an appropriate measure of violence, foolishly hoping to preclude further criminality. But he seems mostly on the receiving end, which is par for the course. We expect our knight-errant PI to have his heart in the right place, to do his best to look out for those who are least able to look out for themselves. Newman does not disappoint. We expect our PI to be dogged, continuing his quest even after it has become clear that such pursuit puts him in mortal peril. We expect that he can neither be bought off nor frightened away. Newman does not disappoint. We can expect that he is not really in it for the money, but that should some filthy lucre find its way to him, he will find a holy purpose for it. Newman does not disappoint. We expect our PI to be able to temper his moral urges with recognition of unfortunate realities. Newman does not disappoint.

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Rubble around St Paul’s – image from Independent News

Rogers has a gift for crafting her supporting cast, the nurse who reported finding the body, the dodgy Councilor, his lush-ous daughter, his maybe dodgier lawyer, crooked cops, and on and on. Newman’s contacts are not exactly Burke’s Peerage (social-register to us Yanks) sorts, but are a delight, a barber, a sometime street-walker, a femme fatale of a doctor, whose side-job is pure fun, the mysterious mustachioed man who keeps turning up and then disappearing, abusive families, a cleric of questionable morality. This is joy, pure Christmas joy, but, like the best Christmas presents, this one can be enjoyed at any time of year. I do suggest, however, that you keep a digital or paper pad handy for tracking character names, particularly if you are reading the print version. There are more than a couple, and it would not do to be wondering who this is or trying to remember where you came across that one before. It is definitely worth the effort. Much easier, of course, in the e-book, where one can search at will. And there is no mistaking that the women in this tale are crucial to the events that transpire, with multiple facets, and sharp edges to match their softer curves.

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A Central Line underground train entering Epping Station, during heavy snowfall at the height of 1947’s freeze – image from The Daily Mail

The best element of the book for me was the noir patois. There is a rhythm to noir writing, particular to Chandler’s, and Roger has captured it amazingly well. The reason I stretched out my reading of this book was that every time I sat down to take in a few more chapters, I could count on reading at least one passage, often more, that simply made me smile. I cannot recall smiling so much while reading a book. Passages like the one at the top of this review, and more:

Newman on his clientele: Sometimes they glided in, languid and exquisite, leading complicated lives they needed to make less expensive. Others came high-strung, hesitating before they stepped inside, looked downhill at a police station and uphill at a church and decided they were in their kind of neighborhood after all. But some were just plain scared, and looking up and down the hill was no help because police were a part of their problem and their problem was way beyond prayer. So they leaned on the buzzer, waited to be invited inside, and took the customer chair as if they’d found the last seat in a lifeboat.

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Newman’s first impression of a key character: She was five feet and a half of deep-cherry redhead pressed against the door edge, fitted in a costume with a soft chalk stripe. Eyes wide-set, a crimp in her chin and a mouth that made the fall of dark-red hair look incidental. We lingered on her entrance just long enough to consider what else she might add to a winter morning. Then she touched at a silk flower pinned high on her shoulder, gave me the look that says Welcome is for doormats and murmured through close, even teeth, “Take your hat off, I’ll call my husband.” She turned on her heel and took the rustle with her.

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On the resilience of conflict:
The figure in the armchair… peered in the doorway where I stood, then puckered and spat on the smoking coals. “War’s over, Yank.”
“It’s never over, Mr. Voigt. It only moves someplace else.”

This is why I loved this book. Of course, it is not the only reason. Another wonderful experience of reading this book was the opportunity to crank up the Google machine and look up all the places that were referenced. I spent an undergrad semester in London a lifetime ago, have been there two other times, and visit regularly via British TV programmes. I am quite fond of the place, so it was a labor of love to dive in whenever a street, shop, or location was named.

Roger’s love for noir shines through. She tips her cap to many who have gone before. There are a few references I caught. A character named Hamnet could only have been inspired by one writer. The Carne Organization, of The Long Goodbye, trots across a page or two. (And may offer a link to a planned sequel, The Gumshoe’s Freestyle) Casablanca get a mention, as do George Raft and Bulldog Drummond. Robert Mitchum is noted in a wardrobe reference, and I am sure there a gazillion more that true noir nerds will pick up on in volume.

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A London bus that had to be dug out of a snowdrift in 1947 – image from The Daily Mail

Sit back and enjoy, enjoy, enjoy this ride, as you cheer Newman on. No reindeer required. Maybe you’ll take a month, like I did. Maybe you’ll rip through it like a Siberian wind through cheap fabric. Dress warm, or turn up the heat. Shamus Dust is like pixie dust for readers. Magic in abundance, and, while it addresses some of the darker sides of humanity in a trying time, it offers up a seemingly endless supply of smiles. If Santa offered such gifts up every year, I might not mind the holiday being pushed up quite so early.

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Two women delivering milk in Northampton by sledge during the harsh winter of 1947 – image from The Daily Mail

To this European raised in the first Cold War, those Eisenhower Americans seemed effortlessly pragmatic, tough, resilient, smart and subversive (not to say cool!). When absolutely necessary they even seemed to tote a moral compass. Shamus Dust puts one of them center-stage, and bangs a drum for qualities I was drawn to then and still am: to a certain uprightness, an insolence that’s at home with doubts, and a dry acceptance that the best of film noir had it right; that in the end it’s not about how you can win, but only how you can lose more slowly. – the author – from her site

Review first posted – November 15, 2019

Publication date – October 28, 2019

As noted above, I received a copy (two really) of Shamus Dust from the author in return for a fair review. Of course, she did promise that those particular photos would never see the light of day, and I am holding her to that.

This review has been cross-posted on GoodReads

=======================================EXTRA STUFF

Links to the author’s personal, Twitter and FB pages
Definitely check out her personal site. It is a cornucopia of wonderfulness.

You might also check out Roger’s blog on GR. There are lots of neat extra bits there.

Interviews
—–Messy Business – Books, Writing, Stuff – Interview with Janet Roger, author of Shamus Dust – by Jason Beech – check out the wonderful bit on the derivation of the word Shamus
—–The Writing Desk – Special Guest Interview with Author Janet Roger – by Tony Riches
—–The Dorset Book Detective – Janet Roger Interview: “What really got under my skin was Marlowe’s voice guiding me around the next street corner”
—–In Reference to Murder – The Origin Story of Shamus Dust – by BV Lawson

Items of Interest
—–Stories of London – a nice summary of planning the city over an extended period.
—–In case you are interested in what private eyes drink, you can knock this one back in a single swallow – Gentlemen, Name Your Poison – Drinkers, Stinkers and Occasional Tipplers
—–markvoganweather.com – A LOOK BACK: Winter of 1946-47 – by Vogan
—– Audio excerpts – two chapters – from Roger’s site
—–Raymond Chandler – The Simple Art of Murder – definitely check out this essay by the master
—–Janet Roger – The Noir Zone – on what the author’s ability to write in such a Chandler-esque style was built on – on the site KillerNashville.com
—–For a bit of seasonal fluff in a Chandler-esque vein, you might enjoy my short story The Short Goodbye

Music
—–Frank Sinatra – Have Yourself a Merry Little Christmas
—–Hall & Oates – Private Eyes – with lyrics

Added Material
—–December 6, 2019 – Roger added an entry on her site re the pub (The Tipperary) on the street floor of the building where Newman lives. Fun detail. Check it out.

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Filed under Fiction, Historical Fiction, Literary Fiction, Mystery, Noir

Mr Mercedes by Stephen King

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Every religion lies. Every moral precept is a delusion. Even the stars are a mirage. The truth is darkness, and the only thing that matters is making a statement before one enters it. Cutting the skin of the world and leaving a scar. That’s all history is, after all: scar tissue.

Detective Bill Hodges is 62, overweight, divorced and retired. He lives alone and has an uncomfortably familiar relationship with his father’s pistol. The two spend long hours together in front of the tube, taking in the sort of Maury-Povich-mind-poison that is probably grown in basement vats to be sold to post-lobotomy viewers for the price of a gazillion commercials, disposable hours of a pointless life, and a willingness to cash in one’s remnant humanity for a permanent gig as a morality-blind multi-eyed sofa spud.

Hodges had been on the job when a particularly heinous crime had been committed, but was out before he could find the evil-doer. His pre-suicidal reverie is disturbed by the non-postal-service delivery of a printed message. The nut job who did the crime taunts Hodges for his failure, and encourages him to take his suicidal contemplation a step further. Fat chance.

As far as the term hard-boiled goes, I feel pretty comfortable applying it to eggs (cooked in water until the yolk is firm). As for hard-boiled fiction, there are probably as many different definitions as there are diverse sorts of egg-layers. So I will offer no litmus test here to measure whether Mr Mercedes satisfies a certain set of definitional criteria. Is it truly hard-boiled or not? Is it truly noir-ish or not? To which I can only reply. Sorry dear, did you say something? Could you pass the bourbon, please. There are many sub-categories of the mystery genre, 14 of which are noted for your pleasure on the web site of the Seattle Mystery Bookshop. And I am certain that Mr Mercedes fits nicely into one of them. But whether you prefer your mystery tales hard-boiled, soft-boiled, poached, scrambled, fried or over-easy, the one thing that counts here is the chef author. Whatever he does with and to the genre, Stephen King will take you for a ride that includes at least a bit and maybe more than a bit of a scare. And scary is scary whether the source is a haunted house, a psycho alien clown or a very sick puppy.

Said sick puppy opens this story by driving the large Mercedes of the title directly into a crowd of the hopeful and desperate at a job fair in an unnamed Midwest town, killing eight and seriously injuring over a dozen more. (King talks about the genesis of this scene here, in a video clip from TV station WABI in Maine.) Not a recreational activity most of us might indulge in, but for Brady Harstfield murdering and maiming constitutes good times. He makes ends meet as a house-calling IT guy. His second job is as an ice-cream vendor. And, while it is fun to see Brady in his white truck gig, it did feel rather forced. If you are expecting Raymond Chandler here, or Dashiell Hammett, you will have to holster your expectations. There will be no trying-to-figure-out-whodunit in this story. The looney tunes with the diminished conscience and enlarged mommy issues is presented straight away as our psycho-killer. So, more Columbo than Marlowe. The trail we follow is in how the goodies discover and find their way to the baddie.

Erstwhile Detective Hodges takes the lead. King spends some time with introductions, as Mr Mercedes is the first of a planned trilogy. So we get to know a bit about him and his partners in anti-crime. Jerome Robinson is 17, black, 6’5”, a computer whiz, within reason, and Ivy League bound. He has been doing some lawn work and occasional IT assistance for Hodges, and is the closest thing the old guy has to a friend. Holly Gibney, 44, has issues, having spent a few sessions in institutions for the very nervous. She is a cousin to the late owner of the Mercedes that was used in the carnage. Hodges met her as he looked into the death of her cuz. Her mother Charlotte is an awful human being, controlling, greedy, and incapable of seeing Holly’s better qualities. She has some, intelligence and tenacity being high on that list. This oddball trio (the Harper Road Irregulars?) work the case, without, of course, involving the police any more than absolutely necessary. I found them extremely engaging. Jerome is probably too perfect, and Holly may be a bit too twitchy, but they are fun to follow.

King shows his playfulness with the genre, whatever genre it actually is. Of course, Hodges is just a retired detective not a PI, but when Holly’s aunt, Janelle Patterson, (named, surely, for a certain author King has called “a terrible writer”) hires him he takes a step in the genre direction. (I have vowed not to make any jejune comments regarding private dicks) Janelle even buys him what she calls a Philip Marlowe fedora. Janelle is, of course, the mandatory femme fatale, but if so, she is on the light side, lacking some of the attributes normally associated with that type. Could Hodges’ Harper Road address be a nod to Ross McDonald’s Lew Harper? The baddie references several cop dramas, NYPD Blue, Homicide, and The Wire, for example. Luther and Prime Suspect are noted as well, in a disparaging way. Mentions of Wambaugh and Grisham appear, and King double dips by naming a records department cop Marlo. There are undoubtedly many more, but those are the ones that jumped out at me.

King lets us look over Brady’s shoulder as well as over Hodges’, and tosses in some third-party views as well. Parenthood comes in for a difficult time. Only Jerome, of all the major, or even secondary characters, has a decent parent-child relationship with his actual family. Of course bubby family life is not exactly a staple of detective fiction, so that fits well enough.

Madness is the doorway that writers step through when they want to introduce a bit of fantasy to an otherwise real-world scenario. And SK simply could not help himself. Mr Mercedes is most definitely a non-fantasy novel, but there are a few (really, only a few) moments when familiar King woo-woo material appears. It will be interesting to see if this is a recurring feature in his trilogy or if SK can stay on the non-fantasy wagon for the entire ride.

So what’s the bottom line here? Stephen King cranks out novels, it seems, like Hershey produces kisses. They are all tasty and appealing, but there is a definite sameness to the product. King can draw readers in. He offers engaging characters, and understands the mechanics of tension and release as well as any living writer. Put a red wrapper on it and it remains a tasty treat. Blue? Same deal. I bet if King wanted to write a historical romance it would have engaging characters, some danger, some resolution. It would pull you in and hold on like a succubus (no, not public transportation through a red-light district) or like a succubus on a private dick. Sorry, I just could not stop myself. But at least I put the offending material under a spoiler tag, so that makes it ok, right? or, in this case, a femme fatale. I thought the anti-religion musing in which the killer indulges seemed like an interesting theme to explore further, but it seemed to fade.

You will rip through Mr Mercedes faster than the posted limit. There are some scary moments as you careen through, and you will care whether this one or that one comes to a bad end. Some do, some don’t. It is probably a good thing that King is looking to write things other than straight-up horror. He has to amuse himself somehow, keep those possessed typing fingers of his out of trouble. But overall, while Mr Mercedes will get you from here to there and show you a thing or two along the way, it felt a lot more like basic transportation than a true luxury ride.

Posted – 1/3/15

Published June 3, 2014

=======================================EXTRA STUFF

Here is SK’s site and FB page

Otto Penzler has nifty description of what constitutes hard-boiled fiction

A few other King Family items I have reviewed
by Stephen King
The Shining
Doctor Sleep
Under the Dome
Duma Key
Lisey’s Story
Revival

by Joe Hill
NOS4A2
20th Century Ghosts
Heart-Shaped Box

A Gif of the UK cover is cute, but I thought it too distracting to include above

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Filed under Fiction, Horror, Noir