Tag Archives: metoo

Stone Blind by Natalie Haynes

book cover

Perseus…has no interest in the well being of any creature if it impedes his desire to do whatever he wants. He is a vicious little thug and the sooner you grasp that, and stop thinking of him as a brave boy hero, the closer you’ll be to understanding what actually happened.

Who decides what is a monster?

When Natalie Haynes wrote Pandora’s Jar, a collection of ten essays on the women in Greek myths, she included a chapter on Medusa. In nine-thousand words she offered a non-standard view of the story of heroic Perseus slaying the gorgon. But the story stayed with her, well, the rage about the story of how ill-treated this supposed monster had been, anyway. If the feeling remained that powerful for so long, it was a message. She needed to devote a full book to this outrage in order to get any peace. Thus Stone Blind.

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Natalie Haynes – image from Hay Festival

We learn how Medusa came by her notable do. After being sexually assaulted by Poseidon in one of Athena’s temples, the goddess was appalled. No, not by the rape. I mean a god’s gotta do what a god’s gotta do. But that he raped Medusa in Athena’s temple! Desecration! Well, that cannot go unpunished. So, Athena seeks revenge on Poseidon by assaulting Medusa, figuring, we guess, that this might make Poseidon sad, or something. Uses her goddess powers to turn Medusa’s hair to snakes and her eyes to weapons of mass destruction. Any living creature she looks at will be lithified.

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Image from Mythopedia – Head of Medusa by Peter Paul Rubens – 1618

Then there is the other half of this tale, Perseus. We are treated to his dodgy beginnings, another godly sexual assault. He is not portrayed here as the hero so many ancient writings proclaim. Decent enough kid, living with his mom, Danae, and a stepfather sort, until mom is threatened with being forcibly married to the local king, a total douche. Junior tries to make a deal to get her out of it, said douche sending him on a seemingly impossible quest. Good luck, kid. I mean, seriously, how in hell can he hope to bring back a gorgon’s head?

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Image from Ancient Origins

Zeus feels a need to help the kid out. I mean, Perseus may be a bastard, but hey, in Greek mythology, that would put him in the majority. Am I right? Still, he is Zeus’s bastard, so Pop does what he can to help him out, sending along two gods to coach and aid the lad as needed. Hermes and Athena snark all over Perseus, pointing out his many weaknesses and flaws, while providing some very real assistance. They may not hold the kid in high regard, but neither can they piss off the boss. Very high school gym, and totally hilarious.

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Image from Wiki – Perseus Turning Phineus and his followers to stone by Luca Giordano – 1680s

Which should not be terribly surprising. Haynes is not just an author and classicist, but a stand-up comedian. You can glean what you need to know about her comedic career from the Historical Archivist interview linked in EXTRA STUFF. There is plenty of humor beside godly dissing of Perseus. Athena (referred to as Athene in the book) tries to talk an unnamed mortal into signing on to a huge battle between the Olympian gods and the Giants, new powerhouse versus the current champs. It is clearly a tough sell.

‘If you get trodden on by a giant or a god – which wouldn’t be intentional on our part, incidentally – but in the heat of battle one of us might step in the wrong place and there you’d be. . . . Well, would have been. Anyway, it would be painless. Probably very painful just before it was painless, but not for long.’… ‘Come on. If you do die, I’ll put in a word for you to get a constellation. Promise.’

There are plenty more like these, including a particularly shocking approach to relieving a really bad headache.

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Image from Scary For Kids (reminds me of the nun I had for eighth grade)

But the whole quest experience uncovers Perseus’s inner god-like inclinations. He becomes an entitled rich kid with far too many high-powered connections helping him out. And develops a taste for slaughter. When Andromeda sees a knight in shining armor, come to save her from certain death by sea monster, her parents suggest that “Maybe, Sweetie, you might consider how gleeful he was when he was murdering defenseless people?” Or noting that if he had really been solid on keeping promises he might have headed straight home to save his mom with that snaky head instead of stopping off to frolic in blood for a few days. “This boy’s gonna be trouble, Andy.”

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Image from Classical Literature

The gods have issues. The Housewives of Olympus could well include some unspeakable husbands, who seem to have a thing for forcing themselves on whomever (or whatever) catches their eye. As a group they are always on the lookout for slights, insults, or minor border transgressions. What a bunch of whiny bitches! But with power, unfortunately, to make life unspeakable for us mere mortals, whose life expectancy is not even a rounding error to their eternal foolishness. Medusa, in that way, was one of us. There is uncertainty about Perseus.

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Image from Talking Humanities

Sisters abound. Apparently, triple-sister deities was a thing for the ancient Greeks. We are treated to POVs from Medusa’s two gorgon sibs, and look on as Perseus hoodwinks the three hapless Graiai sisters, who are doomed to having to share a single eye and a single tooth among them. (Could you please wipe that thing off before you pass it along?) The Nereids are more numerous (50) and a bit of a dark force here.

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From Greek Legends and Myths – by Arnold Böcklin (1827–1901)

Never one to stick to a single POV, Haynes offers us many discrete perspectives over seventy-five chapters. Fifteen are one-offs. The Gorgoneion leads the pack with thirteen chapters, followed by Athene with eleven, Andromeda with eight and Medusa with seven. There are some unusual POVs in the mix, a talking head (no, not David Byrne), a crow, and an olive tree among them. Haynes dips into omniscient narrator mode for a handful of chapters as well.

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Image From Empire

As noted in EXTRA STUFF, there is a particularly offensive sculpture of Perseus holding Medusa’s severed head. Not only has he murdered her, he is standing on her corpse. You can see how this would piss off a classicist who knows that Medusa never hurt anyone. Damage done by her death-gaze was inadvertent or done by others using her head as a weapon. And this supposedly brave warrior killed this woman in her sleep. Studly, no? And with all sorts of magical help from his father’s peeps. What a guy!

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Image from Smithsonian American art Museum – by Lucien Levy-Dhurmer – 1915

Natalie Haynes set out to tell Medusa’s story, and it is completely clear by the end that the monstrosity here is the treatment this innocent female mortal received, at the hands of abusers both male and female. Haynes keeps the story rolling with the diverse perspectives and short chapters, so that even if you remember most of the classic myth there will be plenty of mythological history you never knew. You will also laugh out loud, which is a pretty good trick for what is really a #METOO novel. The abuse of the powerless, of women in particular, by the powerful has been going on only forever. Haynes has made clear just how the stories we have told for thousands of years reinforce, and even celebrate, that abuse. Next up for her, fiction-wise, is Medea. I can’t wait.

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Image from Smithsonian American Art Museum – by Alice Pike Barney – 1892

Medusa may not have been a goddess, but it seems quite clear that Natalie Haynes is. This is a wonderful read, not to be missed.

He’s just a bag of meat wandering round, irritating people.’

Review posted – 02/24/23

Publication dates – Hardcover
———-UK – September 15, 2022 Mantle
———-USA – February 7, 2021 – Harper

This review has been cross-posted on GoodReads. Stop by and say Hi!

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Image from Wiki by Caravaggio – 1597

=======================================EXTRA STUFF

Links to the author’s personal, Twitter and Instagram pages

Interviews
—–The Bookseller – Natalie Haynes on challenging patriarchal historical narratives and championing female voices by Alice O’Keeffe
—–CBC – Natalie Haynes on the fantastic and fearsome women of Greek myth
—–LDJ Historical Archivist – Brick Classicist of the Year 2023 Natalie Haynes – video – 16:46 – this is delicious
—–Harvard Bookstore – Natalie Haynes discusses “Stone Blind” – video 1:03:55 – – This is amazing! So much info. You will learn a lot here.

My review of other work by the author
—–2021 (USA) – A Thousand Ships – Helen of Troy and the women of the Homeric epics

Items of Interest
—–Wiki on Gorgoneion
—–The Page 69 Test – Stone Blind – a bit of fluff
—–Widewalls – An Icon of Justice – Or Something Else? A New Medusa in a NYC Park – interesting contemporary sculptural response to a classical outrage.

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Left: Benvenuto Cellini – Perseus holding the head of Medusa, 1545–1554. Image creative commons / Right: Luciano Garbati – Medusa With The Head of Perseus, 2008-2020. Installed at Collect Pond Park. Courtesy of MWTH Project – images and text from Widewalls article
The MWTH (Medusa with the head) image is sometimes accompanied by the ff: “Be thankful we only want equality and not payback.”

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Filed under Fantasy, Feminism, Fiction, Historical Fiction, Literary Fiction

Digging for Truth – We Keep the Dead Close by Becky Cooper

book cover

I’m here because, for the past ten years. I have been haunted by a murder that took place a few steps away. It was told to me my junior year of college like a ghost story: a young woman, a Harvard graduate student of archaeology, was bludgeoned to death in her off-campus apartment in January 1969. Her body was covered with fur blankets and the killer threw red ochre on her body, a perfect recreation of a burial ritual. No one heard any screams; nothing was stolen. Decades passed, and her case remained unsolved. Unsolved, that is, until yesterday.

“Every nation-state wants an important past,” Karl said. So, often the ruling parties will commission archaeologists. But sometimes the past the archaeologists find is not what the powers want them to find.

In Becky Cooper’s gripping true-crime tale, We Keep the Dead Close, there are two mysteries at work. Who brutally murdered Jane Britton and why, and was Harvard University involved in covering up the murder? If so, did they know who the guilty party was?

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Becky Cooper – from the Boston Globe – photo by Becky Cooper

Ok, so here is how I went about reading the book. In addition to entering into my review file the names of the suspects people connected to the crime, I also kept a running list of the questions I thought needed answering as the book moved along. Here is a sample from reading through page 32:

Questions so far
—–Was Jim H (Jane’s sort-of bf) at her door at 9a as reported by her friends and neighbors, the Mitchells?
—–Where is Jim H now?
—–Who were the two men dashing to a car at 12:30a as reported by neighbor Ravi?
—–Why was Jane’s cat screaming at 8p, and if the place was effectively soundproof how did neighbor Carol Presser hear it?
—–Sounds like the killer was left-handed, given the location of the fatal blow.
—–What’s the deal with the red ochre sprinkled over Jane’s body?

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Jane Britton – image from Wikimedia

I kept a separate list for the question of whether Harvard engaged in a coverup. In a book of over 400 pages you can see how this list might grow. And grow it did, even as I checked off many of the questions when they were answered. But that was one of the major joys of reading this, or, I guess, any true crime book, or fictional crime book for that matter. Seeing if what strikes the author, or the investigators, is also what strikes you, the reader, the rousing of our inner Sherlock. Aside from the mystery, the whodunit of the story, there is content in abundance. For example, how can an institution like Harvard at the very least appear to be involved in covering up a crime, and yet remain unaccountable. Maybe that is not so surprising given that, after lives of diverse forms of crime, the Trump family remains on the spacious side of prison bars. But still, there is, or at least should be, some shock value to this. Did Harvard leadership hide a capital crime, did Harvard obstruct justice for fifty years? Cooper looks at evidence suggesting that it did.

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Professor Karl Lamberg-Karlovsky was a prime suspect in Britton’s murder – image from the NY Post – grad students had accumulated a file on him. One of them died under questionable circumstances.

As noted in the opening quote at top, Cooper had come across this story while an undergraduate at Radcliffe. The professor presumed most likely to have done the deed was still teaching at Harvard. Cooper graduated, moved on, was having a life, but the story stuck with her. Ten years after her undergrad days, she returned to the scene of the crime, as a graduate student, determined to find out the truth of Jane Britton’s death.

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The Dig team in Iran in 1968 – from West Hunter

This is a journey very reminiscent of Michelle McNamara’s amazing I’ll Be Gone in the Dark, in which she helped track down the Golden State Killer. Could Cooper do the same? We follow her through the labyrinth of her investigation, talking with everyone who knew Jane at the time of her death, and then branching out to the people who knew the people who knew her. She keeps trying to get access to official police records, a remarkably difficult undertaking for such a cold case, even moreso as Massachusetts is one of the worst states in the nation on Freedom of Information access, and gets in touch with local and state investigators who were involved back then. Suspects get their time in the spotlight, then are replaced with others. Was it one of these, or maybe someone in Jane’s circle who was never thought of as a suspect, or maybe someone else entirely?

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Jane Britton and Ed Franquemont at their college graduation in 1967 – image from Town & Country – source: the Jane Britton Police File – Franquemont, an ex, was universally disliked by Jane’s friends. He may have been physically abusive to her

But there is a whole lot more going on here than a procedural effort to unearth the truth in a nearly fifty-year-old cold case. There is a consideration of historical and all-too-contemporary gender discrimination issues at Harvard, a strong thread about story that permeates, and a subset of that, on rumor as a means of social control.

Cooper documents decades of dismissive treatment of women, not just at Harvard, but in academia well beyond those ivied walls. This manifests in many ways. Women at Harvard in the 1970s learned to dress as sexlessly as possible in order to de-emphasize their gender, lest they be seen as less academically capable than their male clasamates. In the 1980s, women were ushered to positions in the university that were high on administrative duties and low in departmental influence. In 1994 Nancy Hopkins documented the bias against women, showing that only 8 percent of the science faculty at MIT were women, and even lower, 5 percent, at Harvard. In 2005 Hopkins confronted then Harvard president Larry Summers at a conference when he claimed that female under-representation in science faculties was the result of innate biological differences. In the twenty-teens, Associate Professor Kimberly Theidon, was active at Harvard speaking out about sex discrimination and sexual assault, faulting Harvard for its lagging sexual assault policy. When her concerns made it into The Crimson, Harvard’s newspaper, her tenure application, which had already been approved by the authorizing committee, was withdrawn. Behind-closed-door deliberations on tenure decisions shields Harvard from much-needed transparency.

The tenure decision-making process “is an invitation to abuse,” Howard Georgi, a Harvard physicist who has served on tenure committees told Science magazine in 1999. “There’s no question this has affected women.”

The whole notion for the book began, of course, with the story BC heard when she was a Radcliffe undergrad. The police withholding their information made the story of Jane’s death largely oral, and certainly unofficial. And we know from the game Telephone, how stories can change when passed along that way. The file kept by graduate students at Harvard about Karl, with so many elements poorly examined, if researched at all, made that a kind of urban legend. Everybody back at the time of her death had their own experience of Jane and BC tries to make sense of them, learn from their Rashomon-like views the truth of who Jane was. She presents to us a Jane Britton who is not just a body deprived of life, but a three-dimensional person, with a personality, a history, hopes, talents, complications, and ambitions.

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Jane Britton’s boyfriend, Jim Humphries, was also a possible suspect. – image from the NY Post – source: Jane Britton police file

We construct history from the pieces that are available to us. Artifacts, physical objects, letters, photographs, newspaper reports, police reports, spaces that existed then that are still around today. Cooper pursues all she can find, but some will never be unearthed. Sometimes those pieces might lead in opposing directions. Sometimes the pieces might lead nowhere. Sometimes small pieces might hold large truths. Sometimes what seem large pieces hold little explanatory value. Which are the important shards? And which are just detritus? It takes persistence, sensitivity, intelligence, and creativity to make the story we construct of these pieces reflect the truth of the person, the event, or the time we are attempting to describe. Karl Lamberg-Karlovsky’s claim to fame, for example, was not the high academic achievement of his field research. It was his ability to transform the bits he found into a compelling tale. And what about the missing puzzle pieces, the police reports that were kept hidden, the people there in 1968 and 1969 who had died? We can never really know all there is to know. But hopefully we can, with the evidence we are able to gather, get close enough.

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Richard Michael (Mike) Gramly (many years later, obviously) not only knew Jane at the time of her death, but was also on an expedition when another young woman vanished mysteriously – he was known to have serious anger issues

There were rumors bouncing around Jane and her death like neutrons in a nuclear reactor. Many of the people with whom Cooper spoke had a favorite suspect they believed guilty of the crime, offering what they knew or, maybe, had heard or suspected as supporting evidence. Did Ed Franquemont beat her? Was Mike Gramly guilty of maybe two killings? Did Jane have an affair with Karl in Iran? Did Jane threaten to expose a professional lie Karl had told? Did she blackmail him to gain an advantage in her exams, and a place on the next dig? Was Karl a plagiarist? Was Karl a murderer? Did rumors surround him because of his arrogance or because he might be guilty? How about Lee Parsons [sorry, I was unable to find a photo, but Lee is a prime suspect]? Something happened between Lee and Jane at a notorious “Incense Party” at his place. But what? Did Lee confess to killing Jane many years later? In Cooper’s investigative travels she crosses paths with an expert in such things.

As I thought more about [medical anthropologist] Mel [Konner]’s assertion that the rumors were a form of punishment, I found myself reading scholarly work on the social functions of gossip. I eventually worked my way to Chris Boehm, a former classmate of Jane’s who’s studied how gossip works in small-scale societies. He had, in fact, used Jane’s murder as an example in his paper about gossip as a form of social control.


According to Boehm, social groups necessarily have a certain amount of “leakiness“ built in. These are the whisper networks; these are the stories that get swapped in the field and passed quietly between graduate students. Their job is to limit outlier behavior and to keep members of the community safe when what can be said out loud is constrained. Gossip, in other words, is punishment for people who move outside the norms.

There is so much going on here, and it is so accessibly presented that you will be rewarded with much more than the knowledge of who killed Jane Britton. You will learn a lot about Harvard, how academia treats women, how gossip works in the world, and how one might go about solving a very cold case. You may or may not want to read this book in the somewhat OCD manner I pursued, focusing on solving the mystery. That way does add considerably to the reading time, as well as the filling feeling one gets from such activities. But whether you dust off each piece of information as it emerges, or speed through Cooper’s excavation on a mud-spattered Jeep, you will be well rewarded. Once you dig out We Keep the Dead Close from your bookseller’s shelves, you will definitely want to keep it close until you finish reading, exploring, and learning. This is an expedition well worth signing up for.

…the act of interpretation molds the facts in service of the storyteller. I have been burned enough times to know. There are no true stories; there are only facts, and the stories we tell ourselves about those facts.

Review posted – January 8, 2021

Publication dates
———-November 10, 2020 – hardcover
———-September 14, 2021 – trade paperback

I received a copy of the book from Grand Central in return for an honest review, or at least, as honest a review as might be possible given the materials I was able to excavate. Thanks, folks.

And thanks to MC. You know who you are.

=============================EXTRA STUFF

Links to the author’s personal, FB, Instagram, Tumblr, and Twitter pages

Interviews
—–This is an EXCELLENT interview – Wellington Square Bookshop – We Keep The Dead Close by Becky Cooper | Author Interview with Sam Hankin – video – 41:15
—–Grand Central Publishing – Becky Cooper & editor Maddie Caldwell in conversation – video – 56:16 – safe to skip the 2:13 intro

Items of Interest
—–Wiki – Murder of Jane Britton
—–WebSleuths.com

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Filed under American history, Bio/Autobio/Memoir, History, Non-fiction, Reviews