
“Next hundred and fifty miles are—they’re like the Bermuda Triangle for travelers, do you know that?” he says, finally bringing his pasty face around to Harper. “Thought it was the Snow Chi Minh Trail,” Harper says right back. It’s what her dad used to call 80 in the winter. “He’s talking about all the people who go missing, dear,” the woman says. “You’ve seen the posters in the windows at the gas station, haven’t you? Not just . . . walking people either. Drivers too.” “Just because people don’t call to check in doesn’t mean they’re missing,” Harper says. “Just means they don’t want to get found.”
“Thanks for the ride,” the hitcher says, climbing in from the sheeting rain. “What’s the old joke?” the driver says, clocking his mirror to ease back up to speed. “I ask you—no, you ask me if I’m a serial killer, and I say no, I’m not worried about that. The chances of two serial killers randomly being in the same car are through the roof, right?”
Somewhere in a U-Haul storage unit, there is a box or several with the remnant paperbacks of my wastrel youth. Among the volumes doing battle with mites of diverse sorts is a stack of Ace Doubles. From 1952 until 1973 Ace produced a line of paperback books that were printed in what is called the tête-bêche format.
“The ends of the two parts met in the middle, with a divider between them which functioned as the rear cover of both (the two parts were oriented upside-down with respect to each other in order to effect this)”– from Wiki
It was a bit of an oddity, but my need for science fiction was great, and I took my sustenance where I could find it. This format allowed for the publication of two pieces in a single volume. They could be novels, novellas, or abridged publications. (You can see a nice collection of covers from these on Flickr) There were other sorts, mysteries and westerns, for example, but I only cared about science fiction. As part of a celebration of Saga Press’s tenth anniversary, they decided to revive the format. What fun to see the form brought back to life! Stephen Graham Jones was asked to contribute some work. This volume is the result.

Image from Simon & Schuster
These SGJ works are not of immediately recent vintage. Both were written in a two-month period in 2018. The Babysitter Lives, was published as an audio book in 2022.
Release date was about when it would fit in the schedule, when is there gonna be a few months when I don’t have a book out to make these two books happen. It was that and we really wanted to do a flip book as part of Saga’s ten-year celebration. I had these two novels ready to go. Seemed like the perfect time. – from the Spotify interview
The two novels are quite different. Killer on the Road is a duel between a serial killer with a special gift and a final girl, as they drive along route 80 in Wyoming, marking a trail of carnage, exit by exit, stop by stop. (Jones has driven this road many a time and can attest to its many dangers, although maybe not the ones depicted here.) Pre cellphone, of course. Harper is 18 and leaving home after a blowup with her family, hitchhiking. She teams up with some friends who are tooling around in a National Park Service Vehicle. Not your usual road trip. Bucketmouth, a living urban legend, drives this road, eager to add to his personal roadkill total. He is also lonely in his particular form of awfulness and is quite loquacious. Harper becomes someone he likes to talk to, and therein lies the ongoing tension. It began as a novella, but Jones needed more space for Bucketmouth to do his thing. He also needed more space for Harper to grow, and voila. I am not sure why this sat around for seven years waiting to be published.
As with many in the genre, young people are done in with some regularity. Some older folks as well. The doings-in are very creative and awful. There is a non-stop pace to it, keeping the characters moving along route 80 and into and away from peril, a battle of wits and creativity, as Jones finds interesting ways for his monster to reduce the population, and challenge his final girl, the actual final solution to serial-killer-slasher-monsters, to make it stop before everyone succumbs.

Stephen Graham Jones – image from El Pais – courtesy of Jones
The Flip side book, The Babysitter Lives starts off with the usual creepy vibe. Teen on a sitter gig, wanting nothing more than to see the kiddies off to bed early enough to get some SAT test prep in. No boyfriend waiting for a chance to hook up. But a buddy of the bff sort will be by to make studying difficult. So, stalker? horror-mask guy in the closet with a machete? Not really, although there is very real mortal peril, and a veeeeerrrry creepy jack-in-the-box, that called to mind the Twilight Zone episode It’s a Good Life. This tale merges the haunted house story with the babysitter alone and in danger genre to create a truly nightmarish read.
The house has issues, including hosting the ghost of a psycho-killer, seemingly able to lock and unlock doors at whim, and is fitted with a chutes-and-ladders characteristic that makes it tough to figure out exactly where and when each transit point leads to, and if it will lead there again, as the house tries to eat her.
I confess, it was all too much for me. I did finish reading it, but was on the verge more than once, of throwing up my hands. While I think I am fairly able to keep track of details and actions in any book, I found that I was often perplexed about what had just happened, who was where, who was who, when we were, and what the rules were. While the lead was appealing, I just did not feel involved enough to make the effort to firm up my understanding of the logic and structure of the story by paying closer attention. Ultimately, while I appreciate genre-bending as much as the next reader, am perpetually impressed by the gift SGJ possesses for creating new images while referencing the classic ones, and enjoy a good scare, The Babysitter Lives did not do it for me. This does not lessen my appreciation of SGJ’s creative genius. I will be lining up to read his next new work as soon as it is announced.
I ran into that darkness, and am still running. – from the 5280 interview
Review posted – 08/29/25
Publication date – 07/15/25
I received an ARE of Killer on the Road – The Babysitter Lives from Saga in return for a fair review. Thanks, folks, and thanks to NetGalley for facilitating.
This review is cross-posted on Goodreads. Stop by and say Hi!
=======================================EXTRA STUFF
Links to Jones’s personal, Twitter and FB pages
Profile – from DemonTheory.net
Stephen Graham Jones is the NYT bestselling author of thirty-five or so novels and collections, and there’s some novellas and comic books in there as well. Stephen’s been an NEA recipient, has won the Texas Institute of Letters Award for Fiction, the Los Angeles Times Ray Bradbury Prize, the Mark Twain American Voice in Literature Award, the August Derleth British Fantasy Award for Best Horror Novel, the Independent Publishers Award for Multicultural Fiction, the Western Literature Association’s Distinguished Achievement Award, the American Library Association’s RUSA Award and Alex Award, the 2023 American Indian Festival of Words Writers Award, the Locus Award, four Bram Stoker Awards, three Shirley Jackson Awards, and six This is Horror Awards. Stephen’s also been inducted into the Texas Literary Hall of Fame, he’s been a finalist for the World Fantasy Award, and the Eisner Award, and he’s made Bloody Disgusting’s Top Ten Horror Novels. He’s the guy who wrote Mongrels, The Only Good Indians, My Heart is a Chainsaw, Earthdivers, I Was a Teenage Slasher, The Buffalo Hunter Hunter, and Killer on the Road. Stephen lives in Boulder, Colorado.
Interviews
—–5280 – Meet Colorado’s Most Prolific Killer, Horror Author Stephen Graham Jones by SPENCER CAMPBELL
After his first few novels, Jones realized his book event audience had begun treating him as an authority on Native American culture, just as his teachers had. “I did not like it even a little bit,” Jones says. He made a decision to swerve hard into slashers, zombies, and werewolves, “as a way of telling all those people, I dare you to try to find the Indian stuff in this,” Jones says. At the same time, Jones tried to publish works in the vein of David Foster Wallace. “What happened was about 2006, 2007, I feel like I became two writers,” Jones says. “One was on kind of a literary track, and one was doing the schlockiest genre stuff I could think of.”
—–Writers Digest – The WD Interview: Stephen Graham Jones by Moriah Richard
—–DemonTheory.net – PFDW # 181 – Interview with Stephen Graham Jones on Mapping the Interior
—–Pen.org – Crafting Nightmares: The Art of Horror with Stephen Graham Jones & Paul Tremblay – brief and not specific to this book.
—–Spotify – Episode 37: “A Fish story” with Stephen Graham Jones – by Matthew Jackson – audio – 1:06:57 – from 3:45
My reviews of (sadly, only six) previous books by Jones
—–2025 – The Buffalo Hunter Hunter – in Coots Reviews
—–2024 – The Angel of Indian Lake -The Indian Lake Trilogy #3 – in Coots Reviews
—–2023 – Don’t Fear the Reaper -The Indian Lake Trilogy #2 – in Coots Reviews
—–2021 – My Heart is a Chainsaw -The Indian Lake Trilogy #1 – in Coot’s Reviews
—–2020 – The Only Good Indians
—–2016 – Mongrels





